Europa Und Die Turkei Im 18 Jahrhundert
Download Europa Und Die Turkei Im 18 Jahrhundert full books in PDF, epub, and Kindle. Read online free Europa Und Die Turkei Im 18 Jahrhundert ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Barbara Schmidt-Haberkamp |
| Publisher | : V&R unipress GmbH |
| Total Pages | : 534 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 3899717953 |
English summary: The contributions to this volume explore intercultural contacts and the reciprocal perceptions between Turkey and Europe in the eighteenth century. 'The dangerous Turk', one of the most antagonistic narratives in early modern times, lost impact after the Ottoman defeat in the second siege of Vienna 1683. The image of the Turk changed from the menacing, invincible terror of Christendom to that of a quaint and exotic neighbour. The result was a broad, partly euphoric acceptance and blending of Ottoman culture into the political, scientific, economic and aesthetic discourses of the eighteenth century. Conversely, the European impact on the socio-political and cultural life of the Ottoman Empire increased at the beginning of the eighteenth century. From the perspective of a variety of different academic disciplines, the contributions to this volume explore the following questions: What possibilities were there to form an idea of the other and to what extent was this idea founded on autistic self-assertion on the one hand, on curiosity and creative appropriation on the other? What forms of intercultural contacts existed and how have they been documented? german description: Thema dieses Bandes sind die interkulturellen Kontakte und die wechselseitige Wahrnehmung zwischen der Turkei und Europa im 18. Jahrhundert. Die Turkengefahr, eines der wichtigsten Antagonismusnarrative der fruhen Neuzeit, verblasste nach der osmanischen Niederlage bei der zweiten Belagerung Wiens 1683, und das Bild des Turken wandelte sich vom bedrohlichen, unbesiegbaren Schrecken der Christenheit zum kuriosen, exotischen Nachbarn. Die osmanische Kultur fand in den politischen, wissenschaftlichen, wirtschaftlichen und asthetischen Diskursen des 18. Jahrhunderts breite, zum Teil euphorische Aufnahme und Verarbeitung. Zugleich verstarkte sich zu Beginn des 18. Jahrhunderts der europaische Einfluss im gesellschaftspolitischen und kulturellen Leben des Osmanischen Reichs. Welche Moglichkeiten bestanden, sich ein Bild des Anderen zu machen, und zu welchen Teilen grundete es auf autistischer Selbstbespiegelung einerseits, auf Neugier und produktiver Aneignung andererseits? Welche Formen des interkulturellen Kontaktes existierten und wie sind sie dokumentiert? Auf diese Fragen antworten die Beitrage aus der Sicht verschiedener akademischer Disziplinen.
| Author | : Michael Hüttler |
| Publisher | : Hollitzer Wissenschaftsverlag |
| Total Pages | : 365 |
| Release | : 2019-05-22 |
| Genre | : Music |
| ISBN | : 3990120751 |
The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire. Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field. Contributions by Emre Aracı, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
| Author | : Dimitris Bouris |
| Publisher | : Routledge |
| Total Pages | : 588 |
| Release | : 2021-12-30 |
| Genre | : Political Science |
| ISBN | : 1000475212 |
EU–Middle East relations are multifaceted, varied and complex, shaped by historical, political, economic, migratory, social and cultural dynamics. Covering these relations from a broad perspective that captures continuities, ruptures and entanglements, this handbook provides a clearer understanding of trends, thus contributing to a range of different turns in international relations. The interdisciplinary and diverse assessments through which readers may grasp a more nuanced comprehension of the intricate entanglements in EU–Middle East relations are carefully provided in these pages by leading experts in the various (sub)fields, including academics, think-tankers, as well as policymakers. The volume offers original reflections on historical constructions; theoretical approaches; multilateralism and geopolitical perspectives; contemporary issues; peace, security and conflict; and development, economics, trade and society. This handbook provides an entry point for an informed exploration of the multiple themes, actors, structures, policies and processes that mould EU–Middle East relations. It is designed for policymakers, academics and students of all levels interested in politics, international and global studies, contemporary history, regionalism and area studies.
