European Master Drawings From The 16th To 20th Centuries
Download European Master Drawings From The 16th To 20th Centuries full books in PDF, epub, and Kindle. Read online free European Master Drawings From The 16th To 20th Centuries ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Sibylle Weber am Bach |
| Publisher | : Hirmer Verlag GmbH |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Drawing |
| ISBN | : 9783777480053 |
The Morgan Library & Museum, New York, is home to one of the most important collections of historic book art and drawings in the USA. Since renovation and the re-opening of the extension designed by Renzo Piano in Spring of 2006, the institution - created 80 years ago to house the collection belonging to art patron John Pierpont Morgan has played a prominent role in New York's museum world. The Staatliche Graphische Sammlung Munich will be hosting a display of 1 00 masterpieces from five centuries in its exhibition rooms at the Pinakothek der Moderne. This will be the first time that The Morgan Library & Museum presents its collection of drawings of world renown in Germany. Exhibition and catalog are sponsored by Ernst von Siemens Kunststiftung and Deutsche Bank Stiftung.
| Author | : Egbert Haverkamp Begemann (Kunsthistoriker) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 490 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 0870999184 |
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
| Author | : Richard R. Brettell |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 482 |
| Release | : 2002 |
| Genre | : Drawing |
| ISBN | : 1588390004 |
| Author | : Virginie D'haene |
| Publisher | : Lannoo Publishers |
| Total Pages | : 304 |
| Release | : 2019 |
| Genre | : Drawing |
| ISBN | : 9789401459341 |
This catalogue features a selection of fifty exquisite European drawings dating from the 16th to the early 18th century in the Print Room of Musea Brugge. It brings together the most relevant findings of recent research, including new attributions and significant new insights into the drawing and workshop practices of the period. The selection includes drawings by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as by Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard. In addition to these well-known names, significant works by lesser-known draughtsmen like Jan van Mieris, Johan van Lintelo and Louis de Deyster are represented. AUTHOR: Virginie D'haene is Assistant Curator Prints and Drawings, Museum Plantin Moretus/Prentenkabinet, Musea Antwerpen in Antwerp, Belgium. SELLING POINTS: * Recent scholarly research yields new insights into European Old Master drawing practices * Includes drawings in the collection of the Musea Brugge by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard 120 colour, 100 b/w images
| Author | : Robert Kaupelis |
| Publisher | : Courier Corporation |
| Total Pages | : 146 |
| Release | : 2012-06-26 |
| Genre | : Art |
| ISBN | : 0486137392 |
Teachers, students, and amateur artists will all benefit from the advice of this esteemed educator and fine artist whose book, as described by a colleague, is "a cause célèbre for art education, not only because it meets the urgent professional need, but also because it combines artistic, aesthetic, and instructional considerations in a way which is significantly different from any other text." Encouraging teachers and students to use his suggestions in ways they feel most appropriate, the author (an expert guide and teacher) offers sound advice on methods and techniques for artists at all levels. Using the lessons and methods he employed over the years as an instructor, Kaupelis focuses on solving the problems common to many illustrators, among them successfully developing perspective, contour and modeled drawing, and drawing from memory and projected images. A splendid blend of instruction, analysis, and insights, this volume—one of the most widely read art instruction texts—deserves a place on the shelves of instructors and serious students of art.
| Author | : Princeton University. Art Museum |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Drawing |
| ISBN | : 9780300149326 |
This richly illustrated volume offers a new look at the exceptional collection of Italian drawings at the Princeton University Art Museum. An introductory essay by Laura M. Giles chronicles the history and significance of the collection, and nearly one hundred of the collection's masterworks are treated with essay-length entries and full-page images. The first scholarly examination of the collection since Felton Gibbons's comprehensive publication of 1977, the catalogue includes an appendix of more than 150 drawings that have entered the collection since--many previously unpublished, and all fully documented with short entries. Highlights include works by celebrated masters, including Carpaccio and Modigliani, from the early Renaissance through the early Modern periods, with an emphasis on the collection's renowned holdings of works by Luca Cambiaso, Guercino, and the two Tiepolos. With contributions by Alessandra Bigi Iotti, Jonathan Bober, Giada Damen, Diane de Grazia, Rhoda Eitel-Porter, Frederick Ilchman, Anne Varick Lauder, John Marciari, Elizabeth Pilliod, John Pinto, David Stone, Catherine Whistler, and Giulio Zavatta.
| Author | : Wouter T. Kloek |
| Publisher | : Yale University Press |
| Total Pages | : 732 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 0300060165 |
Designed as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1991 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 1995 |
| Genre | : Drawing |
| ISBN | : |
| Author | : Carter E. Foster |
| Publisher | : Hudson Hills |
| Total Pages | : 170 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780940717671 |
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
