Ethics Of Alterity Confrontation In The 19th 21st Century British Arts
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| Author | : Martin Riedelsheimer |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 423 |
| Release | : 2020-10-12 |
| Genre | : Literary Criticism |
| ISBN | : 3110712423 |
This study traces the connection of infinity and Levinasian ethics in 21st-century fiction. It tackles the paradox of how infinity can be (re-)presented in the finite space between the covers of a book and finds an answer that combines conceptual metaphor theory with concepts from classical narratology and beyond, such as mise en abyme, textual circularity, intertextuality or omniscient narration. It argues that texts with such structures may be conceptualised as infinite via Lakoff and Núñez’s Basic Metaphor of Infinity. The catachrestic transfer of infinity from structure to text means that the texts themselves are understood to be infinite. Taking its cue from the central role of the infinite in Emmanuel Levinas’s ethics, the function of such ‘fictions of infinity’ turns out to be ethical: infinite textuality disrupts reading patterns and calls into question the reader’s spontaneity to interpret. This hypothesis is put to the test in detailed readings of four 21st-century novels, David Mitchell’s Cloud Atlas, Jeanette Winterson’s The Stone Gods, Ian McEwan’s Saturday and John Banville’s The Infinities. This book thus combines ethical criticism with structural aesthetics to uncover ethical potential in fiction.
| Author | : Julian Wolfreys |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2017-06-02 |
| Genre | : Literary Criticism |
| ISBN | : 0748699651 |
Introduces advanced students of literature to the latest critical thinkingFollowing a scene-setting Introduction which reflects on the state of atheory today, the 11 chapters in this volume introduce new areas of critical thinking which go beyond the standard aisms: Literary Reading in a Digital Age; Critical Making in the Digital Humanities; Thing Theory; Memory Work and Criticism; Body, Objects, Technology; Criticism and aThe Animal; Multimodality and Linguistic Approaches to Literary Study; Critical and Creative Practice: Conditions for Success in the Writing Workshop; Affect Theory; Spectrality; Critical Climate Change.A final rounding off chapter on Historicising presents debates around historically oriented criticism, including a around table among the contributors. Each chapter also provides a critical acase study of a text or texts, including poetry writing guides, a Seamus Heaney poem, film adaptations of Jane Austens Pride and Prejudice and Charlotte BrontAs Jane Eyre, e-readers and kindles, First World War poetry and prose, steampunk, and Robert Macfarlanes The Old Ways.From aThing Theory to animal theory, multimodality to film adaptation, and from acts of reading in a digital age to the creative writing workshop, the volume reflects a radical reorientation in critical modes of thinking.Key Features:Presents cutting-edge debates presented to more advanced students in an engaging yet sophisticated wayProvides a wide range of acase studies including poetry, film, reading devices, popular fiction & non-fiction proseReflects newly emerging ways of teaching critical ideas in the classroomOpens criticism to dialogue and possibility
| Author | : Jean-Michel Ganteau |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2014-06-27 |
| Genre | : Literary Criticism |
| ISBN | : 1317684710 |
This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or "liminal" narratives dealing with individual and collective traumas, running the spectrum from the testimonial novel and the fictional autobiography to the fake memoir, written by a variety of famous, more neglected contemporary British, Irish, US, Canadian, and German writers. Building on the psychological insights and theorizing of the fathers of trauma studies (Janet, Freud, Ferenczi) and of contemporary trauma critics and theorists, the articles examine the narrative strategies, structural experimentations and hybridizations of forms, paying special attention to the way in which the texts fight the unrepresentability of trauma by performing rather than representing it. The ethicality or unethicality involved in this endeavor is assessed from the combined perspectives of the non-foundational, non-cognitive, discursive ethics of alterity inspired by Emmanuel Levinas, and the ethics of vulnerability. This approach makes Contemporary Trauma Narratives an excellent resource for scholars of contemporary literature, trauma studies and literary theory.
