Euan Uglow
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Author | : Catherine Lampert |
Publisher | : Yale University Press |
Total Pages | : 335 |
Release | : 2007-10-01 |
Genre | : Art |
ISBN | : 0300123493 |
“I am trying to find out why a subject does look so marvelous, and trying to make that sensation manifest on a flat surface.”—Euan Uglow
Author | : Arthur Stern |
Publisher | : Echo Point Books & Media, LLC |
Total Pages | : 363 |
Release | : 1984 |
Genre | : Art |
ISBN | : |
Learn to see and mix any color with extraordinary precision! Many painters don't paint what they see, but what they expect to see, what they think they see, what they remember, or what they imagine things are supposed to look like. Since "the mind stands in the way of the eye," the purpose of this revolutionary book is to train you to paint what your eye actually sees. Arthur Stern claims that color is key to painting what you see. After working with three generations of students, he developed a program of 22 painting projects that teach the artist to observe, identify, mix, match, and paint the colors of the world with remarkable accuracy. Using a painting knife and oil paint, you learn to analyze every painting subject as a series of distinct color areas—called color spots—and place each spot on the canvas as a unique and vivid mixture. The fundamental lesson of the book is that if you put the right color spot in the right place, you create a realistic image of form, space, surface texture, atmosphere, light, and shade. As you follow the painting projects in this book, you'll make the dramatic discovery that everything in nature is filled with luminous color. You'll learn to see glowing color in the "blackest" shadow and the "whitest" linen. You'll learn when a green can appear red; how to use paint to replicate metal, glass, wood, paper, porcelain, and other opaque, transparent, or textured surfaces. Before long, you'll be seeing a multitude of colors in a slice of bread, apples and oranges, and a mass of green leaves. You'll learn how to paint quickly enough to capture a "live" still life—a flower that moves and slowly dies as you paint it. You'll even practice with a setup outdoors to see how sunlight and skylight affect color. How to See Color and Paint It is a must for beginners and a valuable asset for intermediate artists who want to develop a more subtle perception of color. A final section contains beautiful paintings of many subjects that have grown out of projects and ideas taught in this book. 130 color plates; 40 black & white illustrations
Author | : Euan Uglow |
Publisher | : |
Total Pages | : 80 |
Release | : 2003-01-01 |
Genre | : |
ISBN | : 9781902498133 |
Author | : Susan Campbell |
Publisher | : |
Total Pages | : 164 |
Release | : 2003 |
Genre | : |
ISBN | : |
Author | : Euan Uglow |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : |
ISBN | : 9781909707030 |
Author | : Stephen Miller |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 158 |
Release | : 2015-11-25 |
Genre | : Art |
ISBN | : 1443886750 |
This book explores the areas of perspective, proportion, witness and theological threshold in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. While the Incarnation, in a very real way, legitimised the idea of the portrayal of God in human form (as Jesus Christ), problems remained as to how this might be achieved and whether it should be restricted to the second person of the Holy Trinity. This book looks at the creation of pictorial space and the presentation of the image – paying special attention to schemes of perspective, as a way to better describe reality, as well as to considerations of proportion through such geometric methodology as the Golden Section and dynamic root-rectangles (based on certain ‘perfect’ or divine ratios) to balance and harmonise form. The Word Made Visible in the Painted Image also explores the theological theme of threshold and liminal space, describes how themes such as the Incarnation and Revelation were represented, and looks at the symbolism employed in so doing. It shows how such themes were captured, set in space and communicated in the painted image. This study is necessarily interdisciplinary, combining the subject areas of art history and theory, theology, biblical study, philosophy, aesthetics, physics, metaphysics, mathematics, geometry, optics, physiology, psychology, and sociology, in greater and lesser degrees. Few books take such an interdisciplinary stance on art, theology, science and related disciplines to this extent.
Author | : Andrew Lambirth |
Publisher | : Sansom |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9781908326478 |
A monograph on British artist, Patrick George
Author | : Catherine Lampert |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art, British |
ISBN | : 9781905620630 |
Catalog of an exhibition held December 7, 2011 - February 18, 2012 at Haunch of Venison, London.
Author | : Geoff Hassell |
Publisher | : ACC Distribution |
Total Pages | : 248 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
The work of the artists belonging to the Camden Town School and Euston Road Group is well recorded but until now, no work of substance on the many hundreds of teachers and students who flocked to Camberwell during the post-war years has been published. With the publication of Camberwell School of Arts & Crafts Geoff Hassell has produced a valuable record of a unique period in British art. Victor Pasmore, William Coldstream and John Minton were among the charismatic teachers who attracted so many talented students, including mature ex-servicemen, to study at Camberwell. Many of the painters to emerge from this fertile period have since become household names, such as Terry Frost, Anthony Eyton and Euan Uglow. Many have yet to be discovered and their work, painterly and decorative, characteristic and wholly redolent of the time and place, is a credit to the scope and range of the influences exerted by the School. This book provides an essential and indispensable point of reference for all collectors of 20th century British art. As well as a brief history of the School and a dictionary section, containing biographical details of over 300 pupils and teachers of the period, 'Memories of Camberwell', a selection of students' reminiscences, emphasises their enthusiasm and inspiration.
Author | : Peter T. J. Rumley |
Publisher | : Sansom & Company, a publishing |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Painters |
ISBN | : 9781908326799 |
William Coldstream became one of the significant twentieth-century cultural icons, who influenced generations of art students. Numbered amongst his cycle of distinguished luminaries were W.H. Auden, Stephen Spender, Christopher Isherwood, Louis MacNeice, Benjamin Britten, Sir Kenneth Clark, Adrian Stokes, A J Ayer and Anthony Blunt; as well as many artists and establishment figures whose portraits he painted, including one Prime Minister. However, celebrated Coldstream was to become he revealed a somewhat tormented and anxious mind racked with self-doubt. Was he ever going to be appreciated as an artist, will people understand his painting or will he ever gain control of his personal life? Coldstream liked to compartmentalize his life, and almost certainly none of his artistic friends knew all the facets of his extraordinarily complex, secretive and eccentric life; less so about his painting. Yet, this was in contrast to his outwardly lively, witty and charming public personality.