Jung on Active Imagination

Jung on Active Imagination
Author: C. G. Jung
Publisher: Princeton University Press
Total Pages: 209
Release: 2015-02-17
Genre: Psychology
ISBN: 1400866855

All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination." This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.

Active Imagination Activity Book

Active Imagination Activity Book
Author: Kelly Tilley
Publisher: Future Horizons
Total Pages: 66
Release: 2011-05
Genre: Juvenile Nonfiction
ISBN: 1935567284

The activities in this book tap into what kids love best--play. The 50 sensorimotor activities provide fun, easy, and imaginative exercises to build a child's skills that are necessary for meeting the challenges of everyday life at home, school, and out in the community.

Jung's Technique of Active Imagination and Desoille's Directed Waking Dream Method

Jung's Technique of Active Imagination and Desoille's Directed Waking Dream Method
Author: Laner Cassar
Publisher: Routledge
Total Pages: 242
Release: 2020-06-07
Genre: Psychology
ISBN: 042984557X

Jung's Technique of Active Imagination and Desoille's Directed Waking Dream Method brings together Carl Jung’s active imagination and Robert Desoille’s "rêve éveillé dirigé/directed waking dream" method (RED). It studies the historical development of these approaches in Central Europe in the first half of the 20th century and explores their theoretical similarities and differences, proposing an integrated framework of clinical practice. The book aims to study the wider European context of the 1900s which influenced the development of both Jung’s and Desoille’s methods. This work compares the spatial metaphors of interiority used by both Jung and Desoille to describe the traditional concept of inner psychic space in the waking dreams of Jung’s active imagination and Desoille’s RED. It also attempts a broader theoretical comparison between the procedural aspects of both RED and active imagination by identifying commonalities and divergences between the two approaches. This book is a unique contribution to analytical psychology and will be of great interest for academics, researchers and post-graduate students interested in the use of imagination and mental imagery in analysis, psychotherapy and counselling. The book’s historical focus will be of particular relevance to Jungian and Desoillian scholars since it is the first of its kind to trace the connections between the two schools and it gives a detailed account of Desoille’s early life and his first written works. This book was a Gradiva Award nominee for 2021.

Romanticism & Esoteric Tradition

Romanticism & Esoteric Tradition
Author: Paul Davies
Publisher: SteinerBooks
Total Pages: 214
Release: 1998
Genre: Literary Criticism
ISBN: 9780940262881

Spiritual quest is at the very heart of poetry, but in our materialistic climate as we begin the twenty-first century, this has been largely forgotten, even by those who claim to be experts in interpreting literature.How does the worldview common to the main esoteric traditions of East and West correspond to the aims of Romantic poets such as Shelley, Keats, Blake, Coleridge, and Wordsworth? In Romanticism and Esoteric Tradition, Paul Davies maintains that the intended meaning of the poetry and thinking of the Romantics can be understood only in the light of the spiritual teachings of those traditions.This is one of the few books that connects the creative nature of poetry to the core teachings of the esoteric tradition. It reveals the true meaning of several Romantic writers whose works have been trivialized by a culture that has marginalized the spiritual and bound itself only to material, historical, and social concerns.The author also shows that the Romantics were the first Western poets to imagine the relationship of the self to the environment as personal encounter. In this sense the Romantics recalled a long-held secret of the esoteric "human sciences" rather than inventing a new one.This book brings the deepest interests of the Romantics directly into contact with issues closest to present-day students of the spiritual traditions and holistic perspectives.

Expanding Creative Imagination

Expanding Creative Imagination
Author: Frank Hajcak
Publisher:
Total Pages: 140
Release: 1993-06
Genre: Psychology
ISBN: 9780963361615

This book doesn't just talk about creativity, it extends an irresistable invitation to use creativity in all areas of life, from business to solving personal problems. Inspirational examples from famous & not so famous lives & fun filled activities, sprinkled throughout the text, keep interest & enthusiasm high. Covers everything anyone wanted to know about creativity but never knew who to ask. Written by an outstanding husband & wife; psychologists, published photographers, poets, cartoonists, musicians & authors of several books. They examine creativity from a personal/experiential, & easily understandable theoretical perspective. Examines & debunks all the myths from right/left brain theory to the genius/insanity connection. Demonstrates their totally new concept, 'Active Perception' & its role in the creative achievement in the arts, scientific & social progress & personal, business & financial success. Cites research to support their claims. Chapter on Raising Creative Children has been quoted & published in numerous magazines. Handsomely packaged - full color cover, cartoons emphasizing crucial points, tables & captivating illustrations, index, suggested readings. PART II consists of 37 additional games & exercises, illustrated works of intellectually disabled & gifted children discovering their creativity. Order directly from publisher.

The Extended Theory of Cognitive Creativity

The Extended Theory of Cognitive Creativity
Author: Antonino Pennisi
Publisher: Springer Nature
Total Pages: 346
Release: 2019-09-25
Genre: Language Arts & Disciplines
ISBN: 3030220907

This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.

Active Imagination in Theory, Practice and Training

Active Imagination in Theory, Practice and Training
Author: Chiara Tozzi
Publisher: Taylor & Francis
Total Pages: 159
Release: 2023-12-22
Genre: Psychology
ISBN: 1003809626

- Features contributions by many renowned, international Jungian analysts, as well as interviews with other well-known cultural personalities. - Based on research supported by the IAAP, and covers a unique topic that isn't widely written about.

Music as Creative Practice

Music as Creative Practice
Author: Nicholas Cook
Publisher: Oxford University Press
Total Pages: 265
Release: 2018-02-01
Genre: Music
ISBN: 0199347824

Until recently, ideas of creativity in music revolved around composers in garrets and the lone genius. But the last decade has witnessed a sea change: musical creativity is now overwhelmingly thought of in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesize both perspectives. It begins by developing the idea that creativity arises out of social interaction-of which making music together is perhaps the clearest possible illustration-and then shows how the same thinking can be applied to the ostensively solitary practices of composition. The book also emphasizes the contextual dimensions of musical creativity, ranging from the prodigy phenomenon, long-term collaborative relationships within and beyond the family, and creative learning to the copyright system that is supposed to incentivize creativity but is widely seen as inhibiting it. Music as Creative Practice encompasses the classical tradition, jazz and popular music, and music emerges as an arena in which changing concepts of creativity-from the old myths about genius to present-day sociocultural theory-can be traced with particular clarity. The perspective of creativity tells us much about music, but the reverse is also true, and this fifth and last instalment of the Studies in Musical Performance as Creative Practice series offers an approach to musical creativity that is attuned to the practices of both music and everyday life.

The Alchemical Actor

The Alchemical Actor
Author: Jane Gilmer
Publisher: BRILL
Total Pages: 262
Release: 2021-05-12
Genre: Literary Criticism
ISBN: 9004449426

The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for an alchemical theatre inspired by the directives of Antonin Artaud.

Composition, Creative Writing Studies, and the Digital Humanities

Composition, Creative Writing Studies, and the Digital Humanities
Author: Adam Koehler
Publisher: Bloomsbury Publishing
Total Pages: 160
Release: 2017-01-26
Genre: Language Arts & Disciplines
ISBN: 147259195X

In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom.