Exhibiting Authenticity
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| Author | : David Phillips |
| Publisher | : Manchester University Press |
| Total Pages | : 260 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780719047978 |
The first study on medieval women to treat young women or 'maidens' separately and at length. The book makes a contribution to gender studies through its study of medieval girls' acquisition of appropriate roles and identities, and their own attitudes towards these roles. Examines the experiences and voices of young womanhood. Provides insights into ideals of feminine gender roles and identities at different social levels.
| Author | : Beryl Graham |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2016-04-29 |
| Genre | : Art |
| ISBN | : 1317088662 |
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.
| Author | : Robin Ryde |
| Publisher | : Kogan Page Publishers |
| Total Pages | : 210 |
| Release | : 2014-10-03 |
| Genre | : Business & Economics |
| ISBN | : 0749471441 |
Our identity is often bound up what we do at work. The work we do goes some way to describing who we are, what we stand for and it reveals, in one dimension at least, a tangible and valued contribution that we make to the world. Authenticity in organizations matters more than ever. In today's complex and global economy it's more important than ever that we empower employees to bring their authentic selves to work. Doing so leads to increased innovation, productivity, more thoughtful risk-taking, a sense of responsibility and enhanced adaptiveness to change. Creating Authentic Organizations goes beyond the remit of authentic leadership and shows how the concept of authenticity can and should be applied to your organization. It offers a new management framework based on the freedom to operate, meaningful dialogue and a deep search for personal meaning at work; autonomy and the opportunity to make an impact is a key driver of productivity. With simple and powerful models and strategies to bring about workplace authenticity, this bold and cutting-edge approach will show you how to ensure more authentic dialogue and encourage open and meaningful discussion around threats and challenges. Creating Authentic Organizations gives you the tools to bridge the gap between the corporate persona and the authentic self, leading to greater employee engagement, well-being and organizational resilience. Online supporting resources include an authenticity and freedoms diagnostic tool and guidance notes.
| Author | : Peter M. McIsaac |
| Publisher | : University of Toronto Press |
| Total Pages | : 377 |
| Release | : 2015-09-15 |
| Genre | : Art |
| ISBN | : 1442620757 |
While scholars recognize both museums and films as sites where historical knowledge and cultural memory are created, the convergence between their methods of constructing the past has only recently been acknowledged. The essays in Exhibiting the German Past examine a range of films, museums, and experiences which blend the two, considering how authentic objects and cinematic techniques are increasingly used in similar ways by both visual media and museums. This is the first collection to focus on the museum–film connection in German-language culture and the first to approach the issue using the concept of “musealization,” a process that, because it engages the cultural destruction wrought by modernization, offers new means of constructing historical knowledge and shaping collective memory within and beyond the museum’s walls. Featuring a wide range of valuable case studies, Exhibiting the German Past offers a unique perspective on the developing relationship between museums and visual media.
| Author | : Cooke Tony |
| Publisher | : Destiny Image Publishers |
| Total Pages | : 189 |
| Release | : 2014-07-01 |
| Genre | : Religion |
| ISBN | : 160683701X |
Are you ready to take your performance and that of your team to championship levels? When God wants to do something in the earth, He begins with a leader, but He finishes with a team - and you are called to be a vital player on that team!Not only can we learn great lessons from the coaches and players of outstanding sports teams, but we must...
| Author | : Emma Barker |
| Publisher | : Yale University Press |
| Total Pages | : 278 |
| Release | : 1999-01-01 |
| Genre | : Art |
| ISBN | : 9780300077834 |
| Author | : Rodger Beehler |
| Publisher | : University Press of America |
| Total Pages | : 222 |
| Release | : 2007 |
| Genre | : Philosophy |
| ISBN | : 9780761838265 |
This work is a connected series of essays on morality, education, law, and society. All of the essays indeed "think against the grain," challenging some of the dominant thinkers and fashions of our time in a strikingly original and penetrating way. They force the reader to consider our hegemonic values, how we are to live our lives and view our world. Political theorists, social scientists, philosophers, educators, legal scholars, and cultural and literary theorists will find them profitable to study. While the book meets the standards expected by such scholars, its essays are written in a lively and accessible manner, which also makes them of interest to the general educated public. Written by the late Dr. Rodger Beehler, this work imparts the wisdom and insights of writers who instruct and amuse the reader on matters of our predominant values.
| Author | : Maria Piacente |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 477 |
| Release | : 2022-01-20 |
| Genre | : Business & Economics |
| ISBN | : 1538152827 |
All museum activities converge in the very public forum of the exhibition. Whether large or small, exhibitions are responsible for driving museum attendance and revenue as well as showcasing new research and engaging audiences in new ideas. As museums move from a transmission to a visitor-centered model, exhibitions are more experience driven, participatory, and interactive, built around multiple perspectives and powerful storytelling. The exhibition development process is more complex than ever as audiences demand more dynamic, diverse and inclusive experiences. Museum leaders, interpretive planners, designers, and curators are rising to the challenges in innovative ways. This manual details the exhibition process in a straightforward way that can be easily adapted by institutions of any size. It explores the exhibition planning and development process in a wealth of detail, providing the technical and practical methodologies museum professionals need today. This 3rd edition includes many new features and expanded chapters on evaluation, virtual exhibitions multimedia, travelling exhibition, curiosity and motivation, DEAI (diversity, equity, accessibility and inclusion), while retaining the essential content related to interpretive planning, roles and responsibility, and content development. New and exciting case studies, exhibition examples, and more than 200 color photos and figures illustrate every step of the process. No museum or museum professional can be without this critical guide to an essential function.
| Author | : Alla Myzelev |
| Publisher | : Routledge |
| Total Pages | : 335 |
| Release | : 2017-06-14 |
| Genre | : Art |
| ISBN | : 1351724924 |
Exhibiting Craft and Design: Transgressing the White Cube Paradigm, 1930–present investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted, or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies, and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses of and challenges to the White Cube paradigm of space organization.
| Author | : Rebecca M. Brown |
| Publisher | : University of Washington Press |
| Total Pages | : 247 |
| Release | : 2017-05-11 |
| Genre | : History |
| ISBN | : 0295999950 |
From the fluttering fabric of a tent, to the blurred motion of the potter’s wheel, to the rhythm of a horse puppet’s wooden hooves—these scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when America’s image of India was as a place of desperate poverty and spectacular fantasy. Displaying Time unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
