Exploring Aniconism
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| Author | : Mikael Aktor |
| Publisher | : Routledge |
| Total Pages | : 364 |
| Release | : 2020-05-21 |
| Genre | : History |
| ISBN | : 1000682978 |
This book explores the phenomenon of aniconism—the denotation of the presence of gods, saints, or spiritual forces using non-figural visual markers that do not resemble these supranatural entities. The contributors show how various types of aniconism differ in how they mediate divine presence and relate to other modes of representation. Aniconism is rarely absolute; each aniconic form needs to be considered within a spectrum of visual modes ranging from the abstract to the anthropomorphic. The chapters examine aniconism in paleolithic cultures; in ancient Egypt, Israel, and Greece; in early Christianity and Islam; in medieval and contemporary Hinduism; and in 17th–19th century Scottish-Gaelic contexts. The volume also provides a critical historiography of ‘aniconism’ as an academic concept, a new fine-tuned terminology, and some general characteristics of aniconic expressions in the context of the broader field of material religion. Offering a multi-faceted discussion of this important category of religious material culture, this book will be of interest to those with an interest in aniconism, as well as those involved in the wider study of how religion intersects with art and anthropology. This book was originally published as a special issue of the Religion journal.
| Author | : Brian R. Doak |
| Publisher | : SBL Press |
| Total Pages | : 205 |
| Release | : 2015-11-05 |
| Genre | : Religion |
| ISBN | : 0884140989 |
A close look at Phoenician religion The Hebrew Bible contains a prohibition against divine images (Exod 20:2-5a). Explanations for this command are legion, usually focusing on the unique status of Israel's deity within the context of the broader Near Eastern and Mediterranean worlds. Doak explores whether or not Israel was truly alone in its severe stance against idols. This book focuses on one particular aspect of this iconographic context in Israel's Iron Age world: that of the Phoenicians. The question of whether Phoenicians employed aniconic (as opposed to iconic) representational techniques has significance not only for the many poorly understood aspects of Phoenician religion generally, but also for the question of whether aniconism can be considered a broader trend among the Semitic populations of the ancient Near East. Features: More than fifty images and illustrations Examination of textual and archaeological evidence Application of art historical methods
| Author | : Milette Gaifman |
| Publisher | : OUP Oxford |
| Total Pages | : 0 |
| Release | : 2012-05-31 |
| Genre | : History |
| ISBN | : 9780199645787 |
Gaifman explores the phenomenon aniconism - the adoption of aniconic monuments, objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of non-figural objects in Greek religious art.
| Author | : Anne Koch |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 377 |
| Release | : 2019-09-05 |
| Genre | : Religion |
| ISBN | : 1350066729 |
Bridging the gap between cognition and culture, this handbook explores both social scientific and humanities approaches to understanding the physical processes of religious life, tradition, practice, and belief. It reflects the cultural turn within the study of religion and puts theory to the fore, moving beyond traditional theological, philosophical, and ethnographic understandings of the aesthetics of religion. Editors Anne Koch and Katharina Wilkens bring together research in cultural studies, cognitive studies, material religion, religion and the arts, and epistemology. Questions of identity, gender, ethnicity, and postcolonialism are discussed throughout. Key topics include materiality, embodiment, performance, popular/vernacular art and space to move beyond a sensory understanding of aesthetics. Emerging areas of research are covered, including secular aesthetics and the aesthetic of spirits. This is an important contribution to theory and method in the study of religion, and is grounded in research that has been taking place in Europe over the past 20 years. Case studies are drawn from around the world with contributions from scholars based in Europe, the USA, and Australia. The book is illustrated with over 40 color images and features a foreword from Birgit Meyer.
| Author | : Albertina (Tineke) Nugteren |
| Publisher | : MDPI |
| Total Pages | : 240 |
| Release | : 2019-04-23 |
| Genre | : Religion |
| ISBN | : 3038977527 |
This is a volume about the life and power of ritual objects in their religious ritual settings. In this Special Issue, we see a wide range of contributions on material culture and ritual practices across religions. By focusing on the dynamic interrelations between objects, ritual, and belief, it explores how religion happens through symbolic materiality. The ritual objects presented in this volume include: masks worn in the Dogon dance; antique ecclesiastical silver objects carried around in festive processions and shown in shrines in the southern Andes; funerary photographs and films functioning as mnemonic objects for grieving children; a dented rock surface perceived to be the god’s footprint in the archaic place of pilgrimage, Gaya (India); a recovered manual of rituals (from Xiapu county) for Mani, the founder of Manichaeism, juxtaposed to a Manichaean painting from southern China; sacred stories and related sacred stones in the Alor–Pantar archipelago, Indonesia; lotus symbolism, indicating immortalizing plants in the mythic traditions of Egypt, the Levant, and Mesopotamia; lavishly illustrated variations of portrayals of Ravana, a Sinhalese god-king-demon; figurines made of cow dung sculptured by rural women in Rajasthan (India); and mythical artifacts called ‘Apples of Eden’ in a well-known interactive game series.
