Exact Imagination Late Work
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| Author | : Shierry Weber Nicholsen |
| Publisher | : MIT Press (MA) |
| Total Pages | : 270 |
| Release | : 1997 |
| Genre | : Philosophy |
| ISBN | : 9780262140621 |
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
| Author | : Shierry Weber Nicholsen |
| Publisher | : Springer Science & Business |
| Total Pages | : 286 |
| Release | : 1999 |
| Genre | : Philosophy |
| ISBN | : 9780262640404 |
In Exact Imagination, Late Work, Shierry Weber Nicholsen begins the process of appropriating Adorno through the centrality of the aesthetic dimension.
| Author | : James Voorhies |
| Publisher | : MIT Press |
| Total Pages | : 171 |
| Release | : 2023-02-21 |
| Genre | : Art |
| ISBN | : 0262372843 |
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art’s defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary “logic of the curatorial.” He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer’s curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge.
| Author | : Richard Lane |
| Publisher | : Manchester University Press |
| Total Pages | : 222 |
| Release | : 2024-06-04 |
| Genre | : Philosophy |
| ISBN | : 1526183927 |
'Reading Walter Benjamin' explores the persistence of absolute in Benjamin's work by sketching-out the relationship between philosphy and theology apparent in his diverse writings, from the early youth-movement essays to the later books, essays and fragments. The book examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the 'Georgekreis'; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order. Chapters cover: 'Kulturpessimismus' and the new thinking; metaphysics of youth: Wyneken and 'Rausch'; history: surreal Messianism; Goethe and the 'Georgekreis'; Kant's experience; casting the work of art; disrupting textual order; and exile and the time of crisis. The book uses new translations of Benjamin's essays, fragments and his 'Arcades Project', and makes substantial reference to previously untranslated material. Lane’s text allows the non-specialist entry into complex areas of critical theory, simultaneously offering original readings of Benjamin and twentieth-century arts and literature.
| Author | : Andrew Bowie |
| Publisher | : Oxford University Press |
| Total Pages | : 153 |
| Release | : 2022-05-26 |
| Genre | : |
| ISBN | : 0198833865 |
Very Short Introductions: Brilliant, Sharp, Inspiring T.W. Adorno (1903-69) was a German philosopher and social and cultural theorist. His work has come to be seen as increasingly relevant to understanding the pathologies of contemporary society evident in today's climate emergency, the financial crash, the reappearance of fascism in many countries, and the growing instability of the world order. This Very Short Introduction covers Adorno's work and life, explaining his key philosophical concepts and the philosophical background and historical context of Adorno's thinking. Andrew Bowie shows how Adorno's exploration of why human reason can have irrational consequences led him to rethink basic concepts like 'nature', 'history', and 'freedom', offering alternatives to many ways of thinking about these concepts in contemporary philosophy. The book also examines Adorno's social theory, as well as his highly critical assessments of jazz and modern culture, which he considered threatened by the effects of modern capitalism. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Naas Michael Naas |
| Publisher | : Edinburgh University Press |
| Total Pages | : 128 |
| Release | : 2019-08-06 |
| Genre | : Electronic books |
| ISBN | : 1474471234 |
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell.
| Author | : Paul J. Hecht |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2022 |
| Genre | : Drama |
| ISBN | : 0192857207 |
Shows how the character called Rosalind, who features in works by Spenser, Lodge, and Shakespeare, can be considered as a single and unifying character whose textual appearances lead us to reconsider important aspects of Renaissance literature: prosody, the influence of Virgil and of pastoral poetry, and the position of women.
| Author | : Shierry Weber Nicholsen |
| Publisher | : MIT Press |
| Total Pages | : 236 |
| Release | : 2003-02-28 |
| Genre | : Science |
| ISBN | : 9780262250436 |
A psychological exploration of how the love of nature can coexist in our psyches with apathy toward environmental destruction. Virtually everyone values some aspect of the natural world. Yet many people are surprisingly unconcerned about environmental issues, treating them as the province of special interest groups. Seeking to understand how our appreciation for the beauty of nature and our indifference to its destruction can coexist in us, Shierry Weber Nicholsen explores dimensions of our emotional experience with the natural world that are so deep and painful that they often remain unspoken. The Love of Nature and the End of the World is a gathering of meditations and collages. Its evocations of our emotional attachment to the natural world and the emotional impact of environmental deterioration are meant to encourage individual and collective reflection on a difficult dilemma. Nicholsen draws on work in environmental philosophy and ecopsychology; the writings of psychoanalytic thinkers such as Wilfred Bion, Donald Meltzer, and D. W. Winnicott; and ideas from Buddhist and Sufi traditions. She shows how our emotional responses to the vulnerabilities of the natural world range from intense caring and compassion, through grief and outrage, to diffuse depression. Individual chapters focus on silence and the process whereby we move from the unspoken to the spoken, the love of nature, the "perceptual reciprocity" with the natural world to which we might mature, beauty in the human and natural realms, the psychological impact of the destruction of the natural world, and reflections on the future.
| Author | : Geoff Boucher |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 186 |
| Release | : 2012-10-15 |
| Genre | : Philosophy |
| ISBN | : 0857736957 |
Dismissed as a miserable elitist who condemned popular culture in the name of 'high art', Theodor W. Adorno (1903-1969) is one of the most provocative and important yet least understood of contemporary thinkers. This book challenges this popular image and re-examines Adorno as a utopian philosopher who believed authentic art could save the world. Adorno Reframed is not only a comprehensive introduction to the reader coming to Adorno for the first time, but also an important re-evaluation of this founder of the Frankfurt School. Using a wealth of concrete illustrations from popular culture, Geoffrey Boucher recasts Adorno as a revolutionary whose subversive irony and profoundly historical aesthetics defended the integrity of the individual against social totality.
| Author | : Elaine Miller |
| Publisher | : Columbia University Press |
| Total Pages | : 266 |
| Release | : 2014-02-25 |
| Genre | : Philosophy |
| ISBN | : 0231166826 |
While philosophy and psychoanalysis privilege language and conceptual distinctions and mistrust the image, the philosopher and psychoanalyst Julia Kristeva recognizes the power of art and the imagination to unblock important sources of meaning. She also appreciates the process through which creative acts counteract and transform feelings of violence and depression. Reviewing KristevaÕs corpus, Elaine P. Miller considers the intellectualÕs Òaesthetic ideaÓ and Òthought specularÓ in their capacity to reshape depressive thought on both the individual and cultural level. She revisits KristevaÕs reading of Walter Benjamin with reference to melancholic art and the imaginationÕs allegorical structure; her analysis of Byzantine iconoclasm in relation to FreudÕs psychoanalytic theory of negation and HegelÕs dialectical negativity; her understanding of Proust as an exemplary practitioner of sublimation; her rereading of Kant and Arendt in terms of art as an intentional lingering with foreignness; and her argument that forgiveness is both a philosophical and psychoanalytic method of transcending a ÒstuckÓ existence. Focusing on specific artworks that illustrate KristevaÕs ideas, from ancient Greek tragedy to early photography, contemporary installation art, and film, Miller positions creative acts as a form of Òspiritual inoculationÓ against the violence of our society and its discouragement of thought and reflection.
