Everyday Representations Of War In Late Modernity
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| Author | : Nerijus Milerius |
| Publisher | : Springer Nature |
| Total Pages | : 293 |
| Release | : 2022-08-16 |
| Genre | : Social Science |
| ISBN | : 3031071352 |
This book analyses photographic and cinematographic representations of war and its memorialisation rituals in the period of late modernity from the perspectives of cultural sociology, philosophy, art theory and film studies. It reveals how the experience of war trauma takes root in everydayness and shows how artists try to question the ‘normality’ of the everyday, to actualise the memory of war trauma, to rethink the contrasting experiences of the time of war and everydayness, and to oppose the imposed historical narratives. The new representations are analysed by developing theories of war as a ‘magic spectacle’, also by using such concepts as spectres, triumph and trauma, collective social catastrophes, forensic architecture and others.
| Author | : Laura Junka-Aikio |
| Publisher | : Routledge |
| Total Pages | : 181 |
| Release | : 2015-10-14 |
| Genre | : Political Science |
| ISBN | : 1317382463 |
Late Modern Palestine looks at the ways in which the relationship between the subject and representation and the political problematic of postcolonial late modernity is articulated in the context of the Palestinians’ struggle for liberation. Junko-Aikio provides a rich, theoretically and empirically, and in part also visually grounded study of the complex ways in which ordinary Palestinians face, negotiate and resist multiple regimes of power and desire in the context of everyday life in the West Bank and Gaza. The volume examines the early years of the second Palestinian uprising, an intifada, whose political status remains highly disputed. The book examines the ways in which Palestinian politics during the second intifada has been entangled with the broader social and political changes that are associated with postcolonial late modernity. It is argued that the dislocation between modern colonial and late modern/postcolonial regimes of power and subjectivity greatly complicates the map of power and resistance in contemporary Palestine, and also renders articulation of national unity and hegemonic political strategy increasingly unlikely. This work will be of great interest to students and scholars of Middle East Studies, Postcolonial Studies, International Relations, Political Sociology, Critical Security Studies, and Political Theory.
| Author | : Andy Bennett |
| Publisher | : SAGE |
| Total Pages | : 220 |
| Release | : 2005-10-03 |
| Genre | : Social Science |
| ISBN | : 9780761963905 |
Culture and Everyday Life provides students with a comprehensive overview of theoretical models, issues and examples of contemporary cultural practice. Andy Bennett begins by summarising and situating - in everyday settings - the key theoretical models applied in the study of existing cultural practices. This entails a systematic study of how academic thinking about mass culture has changed, from critical accounts of early mass cultural theorists to radical postmodernist critiques of mass cultural accounts and to 'the cultural turn', which explored how various social identities are culturally constructed.
| Author | : Elodie Silberstein |
| Publisher | : Taylor & Francis |
| Total Pages | : 239 |
| Release | : 2022-08-25 |
| Genre | : Art |
| ISBN | : 1000628477 |
This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North’s destructive relationship with the natural world. Drawing on a broad spectrum of archives extending back to the late 18th century – paintings, fashion plates, prints, photographs, and films – this study traces the intricate ways a patriarchal imperialism and a global capitalism have paired black women with the realm of nature to justify the exploitation both of people and of ecosystems. These dehumanizing and speciesist strategies of subjugation have perpetuated interlocking patterns of social injustice and environmental depletion that constitute the most salient challenges facing humankind today. Through a novel approach that merges visual studies, critical race theory, and animal studies, this interdisciplinary investigation historicizes the evolution of the boundaries between human and non-human animals during the modern period. The book will be of interest to scholars working in art history, visual studies, critical race theory, colonial and post-colonial studies, animal studies, and French studies.
| Author | : Robert Genter |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 385 |
| Release | : 2011-06-06 |
| Genre | : History |
| ISBN | : 0812200071 |
In the thirty years after World War II, American intellectual and artistic life changed as dramatically as did the rest of society. Gone were the rebellious lions of modernism—Joyce, Picasso, Stravinsky—and nearing exhaustion were those who took up their mantle as abstract expressionism gave way to pop art, and the barren formalism associated with the so-called high modernists wilted before the hothouse cultural brew of the 1960s. According to conventional thinking, it was around this time that postmodernism with its characteristic skepticism and relativism was born. In Late Modernism, historian Robert Genter remaps the landscape of American modernism in the early decades of the Cold War, tracing the combative debate among artists, writers, and intellectuals over the nature of the aesthetic form in an age of mass politics and mass culture. Dispensing with traditional narratives that present this moment as marking the exhaustion of modernism, Genter argues instead that the 1950s were the apogee of the movement, as American practitioners—abstract expressionists, Beat poets, formalist critics, color-field painters, and critical theorists, among others—debated the relationship between form and content, tradition and innovation, aesthetics and politics. In this compelling work of intellectual and cultural history Genter presents an invigorated tradition of late modernism, centered on the work of Kenneth Burke, Ralph Ellison, C. Wright Mills, David Riesman, Jasper Johns, Norman Brown, and James Baldwin, a tradition that overcame the conservative and reactionary politics of competing modernist practitioners and paved the way for the postmodern turn of the 1960s.
