European Painting And Sculpture After 1800
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| Author | : Peter Fusco |
| Publisher | : Getty Publications |
| Total Pages | : 130 |
| Release | : 1997-11-13 |
| Genre | : Art |
| ISBN | : 0892365137 |
The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.
| Author | : Centre for Art Technological Studies and Conservation. Conference |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art, European |
| ISBN | : 9781909492523 |
-A publication collecting the papers from the CATS conference, Technology & Practice: Studying the European Visual Arts 1800-1850 This publication contains papers from the CATS conference - Technology & Practice: Studying the European Visual Arts 1800-1850. The conference focused on artists' techniques and materials, written sources, conservation science, the history of science and technology, history of trade, and innovation of artists' materials during the first half of the 19th century. In the preceding several decades a succession of art academies emerged throughout Europe, and another focal point of the conference was the impact of these institutions on a new generation of artists, examining how this manifested itself in their paintings, sculpture, interiors and art on paper.
| Author | : Thomas DaCosta Kaufmann |
| Publisher | : University of Chicago Press |
| Total Pages | : 576 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : 0226427307 |
In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.
| Author | : Emily A. Beeny |
| Publisher | : Museum of Fine Arts Boston |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9780878468409 |
The Museum of Fine Arts, Boston houses a world-famous collection of European painting and sculpture, including such masterpieces as Renoir's Dance at Bougival, Gauguin's Where Do We Come From? What Are We? Where Are We Going?, Degas's Little Dancer, Turner's Slave Ship and the largest collection of paintings by Claude Monet outside of France. This overview features these well-known and much-loved works, divided into thematic chapters that represent major art movements, with an introduction that describes the phenomena that helped chart the course of art in the period. In all more than 100 highlights from this impressive collection are illustrated and discussed, each testifying to the richness and complexity of European art in the modern era. The MFA Highlights series presents the best of the Museum of Fine Arts, Boston's collections accessibly and affordably. Its aim is threefold: to make available the greatest masterworks in the MFA; to provide an informative, readable overview of various artistic genres, cultures, and periods, for use by students, visitors, and scholars; and, over time, to create a library that will act as a general tour of world art through the ages.
| Author | : Petra ten-Doesschate Chu |
| Publisher | : Prentice Hall Art History |
| Total Pages | : 562 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 350 |
| Release | : 1980 |
| Genre | : Art |
| ISBN | : |
| Author | : Arie Wallert |
| Publisher | : Getty Publications |
| Total Pages | : 241 |
| Release | : 1995-08-24 |
| Genre | : Art |
| ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
| Author | : Caroline Van Eck |
| Publisher | : Cambridge University Press |
| Total Pages | : 240 |
| Release | : 2007-08-27 |
| Genre | : Art |
| ISBN | : 9780521844352 |
In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well. The book is divided into three major sections - theory, invention, and design. Van Eck analyzes how rhetoric informed artistic practice, theory, and perception in early modern Europe.
| Author | : Michael North |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 220 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780754669371 |
Traditionally, relations between Europe and Asia have been studied in a hegemonic perspective, with Europe as the dominant political and economic centre. This book focuses on cultural exchange between different European and Asian civilizations, with the r
| Author | : Beth Rubin |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2021-09-15 |
| Genre | : |
| ISBN | : 9783777437545 |
A collection of rich artifacts from one thousand years of artistic production in what is now Missouri. Art Along the Rivers marks the two-hundredth anniversary of Missouri's statehood. This exhibition catalogue presents extraordinary objects produced or collected within a 150-mile region around St. Louis, including paintings, sculptures, drawings, furniture, ceramics, metals, and textiles. As a celebration of the cultural and artistic traditions of this region, the catalog looks within--and beyond--the years of statehood to reveal how the region's geography, raw materials, and pressing social issues shaped over one thousand years of rich artistic production. Though these objects have rarely been considered in connection with one another, the catalog brings them into dialogue to establish and celebrate their shared artistic history. Art Along the Rivers serves as the first significant publication to introduce this primary artistic material to a global audience.
