The Appreciation of Modern French Poetry (1850-1950)

The Appreciation of Modern French Poetry (1850-1950)
Author: Peter Broome
Publisher: Cambridge University Press
Total Pages: 180
Release: 1976-07-15
Genre: Literary Criticism
ISBN: 9780521209304

A companion volume to An anthology of modern French poetry, 1850-1950 edited by P. Broome and G. Chesters.

A Theory of Literary Explication

A Theory of Literary Explication
Author: Kenneth B. Newell
Publisher: Cambridge Scholars Publishing
Total Pages: 215
Release: 2011-07-12
Genre: Language Arts & Disciplines
ISBN: 1443832308

This book presents current multidisciplinary research and theory from 17 different fields (most of them never before applied to literary explication) in order to provide (1) justification for the practice of a relative-probability type of explication as distinguished from interpretation, (2) a relativistic foundation for the preference of some explication(s) of a literary work over others, and thereby (3) a middle way between the postmodern pluralist view that a work has only an unlimited number of equally acceptable though different explications and the modern intentionalist view that it has only one acceptable explication (the author’s). Nine of the 17 fields are of primary relevance: critical theory, hermeneutics, probability theory, philosophy of science, second-order logic, and four fields of cognitive science (linguistics, epistemology, neuropsychology, and artificial intelligence). But the book also touches upon textual criticism, legal theory, measure theory, fuzzy logic, animal learning behavior, developmental psychology, evolutionary epistemology, and neurobiology. The book shows that those using a relative-probability type of explication on a literary work can achieve consensus because the healthy, adult human brain has an evolved, uniform, and probably innate ability to form relative-probability judgments and to form them in the practice of activities (like reading and explicating) that are not uniform and innate. Lastly, the book contributes to the scholarly areas of explication theory and practice, first, by providing a relativistic foundation for a craft (explication) that currently is not acknowledged to have any foundation but nonetheless continues and will continue to be practiced and, second, by presenting a means (relative epistemic probability) by which judging some explication(s) of a literary work to be more acceptable than others may be justified philosophically—an uncommon circumstance in this postmodern era in which philosophical justification of many beliefs and practices is thought to be untenable.

The Literary Text

The Literary Text
Author: P. M. Wetherill
Publisher: Univ of California Press
Total Pages: 360
Release: 1974-01-01
Genre: Literary Criticism
ISBN: 9780520027091

43042910.

The Literary Appreciation of Russian Writers

The Literary Appreciation of Russian Writers
Author: Tom Stableford
Publisher: CUP Archive
Total Pages: 244
Release: 1981-12-17
Genre: Business & Economics
ISBN: 9780521234986

This book provides a wide range of Russian literature as well as literal translations for the first part of the book.

Rationalist Criticism of Greek Tragedy

Rationalist Criticism of Greek Tragedy
Author: James E. Ford
Publisher: Lexington Books
Total Pages: 176
Release: 2005
Genre: Literary Criticism
ISBN: 9780739112199

Literary critical revolutions-radical shifts in interpretation and evaluation of literary works and their authors-are among the most interesting of cultural phenomena. In order to gain greater understanding of the mechanisms of all critical revolutions, Rationalist Criticism in Greek Tragedy examines the late nineteenth-century 'rehabilitation' of Euripides. Some of the factors which contributed to the Euripidean revolution are well known, but one which is not-one which has been generally forgotten, when it has not actually been denied-is the role of Rationalist Criticism. Rationalist Criticism, founded and dominated by infamous Cambridge University Classicist and English scholar A. W. Verrall, was generally deprecated by mainstream classicists when it first appeared, and those who happen to come upon it today tend to treat it dismissively-a tendency the great classicist Eduard Fraenkel thought 'should be strongly resisted.' The influence of Rationalist Criticism-inside and outside of classical studies-has been much greater than has been generally supposed. James E. Ford makes the case for the larger significance of what Verrall and the Rationalist Critics were doing within the history not just of Euripidean criticism but of literary studies generally. Ford reads the rationalists on their own terms, drawing on the disciplines of the history of scholarship and the history and theory of literary criticism making this study unique. It should appeal to anyone interested in intellectual history, especially instances of significant intellectual changes (a la Kuhnian revolutions), and, especially, changes in the interpretation and evaluation of authors and their works. The work should be of specific interest to classicists, academic historians, and critical theorists.