| Author | : Noel Castree |
| Publisher | : John Wiley & Sons |
| Total Pages | : 8364 |
| Release | : 2017-03-20 |
| Genre | : Science |
| ISBN | : 0470659637 |
Zweifelsohne das Referenzwerk zu diesem weitgefächerten und dynamischen Fachgebiet. The International Encyclopedia of Geograph ist das Ergebnis einer einmaligen Zusammenarbeit zwischen Wiley und der American Association of Geographers (AAG), beleuchtet und definiert Konzepte, Forschung und Techniken in der Geographie und zugehörigen Fachgebieten. Die Enzyklopädie ist als Online-Ausgabe und 15-bändige farbige Printversion erhältlich. Unter der Mitarbeit einer Gruppe von Experten aus aller Welt ist ein umfassender und fundierter Überblick über die Geographie in allen Erdteilen entstanden. - Enthält mehr als 1.000 Einträge zwischen 1.000 und 10.000 Wörtern, die verständlich in grundlegende Konzepte einführen, komplexe Themen erläutern und Informationen zu geographischen Gesellschaften aus aller Welt enthalten. - Entstanden unter der Mitarbeit von mehr als 900 Wissenschaftlern aus über 40 Ländern und bietet damit einen umfassenden und fundierten Überblick über die Geographie in allen Erdteilen. - Deckt das Fachgebiet umfassend ab und berücksichtigt auch die Richtungen Humangeographie, Physikalische Geographie, geographische Informationswissenschaften und -systeme, Erdwissenschaften und Umweltwissenschaften. - Führt interdisziplinäre Sichtweisen zu geographischen Themen und Verfahren zusammen, die auch für die Sozialwissenschaften, Geisteswissenschaften, Naturwissenschaften und Medizin von Interesse sind. - Printausgabe durchgängig in Farbe mit über 1.000 Illustrationen und Fotos. - Online-Ausgabe wird jährlich aktualisiert.
| Author | : Christina Schwenkel |
| Publisher | : Indiana University Press |
| Total Pages | : 281 |
| Release | : 2009-07-13 |
| Genre | : Social Science |
| ISBN | : 0253003318 |
Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.
| Author | : Emily Merson |
| Publisher | : Routledge |
| Total Pages | : 175 |
| Release | : 2020-02-04 |
| Genre | : Political Science |
| ISBN | : 0429758618 |
Artwork and popular cultures are crucial sites of contesting and transforming power relationships in world politics. The contributors to this edited collection draw on their experiences across arts, activist, and academic communities to analyze how the global politics of colonialism, capitalism, and patriarchy are expressed and may be transformed through popular cultures and artistic labour. Through their methodological treatment of artwork and popular cultures as material sites of generating aesthetic knowledge and embodying global power, the authors foreground an analysis of global hierarchies and transformative empowerment through critically engaged political imagination and cultural projects. By centralizing an intersectional analysis of the racialized, gendered, economic dimensions of the praxis of culture, The Art of Global Power demonstrates how artwork and popular culture projects, events, and institutions are vital sites of transgressing the material conditions that produce and sustain unjust global power hierarchies. This book intervenes in the international relations popular culture literature by problematizing the idea of a single homogenizing global popular culture and engaging with multiple popular cultures articulated from diverse global locations and worldviews. To the international relations aesthetics literature this book contributes an intersectional analysis of aesthetics as an embodied process of knowledge production and action that takes place within global conditions of colonialism, capitalism, and patriarchy. This book will be of interest to students, researchers and practitioners of international relations, and gender, cultural and media studies.
| Author | : Joseph Canning |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2017-05-15 |
| Genre | : History |
| ISBN | : 1351909495 |
The fourteenth, seventeenth and twentieth centuries in European history were marked by exceptionally intense experiences of power, violence and mass death. Power, Violence and Mass Death in Pre-Modern and Modern Times undertakes the ambitious and entirely new task of analyzing, through comparison, the importance of power, violence and mass death in these centuries. Death and the excesses of power were characteristics of the twentieth century, but this volume teaches about the causes and possible consequences of this oppressive individual and collective experience. We now have a more established historical perspective for understanding the importance of power and the causes and results of the rapid increase in mortality in the fourteenth and seventeenth centuries. In this way, this volume makes progress towards reaching new perceptions of all three 'crisis' epochs. Appealing to a wide readership, Power, Violence and Mass Death in Pre-Modern and Modern Times will be of interest to scholars not only of the three centuries highlighted, but also to anyone with an historical and sociological interest in the larger questions raised about the nature of power, violence and mass death on European society.
| Author | : Andrew Hoskins |
| Publisher | : John Wiley & Sons |
| Total Pages | : 266 |
| Release | : 2013-04-23 |
| Genre | : Social Science |
| ISBN | : 074565617X |
The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.