| Author | : K. van der Toorn |
| Publisher | : College Prowler, Inc |
| Total Pages | : 276 |
| Release | : 1997 |
| Genre | : Religion |
| ISBN | : 9789068319835 |
The Image and the Book is a richly documented and provocative collection of studies and essays dealing with the historical background of biblical ban on religious images. It describes the role and theology of the divine image in the civilizations surrounding Israel, and shows that there has been long-standing worship of images in Israel. Though the Bible intimates that Israelite religion was aniconic from the very beginning, the archaeological evidence and the dispassionate analysis of the available texts shows otherwise. The iconographical remains yield a fascinating view of the development and varieties in the cult of religious images. The iconoclasm of influential currents in the late Israelite and early Judaic religion went in tandem with the promotion of the Book of the Law as a substitute of the image. In the case of the Bible, the rise of book religion must be seen in conjunction with the battle against images.
| Author | : Christoph Bochinger |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 1425 |
| Release | : 2016-11-21 |
| Genre | : Religion |
| ISBN | : 3110451107 |
Religious ideas, practices, discourses, institutions, and social expressions are in constant flux. This volume addresses the internal and external dynamics, interactions between individuals, religious communities, and local as well as global society. The contributions concentrate on four areas: 1. Contemporary religion in the public sphere: The Tactics of (In)visibility among Religious Communities in Europe; Religion Intersecting De-nationalization and Re-nationalization in Post-Apartheid South Africa; 2. Religious transformations: Forms of Religious Communities in Global Society; Political Contributions of Ancestral Cosmologies and the Decolonization of Religious Beliefs; Esoteric Tradition as Poetic Invention; 3. Focus on the individual: Religion and Life Trajectories of Islamists; Angels, Animals and Religious Change in Antiquity and Today; Gaining Access to the Radically Unfamiliar in Today’s Religion; Religion between Individuals and Collectives; 4. Narrating religion: Entangled Knowledge Cultures and the Creation of Religions in Mongolia and Europe; Global Intellectual History and the Dynamics of Religion; On Representing Judaism.
| Author | : Caspar Meyer |
| Publisher | : Oxford University Press |
| Total Pages | : 340 |
| Release | : 2023-05-12 |
| Genre | : Art |
| ISBN | : 0192668757 |
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts and of the classical past? This is the first scholarly volume devoted to the exploration of drawings, prints, and photographs of Greek vases in modernity. Case studies of the seventeenth to the twentieth century foreground ways that artists have depicted Greek vases in a range of styles and contexts within and beyond academia. Questions addressed include: how do these images translate three-dimensional ancient utilitarian objects with iconography central to the tradition of Western painting and decorative arts into two-dimensional graphic images carrying aesthetic and epistemic value? How does the embodied practice of drawing enable people to engage with Greek vases differently from museum viewers, and what insights does it offer on ancient producers and users? And how did the invention of photography impact the tradition of drawing Greek vases? The volume addresses art historians of the seventeenth to twentieth centuries, archaeologists and classical reception scholars.
| Author | : Diana Vikander Edelman |
| Publisher | : Peeters Publishers |
| Total Pages | : 266 |
| Release | : 1995 |
| Genre | : Religion |
| ISBN | : 9789039001240 |
| Author | : Jill Middlemas |
| Publisher | : Mohr Siebeck |
| Total Pages | : 212 |
| Release | : 2015-01-09 |
| Genre | : Religion |
| ISBN | : 9783161537240 |
Although attempts to understand the growth of aniconism focus on the Pentateuchal legal material, scholars increasingly make reference to the prophetic literature to illuminate the debate. Jill Middlemas provides the first comprehensive analysis of the prophets with attention to rhetorical strategies that reflect anti-iconic thought and promote iconoclasm. After illuminating the idol polemics, which is the rhetoric most often associated with aniconism, she draws out how prophecy also exposes a reticence towards cultic symbols and mental images of Yahweh. At the same time the theme of incomparability as well as the use of metaphor and multiple imaging, paradoxically, reveal additional ways to express aniconic belief or the destabilization of a single divine image. Middlemas' analysis of prophetic aniconism sheds new light on interpretations of the most iconic expression in the Old Testament, the imago dei passages in Genesis, where God is said to create humanity in the divine image.
