Ethiopian Passages
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Author | : Elizabeth Harney |
Publisher | : Philip Wilson Publishers |
Total Pages | : 140 |
Release | : 2003-09-06 |
Genre | : Art |
ISBN | : |
This study introduces audiences to the importance of the arts in the African diaspora and tells of the important histories of migration and the myriad negotiations of artistic, cultural, group and personal identities among African artists in the diaspora.
Author | : Solomon Addis Getahun |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 299 |
Release | : 2014-02-27 |
Genre | : Social Science |
ISBN | : |
An ideal resource for anyone interested in learning about Ethiopia, this accessible, single-volume work provides all-encompassing and up-to-date coverage of the ancient and diverse cultures of Africa's second-most populated nation. Explore the fascinating culture of Ethiopia, a highly diverse nation built on the foundations of ancient kingdoms—truly a melting pot of traditions from Africa as well as other continents. With increasing freedom of speech and growing access to technology, Ethiopians are better able—and more eager—than ever to share ideas, art, and information not only with each other, but with the rest of the world. This detailed volume offers readers informed perspectives on one of the world's oldest populations, covering its long-ago history as well as its evolution in the 21st century. Readers will discover Ethiopa's collection of written and oral stories, unique art and architecture inspired by royalty and religion, delicious cuisine, and many forms of music, dress, and dance. The book's chapters also describe important changes in Ethiopia's social customs, prevalent attitudes regarding women, and the nation's historically oppressive political system.
Author | : Ruth Simms Hamilton |
Publisher | : MSU Press |
Total Pages | : 415 |
Release | : 2007-07-26 |
Genre | : History |
ISBN | : 1628954604 |
Routes of Passage provides a conceptual, substantive, and empirical orientation to the study of African people worldwide. Routes of Passage addresses issues of geographical mobility and geosocial displacement; changing cultural, political, and economic relationships between Africa and its diaspora; interdiaspora relations; political and economic agency and social mobilization, including cultural production and psychocultural transformation; existence in hostile and oppressive political and territorial space; and confronting interconnected relations of social inequality, especially class, gender, nationality, and race.
Author | : David H. Shinn |
Publisher | : Scarecrow Press |
Total Pages | : 694 |
Release | : 2013-04-11 |
Genre | : History |
ISBN | : 0810874571 |
Ethiopia is clearly one of the most important countries in Africa. First of all, with about 75 million people, it is the third most populous country in Africa. Second, it is very strategically located, in the Horn of Africa and bordering Eritrea, Sudan, Kenya, and Somalia, with some of whom it has touchy and sometimes worse relations. Yet, its capital – Addis Ababa – is the headquarters of the African Union, the prime meeting place for Africa’s leaders. So, if things went poorly in Ethiopia, this would not be good for Africa, and for a long time this was the case, with internal disruption rife, until it was literally suppressed under the strong rule of the recently deceased Meles Zenawi. The Historical Dictionary of Ethiopia, Second Edition covers the history of Ethiopia through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has several hundred cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Ethiopia.
Author | : Saheed A. Adejumobi |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 249 |
Release | : 2006-12-30 |
Genre | : History |
ISBN | : 0313088233 |
This engaging and informative historical narrative provides an excellent introduction to the history of Ethiopia from the classical era through the modern age. The acute historical analysis contained in this volume allows readers to critically interrogate shifting global power configurations from the late nineteenth century to the twentieth century, and the related implications in Ethiopia and the Horn of Africa region. Adejumobi identifies a second wave of globalization, beginning in the nineteenth century, which laid the foundation for a highly textured Ethiopian Afromodern twentieth century. The book explores Ethiopia's efforts at charting an independent course in the face of imperialism, World War II, the Cold War and international economic reforms with a focus on the gap between the state's modernization reforms and the citizenry's aspirations of modernity. The book focuses on Ethiopians' efforts to balance challenges related to social, political and economic reforms with a renaissance in the arts, theater, Orthodox Coptic Christianity, Islam and ancient ethnic identities. The History of Ethiopia paints a vivid picture of a dynamic and compelling country and region for students, scholars, and general readers seeking to grasp twenty-first century global relations. The work also provides a timeline of events in Ethiopian history, brief biographies of key figures, and a bibliographic essay.
Author | : Leonardo Cohen |
Publisher | : Otto Harrassowitz Verlag |
Total Pages | : 252 |
Release | : 2009 |
Genre | : History |
ISBN | : 9783447058926 |
Based on doctoral thesis, Hebrew University of Jerusalem, 2007.
Author | : James Platter |
Publisher | : Xlibris Corporation |
Total Pages | : 606 |
Release | : 2012-09 |
Genre | : History |
ISBN | : 1479703079 |
Inside the covers of this book you will find the Real Scriptures' of the Christian churches. Many church leaders know that other Christian churches hold to these books but they are only willing to state what they have been brain-washed to believe, that is about the other inferior books: "It isn't in the canon" (of scripture) formed of course by the early Catholic Church at various stages and Councils from the fourth century A.D. therefore no one has the right to change what is in the canon of scripture and the Catholic Church changed it in their councils not in agreement of other Christians but to hide their offence at the words of God. They would not even imagine that different churches have different scriptures and assume that the correct canon of scripture must be the one first declared by the Catholic Church and its priests but other priests must be considered demented or apostate, but they are not affected by the changes they made to the canon of Scripture over many centuries. They will not consider the canons of Orthodox Churches or others because they vary in different regions of the world. So is European Christianity based in the Vatican City right about all its holy scriptures while everyone else's church scriptures are false scriptures? Ethiopia it seems got most books of scripture right even with their translation into an ancient language! The Real Scriptures', edited by James Platter above, a layman who formerly studied the scriptures for many years with the Baptist Bible Fellowship in San Dimas, California in the United States, but now rejects the reduced 1627 A.D. Version of the KJV Bible, and formally learned the Greek language of the New Testament at Capernwray Missionary Fellowship, Moss Vale, N. S. W. Australia under the Reverend Alan Catchpoole in 1973.
Author | : Maria Diedrich |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 1999-10-21 |
Genre | : Social Science |
ISBN | : 0195126408 |
This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey and on the continent and eventual return.
Author | : Elizabeth W. Giorgis |
Publisher | : Ohio University Press |
Total Pages | : 487 |
Release | : 2019-02-11 |
Genre | : Art |
ISBN | : 0821446533 |
If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.
Author | : Kwesi Tsri |
Publisher | : Routledge |
Total Pages | : 201 |
Release | : 2016-04-20 |
Genre | : Social Science |
ISBN | : 1317184092 |
Africans are not literally black, yet they are called black. Why? This book explores the genesis and evolution of the description of Africans as black, the consequences of this practice, and how it contributes to the denigration (blackening) and dehumanisation of Africans. It uses this analysis to advance a case for abandoning the use of the term ‘black’ to describe and categorise Africans. Mainstream discussions of the history of European racism have generally neglected the role of black and white colour symbolisms in sustaining the supposed superiority of those labelled white over those labelled black. This work redresses that neglect, by tracing the genesis of the conception of Africans as black in ancient Greece and its continued employment in early Christian writings, followed by an original, close analysis of how this use is replicated in three key representative texts: Shakespeare's Othello, the translation of the Bible into the African language Ewe, and a book by the influential Ghanaian religious leader, Mensa Otabil. It concludes by directly addressing the argument that ‘black’ can be turned into a positive concept, demonstrating the failure of this approach to deal with the real problems raised by imposing the term ‘black’ on its human referents.