Exhibiting the Moving Image

Exhibiting the Moving Image
Author: François Bovier
Publisher: Jrp Ringier
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9783037643884
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Since the 1990s, a cinematographic turn has taken place in contemporary art, paralleled by the emergence of a cinema of exhibition. This collection of new essays investigates the relationships between the white cube and the black box, focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists' performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.

Exhibiting Cinema in Contemporary Art

Exhibiting Cinema in Contemporary Art
Author: Erika Balsom
Publisher:
Total Pages: 256
Release: 2013-01-01
Genre: Art
ISBN: 9789089644718
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Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.

Abstract Video

Abstract Video
Author: Gabrielle Jennings
Publisher: Univ of California Press
Total Pages: 310
Release: 2015-09-15
Genre: Art
ISBN: 0520282477
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Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle JenningsÑa video artist herselfÑreveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, Òpictures of nothing,Ó but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.

After Uniqueness

After Uniqueness
Author: Erika Balsom
Publisher: Columbia University Press
Total Pages: 391
Release: 2017-03-21
Genre: Performing Arts
ISBN: 0231543123
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Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.

Exhibiting the Moving Image

Exhibiting the Moving Image
Author: François Bovier
Publisher:
Total Pages: 157
Release: 2015
Genre: Art
ISBN: 9782840668220
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists' performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.

Moving Image Technology

Moving Image Technology
Author: Leo Douglas Graham Enticknap
Publisher: Wallflower Press
Total Pages: 292
Release: 2005
Genre: Performing Arts
ISBN: 9781904764069
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The author explains scientific, technical and engineering concepts clearly and in a way that can be understood by non-scientists. He integrates a discussion of traditional, film-based technologies with the impact of emerging 'new media' technologies such as digital video, e-cinema and the Internet.

The FIAF Moving Image Cataloguing Manual

The FIAF Moving Image Cataloguing Manual
Author: Linda Tadic
Publisher: Indiana University Press
Total Pages: 273
Release: 2016-10-17
Genre: Performing Arts
ISBN: 296002964X
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The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration with numerous professionals in the moving image field. It addresses the changes in information technology that we've seen over the past two decades, and aligns with modern cataloguing and metadata standards and concepts such as FRBR (Functional Requirements for Bibliographic Records), EN 15907, and RDA (Resource Description and Access). The manual is designed to be compatible with a variety of data structures, and provides charts, decision trees, examples, and other tools to help experts and non-experts alike in performing real-world cataloguing of moving image collections.

Moving Image

Moving Image
Author: Omar Kholeif
Publisher: Documents of Contemporary Art
Total Pages: 0
Release: 2015
Genre: Art, Modern
ISBN: 9780854882380
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Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. Moving Image is a key text for comprehending the deep interconnection of the moving image and the worlds of exhibition in the 21st century. - Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London. This anthology examines the rising phenomenon of moving image practice in recent art and theory, tracing its genealogies in experimental cinema and video, body art, performance, site-specific art and installation from the 1960s onwards. Contextualizing new developments made possible by advances in digital and networked technology, it locates contemporary art centred on the moving image within a global framework. Artists surveyed include: Jananne al-Ani, Francis Alӱs, Yuri Ancarini, Oreet Ashery, Ed Atkins, Judith Barry, Gretchen Bender, Dara Birnbaum, Black Audio Film Collective, Brad Butler, Olga Chernysheva, James Coleman, Minerva Cuevas, Stan Douglas, Olafur Eliasson, VALIE EXPORT, Harun Farocki, Omer Fast, Morgan Fisher, Hollis Frampton, Melanie Gilligan, Joana Hadjithomas, Gary Hill, Susan Hiller, William Kentridge, Anja Kirschner, Steve McQueen, Jumana Manna, Karen Mirza, Rabih Mroué, Otolith Group, Nam June Paik, Luther Price, Yvonne Rainer, R.V. Ramani, Pipilotti Rist, Ben Rivers, Ryan Trecartin, Trinh T. Minh-ha, and Bill Viola. Writers include: Erika Balsom, Robert Bird, Claire Bishop, Christa Blϋmlinger, Jonathan Crary, T.J. Demos, Jean Fisher, Andrew Grossman, Félix Guattari, Shanay Jhaveri, Sven Lϋtticken, Francesco Manacorda, H.G. Masters, Andrew V. Uroskie, Ian White, Maxa Zoller, and Thomas Zummer.

Keep It Moving?

Keep It Moving?
Author: Rachel Rivenc
Publisher: Getty Publications
Total Pages: 378
Release: 2018-03-13
Genre: Art
ISBN: 1606065378
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Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.

Between the Black Box and the White Cube

Between the Black Box and the White Cube
Author: Andrew V. Uroskie
Publisher: University of Chicago Press
Total Pages: 284
Release: 2014-02-27
Genre: Art
ISBN: 022610902X
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Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.