| Author | : Bent Holm |
| Publisher | : Hollitzer Wissenschaftsverlag |
| Total Pages | : 555 |
| Release | : 2021-07-23 |
| Genre | : Art |
| ISBN | : 3990121251 |
The confrontation between European countries and the expanding Ottoman Empire in the early modern era has played a major role in numerous fields of history. The aim of this book is to investigate the European-Ottoman interrelations from three angles. One deals with the circumstances: How did the Europeans meet the Turks in pragmatic and diplomatic connections? Another concerns imagery: how were the Turks depicted in literature and art? The third examines performativity: how were the Turks inserted into plays, operas and ceremonies? This book confronts mental, visual and embodied images with historical positions and conditions. The focus, therefore, is on the dynamic interactive processes of experience, embodiment and imagination in context. Bringing together Turkish and European scholars, it applies a number of research strategies used by historians to the history of art, literature, music and theatre. Contributions by Pál Ács | Robert Born | Asli Çirakman | Anne Duprat | Kate Fleet | Bent Holm | Marcus Keller | Maria Pia Pedani | Mogens Pelt | Mikael Bøgh Rasmussen | Günsel Renda | Pia Schwarz Lausten | Charlotte Colding Smith | Suna Suner | Dirk Van Waelderen
| Author | : Reinhard Eisendle |
| Publisher | : Hollitzer Wissenschaftsverlag |
| Total Pages | : 608 |
| Release | : 2023-12-22 |
| Genre | : History |
| ISBN | : 3990125516 |
Diplomats had multiple tasks: not only negotiating with the representatives of other states, but also mediating culture and knowledge, and not least elaborating reports on their observations of politics, society, and culture. Culture, according to the studies featured in this book, is defined as a complex sphere including aspects like systems of communication, literature, music, arts, education, and the creation of knowledge. This edition containing contributions from six conferences held in Vienna and Istanbul by the Don Juan Archiv Wien focuses on the complex diplomatic and cultural relations between the Ottoman Empire and Europe from the time of the early embassies to Istanbul up to "Tanzimat".
| Author | : Carter Vaughn Findley |
| Publisher | : BRILL |
| Total Pages | : 416 |
| Release | : 2019-02-04 |
| Genre | : History |
| ISBN | : 9004377255 |
Mouradgea d’Ohsson’s Tableau général de l’Empire othoman offered the Enlightenment Republic of Letters its most authoritative work on Islam and the Ottomans, also a practical reference work for kings and statesmen. Profusely illustrated and opening deep insights into illustrated book production in this period, this is also the richest collection of visual documentation on the Ottomans in a hundred years. Shaped by the author’s personal struggles, the work yet commands recognition in its own totality as a monument to inter-cultural understanding. In form one of the great taxonomic works of Enlightenment thought, this is a work of advocacy in the cause of reform and amity among France, Sweden, and the Ottoman Empire.
| Author | : Ünver Rüstem |
| Publisher | : Princeton University Press |
| Total Pages | : 336 |
| Release | : 2019-04-02 |
| Genre | : Art |
| ISBN | : 0691190542 |
A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
| Author | : Aysel Yildiz |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 317 |
| Release | : 2017-01-30 |
| Genre | : History |
| ISBN | : 1786731479 |
In 1807 the reformist Sultan Selim III was overthrown in a palace coup enacted by the elite special forces of the day-the Janissaries. The Ottomans were bankrupt and had been forced to make peace with Napoleon after Austerlitz, but it was Selim III's efforts to reform an empire that had suffered successive military defeats, and to reform along the lines of modern principles-with an end to the privileged 'feudal' position of many in elite Ottoman civil-military society-which sealed his fate. This book seeks to situate Turkey's reactionary revolutions of 1807 into a wider European context, that of the French Revolution and the outbreaks of revolutionary activity in the German states, Britain and the US. The Ottoman Empire was an interconnected and crucial part of this early-modern world, and therefore, Aysel Yildiz argues, must be analyzed in relation to its European rivals. Focusing on the uprising, and the socio-economic and political conditions which caused it, this book re-orientates Ottoman history towards Western Europe, and re-situates the late-Ottoman Empire as a key battle-ground of political ideas in the modern era.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 729 |
| Release | : 2020-03-17 |
| Genre | : Religion |
| ISBN | : 9004423176 |
Christian-Muslim Relations, a Bibliographical History Volume 14 (CMR 14) covering Central and Eastern Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 14, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner.
| Author | : Gábor Almási |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 738 |
| Release | : 2016-04-26 |
| Genre | : History |
| ISBN | : 1443891940 |
Despite fragmentation, heterogeneity and the continuous pressure of the Ottoman Empire, early modern “divided Hungary” witnessed a surprising cultural flourishing in the sixteenth century, and maintained its common cultural identity in the seventeenth century. This could hardly have been possible without intense exchange with the rest of Europe. This three-volume series about early modern Hungary divided by Ottoman presence approaches themes of exchange of information and knowledge from two perspectives, namely, exchange through traditional channels provided by religious/educational institutions and the system of European study tours (Volume 1 – Study Tours and Intellectual-Religious Relationships), and the less regular channels and improvised networks of political diplomacy (Volume 2 – Diplomacy, Information Flow and Cultural Exchange). A by-product of this exchange of information was the changing image of early modern Hungary and Transylvania, which is presented in the third and in some aspects concluding volume of essays (Volume 3 – The Making and Uses of the Image of Hungary and Transylvania). Unlike earlier approaches to the same questions, these volumes draw an alternative map of early modern Hungary. On this map, the centre-periphery conceptions of European early modern culture are replaced by new narratives written from the perspective of historical actors, and the dominance of Western-Hungarian relationships is kept in balance due to the significance of Hungary’s direct neighbours, most importantly the Ottoman Empire.
