Expressionism And Poster Design In Germany 1905 1922
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Author | : Kathleen G. Chapman |
Publisher | : BRILL |
Total Pages | : 383 |
Release | : 2019-01-21 |
Genre | : Art |
ISBN | : 900438099X |
In Expressionism and Poster Design in Germany 1905–1925, Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a “modern” image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism.
Author | : Jill Lloyd |
Publisher | : |
Total Pages | : 267 |
Release | : 1991 |
Genre | : Art |
ISBN | : 9780300043730 |
Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : The Museum of Modern Art |
Total Pages | : 292 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0870707957 |
Catalog of an exhibition held at the Museum of Modern Art, New York, Mar. 27-July 11, 2011.
Author | : Stuart Wrede |
Publisher | : |
Total Pages | : 268 |
Release | : 1988 |
Genre | : Antiques & Collectibles |
ISBN | : |
This lavishly illustrated volume presents in full color more than 300 of the finest posters selected from the rich resources of the graphic design collection of The Museum of Modern Art.
Author | : Robert Gore Rifkind Center for German Expressionist Studies. Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 302 |
Release | : 1990 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 245 |
Release | : 2022-02-07 |
Genre | : Art |
ISBN | : 9004450033 |
This collection of essays assesses the significance of sport for the European avant-garde in the first half of the 20th century from an international and interdisciplinary perspective. It shows the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports.
Author | : Joan Marter |
Publisher | : Yale University Press |
Total Pages | : 217 |
Release | : 2016-01-01 |
Genre | : Art |
ISBN | : 0300208421 |
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author | : Christian Kiening |
Publisher | : Indiana University Press |
Total Pages | : 223 |
Release | : 2016-03-21 |
Genre | : Performing Arts |
ISBN | : 0861969227 |
Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion—as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.
Author | : Peter Selz |
Publisher | : Univ of California Press |
Total Pages | : 550 |
Release | : 2023-04-28 |
Genre | : Art |
ISBN | : 0520341503 |
Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1991 |
Genre | : |
ISBN | : |