Ewa Montre Oral History Interview Code 34588
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Author | : John E. Cooney |
Publisher | : Simon & Schuster |
Total Pages | : 456 |
Release | : 1982 |
Genre | : Biography & Autobiography |
ISBN | : |
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Author | : R. D. Fulk |
Publisher | : University of Toronto Press |
Total Pages | : 689 |
Release | : 2008-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802098436 |
Features an introduction and a commentary that incorporates the scholarship on "Beowulf" that has appeared since 1950. This work includes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. It also addresses aids to pronunciation and advances in the study of the poem's language.
Author | : Patrick Harries |
Publisher | : Pearson Education Ltd |
Total Pages | : 342 |
Release | : 1994 |
Genre | : Alien labor, Mozambican |
ISBN | : 9780435080945 |
Work, Culture, and Identity offers a compelling narrative of the day-to-day life of migrant laborers in Mozambique and South Africa.
Author | : Sarah Tolmie |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : |
Release | : 2018-02-02 |
Genre | : Poetry |
ISBN | : 0773552731 |
Hate to tell you, but you're going to die. / Quite soon. Me, too. / Shuck off the wisdom while it's warm. / Death does no harm / To wisdom. Sarah Tolmie's second collection of poems is a traditional ars moriendi, a how-to book on the practices of dying. Confronting the fear of death head-on, and describing the rituals that mitigate it, the poems in The Art of Dying take a satirical look at the ways we explain, enshrine, and, above all, evade death in contemporary culture. Some poems are personal – a parent tries to explain to a child why a grandfather is in hospital, or stages a funeral for a child's imaginary friend – while others comment on how death figures in the news, on TV, and in social media. Some poems ask if there is any place left for poets in our rituals of memory and commemoration. A few examine the apocalyptic language of climate change. Others poke fun at the death-defying claims of posthumanism. A thoughtful and irreverent collection about serious concerns, The Art of Dying begins and ends with the fact of death, and strips away our euphemisms about it.
Author | : Maren Clegg Hyer |
Publisher | : Boydell & Brewer |
Total Pages | : 275 |
Release | : 2016 |
Genre | : Antiques & Collectibles |
ISBN | : 178327073X |
The theme of weaving, a powerful metaphor within Anglo-Saxon studies and Old English literature itself, unites the essays collected here. They range from consideration of interwoven sources in homiletic prose and a word-weaving poet to woven riddles and iconographical textures in medieval art, and show how weaving has the power to represent textiles, texts, and textures both literal and metaphorical in the early medieval period. They thus form an appropriate tribute to Professor Gale R. Owen-Crocker, whose own scholarship has focussed on exploring woven works of textile and dress, manuscripts and text, and other arts of the Anglo-Saxon peoples.
Author | : Renée Rebecca Trilling |
Publisher | : University of Toronto Press |
Total Pages | : 313 |
Release | : 2009-01-01 |
Genre | : Literary Criticism |
ISBN | : 0802099718 |
Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period.
Author | : Patrick Harries |
Publisher | : James Currey Publishers |
Total Pages | : 304 |
Release | : 2007 |
Genre | : History |
ISBN | : 0852559844 |
The Swiss missionaries played a primary role in explaining Africa to the literate world in the late nineteenth and early twentieth centuries. This book emphasises how these European intellectuals, brought to the deep rural areas of southern Africa by their vocation, formulated and ordered knowledge about the continent. Central to this group was Junod who became a pioneering collector in the fields of entomology and botany. He would later examine African society with the methodology, theories and confidence of the natural sciences. On the way he came to depend on the skills of African observers and collectors. Out of this work emerged, in three stages between 1898 and 1927, an influential classic in the field of South African anthropology, Life of a South African Tribe. At the same time Patrick Harries examines how local people absorbed imported ideas into their own body of knowledge. Through a process of interchange and compromise, Africans adapted foreign ways of seeing and doing things, and rapidly made them their own. This is a history of new ideas and practices that shook African societies before and during the early years of colonialism. It is equally a history of ordinary people and their ability to adapt, change, and subvert these ideas. Professor T.O. Ranger says: 'Now, really for the first time, Harries sets these arguments in a wonderfully persuasive, detailed and dynamic context. He really understands the principle of nineteenth-century botany and insect classification, the organising concepts of linguistics, and the changing assumptions of ethnography and anthropology. One gets a profound sense of intellectual formation of debate and development of ideas. Missionary ideas are themselves no single thing but constantly in debate and in flux.'
Author | : Richard North |
Publisher | : |
Total Pages | : 392 |
Release | : 2019-11-29 |
Genre | : History |
ISBN | : 9781789620726 |
This is the first edition of Andreas for 55 years, also the first to present the Anglo-Saxon, or rather Old English, text with a parallel Modern English poetic translation. The book aims not only to provide both students and scholars with an up-to-date text and introduction and notes, but also to reconfirm the canonical merit of Andreas as one of the longest and most important works in Old English literature. The introduction to our text is substantial, re-positioning this poem in respect of nearly six decades' progress in the palaeography, sources and analogues, language, metrics, literary criticism and archaeology of Andreas. The book argues that the poet was Mercian, that he was making ironic reference to Beowulf and that his story of St Andrew converting pagan Mermedonian cannibals was coloured by King Alfred's wars against the Danes (871-9, 885-6, 892-6). Andreas is here dated to Alfred's later reign with such analysis of contexts in history and ideology that the author's name is also hypothesized. The Old English text and Modern English translation of Andreas are presented in a split-page format, allowing students at whatever level of familiarity with the Anglo-Saxon vernacular to gain a direct access to the poem in close to its original form. The translation follows the poem's word order and style, allowing modern readers to feel the imagination, ideology and humour of Andreas as closely as possible. The text of the Old English poem is accompanied by a full set of supporting notes, and a glossary representing the translation.
Author | : Axel Neustädter |
Publisher | : Bruno Gmuender |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Gay men |
ISBN | : 9783867872614 |
Beyond doggy style and the missionary position there are countless possibilities for enjoying sex between men. The author presents 69 of them - each and every single one an opportunity for readers to bring some fresh inspiration to their love lives.
Author | : Edward J. Cowan |
Publisher | : John Donald |
Total Pages | : 330 |
Release | : 1999 |
Genre | : History |
ISBN | : |
In Scottish Literature - character and influence, critic Gregory Smith distinguished the contrasting grip of fact of history and the airier pleasure of literature. These essays show how the two strands separated over the years while remaining interpreters of the past and of human experience.