Fables Of Modernity
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Author | : Laura S. Brown |
Publisher | : Cornell University Press |
Total Pages | : 289 |
Release | : 2018-08-06 |
Genre | : Literary Criticism |
ISBN | : 1501722344 |
Fables of Modernity expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. Laura Brown shows how cultural fables arise from material practices in eighteenth-century England. These fables, the author says, reveal the eighteenth-century origins of modernity and its connection with two related paradigms of difference—the woman and the "native" or non-European.The collective narratives that Brown finds in the print culture of the period engage such prominent phenomena as the city sewer, trade and shipping, the stock market, the commercial printing industry, the "native" visitor to London, and the household pet. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centers, the national consequences of global expansion, the volatility of credit, the transforming effects of capital, and the domestic consequences of colonialism and slavery.
Author | : Laura Brown |
Publisher | : Cornell University Press |
Total Pages | : 292 |
Release | : 2001 |
Genre | : History |
ISBN | : 9780801488443 |
This text expands the territory for cultural and literary criticism by introducing the concept of the cultural fable. In connecting imagination and history through the category of the cultural fable, Brown illuminates the nature of modern experience in the growing metropolitan centres.
Author | : Fredric Jameson |
Publisher | : Verso Books |
Total Pages | : 216 |
Release | : 2020-05-05 |
Genre | : Literary Criticism |
ISBN | : 1789604052 |
The novels of Wyndham Lewis have generally been associated with the work of the great modernists-Joyce, Pound, Eliot, Yeats-who were his sometime friends and collaborators. Lewis's originality, however, can only be fully grasped when it is understood that, unlike those writers, he was essentially a political novelist. In this now classic study, Fredric Jameson proposes a framework in which Lewis's explosive language practice-utterly unlike any other English or American modernism-can be grasped as a political and symbolic act. He does not, however, ask us to admire the energy of Lewis's style without confronting the inescapable and often scandalous ideological content of Lewis's works: the aggressivity and sexism, the predilection for racial and national categories, the brief flirtation with fascism, and the inveterate and cranky oppositionalism that informs his powerful polemics against virtually all the political and countercultural tendencies of his time. Fables of Aggression draws on the methods of narrative analysis and semiotics, psychoanalysis, and ideological analysis to construct a dynamic model of the contradictions from which Lewis's incomparable narrative corpus is generated, and of which it offers so many varying symbolic resolutions.
Author | : Joshua Schuster |
Publisher | : University of Alabama Press |
Total Pages | : 233 |
Release | : 2015-10-15 |
Genre | : Literary Collections |
ISBN | : 0817358293 |
The Ecology of Modernism explores the unexpected absence of an environmental ethic in American modernist and avant-garde poetics, given its keen concern with an environmental aesthetic, and explains why American modernism was never green. Examining the relationships of key modernist writers, poets, and musicians to nature, industrial development, and pollution, Joshua Schuster posits that the curious failure of modernist poets to develop an environmental ethnic was a deliberate choice and not an inadvertent omission.
Author | : Robbie Richardson |
Publisher | : University of Toronto Press |
Total Pages | : 258 |
Release | : 2018-04-13 |
Genre | : Literary Criticism |
ISBN | : 1487517955 |
The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.
Author | : Chi-ming Yang |
Publisher | : JHU Press |
Total Pages | : 284 |
Release | : 2011-11 |
Genre | : History |
ISBN | : 1421402165 |
The fascinating premise of this study is that the Chinese influenced English concepts of virtue in the 18th century. Through analysis of plays, fiction, and a lecture tour (by an imposter pretending to be a converted heathen), Yang (English, U. of Pennsylvania) examines the interpretation of China's history, ethic, and cultural accomplishments in English culture and thought. Impressive in the range of examples of English, European, and Chinese writing and culture, the study defines English notions of non-European peoples and culture as well as its concept of China's, making this work of interest to a broad readership. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com).
Author | : Gyan Prakash |
Publisher | : Princeton University Press |
Total Pages | : 424 |
Release | : 2010-10-10 |
Genre | : Biography & Autobiography |
ISBN | : 069114284X |
Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. --
Author | : Jessica Burstein |
Publisher | : Penn State Press |
Total Pages | : 335 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0271053763 |
"Explores a significant but overlooked aspect of early twentieth-century modernism, one that focuses on surface appearance rather than interiority or psychological depth. Looks at the writers Wyndham Lewis and Mina Loy, the artists Balthus and Hans Bellmer, and the fashion designer Coco Chanel"--Provided by publisher.
Author | : Santiago Zabala |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 464 |
Release | : 2006-12-12 |
Genre | : Philosophy |
ISBN | : 0773577149 |
Moving away from Jacques Derrida's deconstructionism and Paul Ricoeur's hermeneutics, and building on his experiences as a politician, Vattimo asks if it is still possible to speak of moral imperatives, individual rights, and political freedom. Acknowledging the force of Nietzsche's "God is dead," Vattimo argues for a philosophy of pensiero debole or "weak thinking" that shows how moral values can exist without being guaranteed by an external authority. His secularising interpretation stresses anti-metaphysical elements and puts philosophy into a relationship with postmodern culture.
Author | : Florian Fuchs |
Publisher | : Princeton University Press |
Total Pages | : 169 |
Release | : 2023-05-23 |
Genre | : Literary Criticism |
ISBN | : 1942130759 |
A deep history of storytelling as a civic agency, recalibrating literature’s political role for the twenty-first century Why did short narrative forms like the novella, fable, and fairy tale suddenly emerge around 1800 as genres symptomatic of literature’s role in life and society? In order to explain their rapid ascent to such importance, Florian Fuchs identifies an essential role of literature, a role traditionally performed within classical civic discourse of storytelling, by looking at new or updated forms of this civic practice in modernity. Fuchs's focus in this groundbreaking book is on the fate of topical speech, on what is exchanged between participants in argument or conversation as opposed to rhetorical speech, which emanates from and ensures political authority. He shows how after the decline of the Ars topica in the eighteenth century, various forms of literary speech took up the role of topical speech that Aristotle had originally identified. Thus, his book outlines a genealogy of various literary short forms—from fable, fairy tale, and novella to twenty-first century video storytelling—that attempted on both "high" and "low" levels of culture to exercise again the social function of topical speech. Some of the specific texts analyzed include the novellas of Theodor Storm and the novella-like lettre de cachet, proverbial fictions of Gustave Flaubert and Gottfried Keller, the fairy tale as rediscovered by Vladimir Propp and Walter Benjamin, the epiphanies of James Joyce, and the video narratives of Hito Steyerl.