| Author | : Virginie Iché |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2022-01-31 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000536076 |
Building on the notion of fiction as communicative act, this collection brings together an interdisciplinary range of scholars to examine the evolving relationship between authors and readers in fictional works from 18th-century English novels through to contemporary digital fiction. The book showcases a diverse range of contributions from scholars in stylistics, rhetoric, pragmatics, and literary studies to offer new ways of looking at the "author–reader channel," drawing on work from Roger Sell, Jean-Jacques Lecercle, and James Phelan. The volume traces the evolution of its form across historical periods, genres, and media, from its origins in the conversational mode of direct address in 18th-century English novels to the use of second-person narratives in the 20th century through to 21st-century digital fiction with its implicit requirement for reader participation. The book engages in questions of how the author–reader channel is shaped by different forms, and how this continues to evolve in emerging contemporary genres and of shifting ethics of author and reader involvement. This book will be of particular interest to students and scholars interested in the intersection of pragmatics, stylistics, and literary studies.
| Author | : Jorge Sacido-Romero |
| Publisher | : Routledge |
| Total Pages | : 515 |
| Release | : 2018-10-09 |
| Genre | : Literary Criticism |
| ISBN | : 1351604899 |
In their new monograph, Gender and Short Fiction: Women's Tales in Contemporary Britain, Jorge Sacido-Romero and Laura M Lojo-Rodriguez explain why artistically ambitious women writers continue turning to the short story, a genre that has not yet attained the degree of literary prestige and social recognition the novel has had in the modern period. In this timely volume, the editors endorse the view that the genre still retains its potential as a vehicle for the expression of female experience alternative to and/or critical with dominant patriarchal ideology present at the very onset of the development of the modern British short story at the turn of the nineteenth century.
| Author | : Joelle Mann |
| Publisher | : Routledge |
| Total Pages | : 162 |
| Release | : 2021-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 1000405664 |
Mixed Media in Contemporary American Literature: Voices Gone Viral investigates the formation and formulation of the contemporary novel through a historical analysis of voice studies and media studies. After situating research through voices of nineteenth- and twentieth-century American literature, this book examines the expressions of a multi-media vocality, examining the interactions among cultural polemics, aesthetic forms, and changing media in the twenty-first century. The novel studies shown here trace the ways in which the viral aesthetics of the contemporary novel move language out of context, recontextualizing human testimony by galvanizing mixed media forms that shape contemporary literature in our age of networks. Through readings of American authors such as Claudia Rankine, David Foster Wallace, Jennifer Egan, Junot Díaz, Michael Chabon, Joseph O’Neill, Michael Cunningham, and Colum McCann, the book considers how voice acts as a site where identities combine, conform, and are questioned relationally. By listening to and tracing the spoken and unspoken voices of the novel, the author identifies a politics of listening and speaking in our mediated, informational society.
| Author | : Sean Mark |
| Publisher | : Springer Nature |
| Total Pages | : 441 |
| Release | : 2022-11-17 |
| Genre | : Literary Criticism |
| ISBN | : 303091948X |
In October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
| Author | : Jean-Michel Ganteau |
| Publisher | : Presses universitaires de la Méditerranée (PULM) |
| Total Pages | : 345 |
| Release | : 2015-12-18 |
| Genre | : Philosophy |
| ISBN | : 2367811792 |
Various art forms inscribe, program or perform the preference of relationship. In so doing, they put otherness high on their aesthetic agenda by caring about the cultural other, the other of gender, race, class or history. Such art forms from different periods promote a mode of sensibility to the other, whether the foreign or the invisible, or both, in their various manifestations. Sensibility to otherness is envisaged through the means of strident or humble art-forms and aesthetic choices, from the overtly experimental, to subdued adaptation. In confronting and welcoming the other art object, the other culture, or the othered citizen, art objects to the tyranny of the same and promotes such values as attentiveness, responsiveness and responsibility to forms of otherness, i.e. to the ways in which art cares about, or even takes care of the other. This implies the practice of an ethic of alterity (as distinct from the formulation of general rules) that is accountable for making the spectator or listener pay attention to social, economic and cultural invisibilities. Such an ethic of alterity joins hands with the political and may help chart the evolution of the objects and forms of engagement from the Victorian period to the present.
| Author | : Christine Reynier |
| Publisher | : |
| Total Pages | : 257 |
| Release | : 2013-11-01 |
| Genre | : English literature |
| ISBN | : 9782367810201 |
| Author | : Jerrold E. Hogle |
| Publisher | : Edinburgh University Press |
| Total Pages | : 344 |
| Release | : 2019-03-14 |
| Genre | : Gothic fiction (Literary genre) |
| ISBN | : 1474427790 |
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
