Exposición de murales estadounidenses
Author | : Uruguay. Comisión Nacional de Bellas Artes |
Publisher | : |
Total Pages | : 28 |
Release | : 1946 |
Genre | : Mural painting and decoration, American |
ISBN | : |
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Author | : Uruguay. Comisión Nacional de Bellas Artes |
Publisher | : |
Total Pages | : 28 |
Release | : 1946 |
Genre | : Mural painting and decoration, American |
ISBN | : |
Author | : Diego Rivera |
Publisher | : Courier Corporation |
Total Pages | : 241 |
Release | : 2012-04-26 |
Genre | : Art |
ISBN | : 0486139093 |
A richly revealing document offering many telling insights into the mind and heart of a giant of 20th-century art. "Engrossing as a novel." — Chicago Sunday Tribune. 21 halftones.
Author | : Susan Danly |
Publisher | : UNM Press |
Total Pages | : 224 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780826328052 |
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Author | : Susan Cahan |
Publisher | : Psychology Press |
Total Pages | : 578 |
Release | : 1996 |
Genre | : Art |
ISBN | : 9780415911900 |
Contemporary Art and Multicultural Education is the first book of its kind to address the role of art within today's multicultural education. Co-published with The New Museum of Contemporary Art , this beautifully illustrated book is a practical resources for art educators and students. Co-published with the New Museum of Contemporary Art.
Author | : Art Institute of Chicago |
Publisher | : Yale University Press |
Total Pages | : 41 |
Release | : 2014-01-01 |
Genre | : Art |
ISBN | : 0300207786 |
Established in Mexico City in 1937, the Taller de Gráfica Popular (Popular Graphic Art Workshop) sought to create prints, posters, and illustrated publications that were popular and affordable, accessible and politically topical, and above all formally compelling. Founded by the printmakers Luís Arenal, Leopoldo Méndez, and American-born Pablo O'Higgins, the TGP ultimately became the most influential and enduring leftist printmaking collective of its time. The workshop was admired for its prolific and varied output and for its creation of some of the most memorable images in midcentury printmaking. Although its core membership was Mexican, the TGP welcomed foreign members and guest artists as diverse as Josef Albers and Elizabeth Catlett. The collective enjoyed international influence and renown and inspired the establishment of similar print collectives around the world. This bilingual publication features twenty-four works representing the finest linocuts and lithographs from the heyday of this important workshop. These arresting images are drawn from the significant holdings of TGP works in the collection of the Art Institute of Chicago.
Author | : Fernando Gamboa |
Publisher | : |
Total Pages | : 332 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
Facsimile edition with additional texts and notes gathers a selection of articles and the complete indexes of the issues of this now historic art serial published between 1973 and 1981 (No. 29 plus special edition época nueva). Those were the years that Fernando Gamboa was the director of the museum. Gamboa contributed in the establishment of "Artes Visuales" as one of the most important art publications in the second half of the 20th century. It was a cutting-edge proposal that served as the organ for the museum.
Author | : Gabriel Pérez-Barreiro |
Publisher | : Blanton Museum of Art |
Total Pages | : 362 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Author | : Deborah Cullen |
Publisher | : Yale University Press |
Total Pages | : 292 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enríquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquín Torres-Garcia, José Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas. Published in association with El Museo del Barrio, New York Exhibition Schedule: El Museo del Barrio, New York (10/17/09 - 2/28/10)