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A Further Exposure and Refutation of Faberism, occasioned by Mr. Faber's pamphlet entitled: An Account of Mr. Husenbeth's professed refutation of the argument of the difficulties of Romanism ... By F. C. Husenbeth
Author | : Frederick Charles HUSENBETH (D.D.) |
Publisher | : |
Total Pages | : 40 |
Release | : 1836 |
Genre | : |
ISBN | : |
A Reply to the Rev. G.S. Faber's Supplement to His Difficulties of Romanism
Author | : Frederick Charles Husenbeth |
Publisher | : |
Total Pages | : 392 |
Release | : 1829 |
Genre | : Apologetics |
ISBN | : |
A Reply to the Rev. G. S. Faber's Supplement to his Difficulties of Romanism
Author | : Frederick Charles HUSENBETH (D.D.) |
Publisher | : |
Total Pages | : 396 |
Release | : 1829 |
Genre | : |
ISBN | : |
The Making of a Counter-culture Icon
Author | : Maria R. Bloshteyn |
Publisher | : University of Toronto Press |
Total Pages | : 281 |
Release | : 2007-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802092284 |
At first glance, the works of Fedor Dostoevsky (1821-1881) do not appear to have much in common with those of the controversial American writer Henry Miller (1891-1980). However, the influencer of Dostoevsky on Miller was, in fact, enormous and shaped the latter's view of the world, of literature, and of his own writing. The Making of a Counter-Culture Icon examines the obsession that Miller and his contemporaries, the so-called Villa Seurat circle, had with Dostoevsky, and the impact that this obsession had on their own work. Renowned for his psychological treatment of characters, Dostoevsky became a model for Miller, Lawrence Durrell, and Anais Nin, interested as they were in developing a new kind of writing that would move beyond staid literary conventions. Maria Bloshteyn argues that, as Dostoevsky was concerned with representing the individual's perception of the self and the world, he became an archetype for Miller and the other members of the Villa Seurat circle, writers who were interested in precise psychological characterizations as well as intriguing narratives. Tracing the cross-cultural appropriation and (mis)interpretation of Dostoevsky's methods and philosophies by Miller, Durrell, and Nin, The Making of a Counter-Culture Icon gives invaluable insight into the early careers of the Villa Seurat writers and testifies to Dostoevsky's influence on twentieth-century literature.
Remarks on the Rev. G.S. Faber's Primitive Doctrine of Regeneration
Author | : Thomas Kerchever Arnold |
Publisher | : |
Total Pages | : 64 |
Release | : 1843 |
Genre | : Baptism |
ISBN | : |
An answer to ... G. S. Faber's Difficulties of Romanism ... Translated by ... F. C. Husenbeth
Author | : Jean François Marie LE PAPPE DE TRÉVERN (successively Bishop of Aire and of Strasbourg.) |
Publisher | : |
Total Pages | : 486 |
Release | : 1828 |
Genre | : |
ISBN | : |
An answer to the rev. G.S. Faber's Difficulties of Romanism. Tr. by F.C. Husenbeth [Défense de la Discussion amicale].
Author | : Jean François M. Le Pappe de Trévern (bp. of Strassburg.) |
Publisher | : |
Total Pages | : 490 |
Release | : 1828 |
Genre | : |
ISBN | : |
Encyclopedia of Contemporary Literary Theory
Author | : Irene Rima Makaryk |
Publisher | : University of Toronto Press |
Total Pages | : 676 |
Release | : 1993-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780802068606 |
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
The Columbia Granger's Dictionary of Poetry Quotations
Author | : Edith P. Hazen |
Publisher | : Columbia University Press |
Total Pages | : 1172 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 9780231075466 |
Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the "hair-of-the-dog" method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, "a grand excavation of drug myth." Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs -- how they have altered our very being -- and offers a glimpse of the brave new world of drug therapies.