Exhibition of Woodcuts in Chiaroscuro, P. & D. Colnaghi & Co. Ltd., 14 Old Bond Street, London ... April 28th to May 22nd 1964
Author | : P. & D. Colnaghi & Co |
Publisher | : |
Total Pages | : 3 |
Release | : 1964 |
Genre | : Wood-engraving |
ISBN | : |
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Author | : P. & D. Colnaghi & Co |
Publisher | : |
Total Pages | : 3 |
Release | : 1964 |
Genre | : Wood-engraving |
ISBN | : |
Author | : P. & D. Colnaghi & Co |
Publisher | : |
Total Pages | : 4 |
Release | : 1964 |
Genre | : Wood-engraving |
ISBN | : |
Author | : P. & D. Colnaghi & Co |
Publisher | : |
Total Pages | : 23 |
Release | : 1987 |
Genre | : Painting, European |
ISBN | : |
Author | : Charles Rhyne |
Publisher | : |
Total Pages | : 206 |
Release | : 1990 |
Genre | : |
ISBN | : 9780962719707 |
This chronology attempts to establish as fully as possible the dated evidence for Constable's life and artistic activity. It serves as a chronological index to Constable's complete correspondence, discourses and other documents (in 8 volumes) and Joseph Farington's diary (in16 volumes)
Author | : Peter Gillgren |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 352 |
Release | : 2011-01-01 |
Genre | : Art |
ISBN | : 9780754668688 |
Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci in the context of Renaissance culture; his overview includes analysis of works by artists such as Botticelli, Titian, Velázquez and others. The volume contains a brief catalogue of Barocci's paintings, presented in a chronological order, with a full bibliography and with details about the original locations of the paintings.
Author | : Frederic George Stephens |
Publisher | : |
Total Pages | : 336 |
Release | : 1895 |
Genre | : Artists |
ISBN | : |
Author | : Ian Verstegen |
Publisher | : Penn State University Press |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Art patronage |
ISBN | : 9781612481326 |
In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci's talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci's art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church? This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology.
Author | : Luba Freedman |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2011-06-30 |
Genre | : Art |
ISBN | : 1107001196 |
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author | : Chretien de Troyes |
Publisher | : Yale University Press |
Total Pages | : 242 |
Release | : 1987-09-10 |
Genre | : Poetry |
ISBN | : 0300187580 |
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.