Et Si On Partageait La Culture
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Author | : Serge Saada |
Publisher | : EDITIONS DE L'ATTRIBUT |
Total Pages | : 124 |
Release | : 2011-07-10 |
Genre | : Art |
ISBN | : 2916002502 |
« Vous savez, ce n’est pas pour moi ». L’expression revient souvent chez les personnes qui perçoivent les lieux culturels comme des sanctuaires impénétrables. Lorsqu’elles parviennent à franchir le seuil, elles ont tout simplement l’impression d’y être entrées comme par effraction. Fort de son expérience, Serge Saada illustre avec un regard sensible les conclusions des études faisant apparaître des inégalités sociales dans la fréquentation des théâtres. Il dépasse toutefois le simple constat pour défendre l’idée du potentiel du spectateur, d’un spectateur à qui on laisserait le temps de se construire, d’un individu dont la propre culture ne serait pas jugée comme illégitime face à la culture instituée. C’est pourquoi le médiateur culturel a un rôle essentiel à jouer, celui du passeur qui sait se retirer au moment opportun pour laisser à l’individu la possibilité de continuer seul le chemin. Le médiateur n’amène rien et surtout pas la culture. Il doit partir du principe que le public a moins besoin de connaissances que de conditions pour les partager. Ce livre, riche en exemples relatifs à de nombreuses situations vécues, montre comment des actions menées dans l’esprit de l’éducation populaire soulèvent des questions purement esthétiques à même de faire évoluer les contenus et la pratique artistique. Il cherche à réconcilier l’exigence esthétique à la préoccupation citoyenne. Pour forger son analyse, Serge Saada s’appuie sur deux expériences fondatrices et complémentaires. Un cours sur le spectateur de théâtre donné au département de médiation culturelle de l’université Paris III. Puis l’encadrement d’une formation à la médiation culturelle au sein de l’association Cultures du Cœur. Par ailleurs, il enseigne l’écriture dramatique et la mise en scène à Sciences Po Paris.
Author | : Emma Nardi |
Publisher | : Edizioni Nuova Cultura |
Total Pages | : 174 |
Release | : 2015-07-30 |
Genre | : Education |
ISBN | : 8868125412 |
Cinzia Angelini, Introduction; Paolo Campetella, Pietro Canonica, my personal sculptor; Jin-hyung Kim, Applicability of Forest Experience Family Education Program at the Museum; Gana Lee, Hangeul Bottari - Outreach Museum Education Program; Claire Ponselle, Marie Allaman, La Malle de découverte du Musée des Augustins; Paul Crook, Carolina Silva and Sofia Victorino, Youth Forum: Duchamp & Sons; Mathias Dreyfuss, Raffaella Russo-Ricci, Justine Veillard, Le parcours-atelier « Stéréotypes et préjugés » au Musée d’art et d’histoire du Judaïsme; Francine Lelièvre, Élisabeth Côté, Nathalie Lampron, L’atelier Archéo-aventure : vivre une mission archéologique en milieu urbain; Matt Mulligan, Christina Grant, Jamie Herget, Emma Martell, Leah Melber, Partners in Fieldwork. Empowering Urban High School Learners; Ronna Tulgan Ostheimer, Making Museums Socially Relevant: The RAISE Programme at the Clark; Dolores Alvarez-Rodriguez, Reducing the gap, expanding the matter. Pre-service teacher’s training program in museum education; Cristiane Batista Santana, Mirian Midori Peres Yagui, Muestra de Museos. Una Política Pública de Democratización del Acceso a los Museos del Estado de São Paulo; Magaly Cabral, Education and Work. An Action of Citizenship; Philippe Casset, Laurent Faivre, Thomas Galifot, Alexandre Therwath, Mathias Van Der Meulen, Emmaüs à Orsay / Orsay chez Emmaüs; Bernarda Delgado Elías, Alfredo Narváez Vargas, Programa de Educación para la conservación. Museo Túcume. Perú; Andrea Alexandra do Amaral Silva e Biella, Live Art! Socio-Educational and Cultural Inclusion Programme; Aurélie Maguet, “Le temps d’une histoire”. Atistic residence in prison.
Author | : Ifigenia Gonis |
Publisher | : Springer Nature |
Total Pages | : 240 |
Release | : 2023-05-10 |
Genre | : Performing Arts |
ISBN | : 3031224728 |
This book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the “public”. Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics.
Author | : Patrice Pavis |
Publisher | : Routledge |
Total Pages | : 456 |
Release | : 2016-04-28 |
Genre | : Performing Arts |
ISBN | : 1317521137 |
The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one of the foremost scholars and critics of theatre in the world, it literally takes us from Activism to Zapping, analysing everything along the way from Body Art and the Flashmob to Multimedia and the Postdramatic. What we think of as 'performance' and 'drama' has undergone a transformation in recent decades. Similarly how these terms are defined, used and critiqued has also changed, thanks to interventions from a panoply of theorists from Derrida to Ranciere. Patrice Pavis's Dictionary provides an indispensible roadmap for this complex and fascinating terrain; a volume no theatre bookshelf can afford to be without.
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Total Pages | : 856 |
Release | : 1913 |
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Total Pages | : 132 |
Release | : 1990 |
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Publisher | : TheBookEdition |
Total Pages | : 175 |
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ISBN | : 2958562301 |
Author | : Alvina Ruprecht |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 601 |
Release | : 1995-11-15 |
Genre | : Social Science |
ISBN | : 0773584277 |
Political, economic and social barriers among Latin America, the Caribbean and Canada are giving way to global forces and the "global dreams" they inspire. This collection of original articles and essays examines popular culture, literature, theatre, belief systems, indigenous practices and questions of identity, exile and alienation. The interconnectedness and distinction of cultural production throughout the Americas, "transplanted" interests, the mediation of African and European influences, and the expression of shifting identities, all reflect the development of a new American neighbourhood.
Author | : F. Furet |
Publisher | : Elsevier |
Total Pages | : 714 |
Release | : 2015-11-24 |
Genre | : History |
ISBN | : 148328655X |
This third volume in a much praised series on The French Revolution and the Creation of Modern Political Culture examines the way in which the Revolution has been portrayed in European thought and its impact upon the development of political philosophy in the nineteenth century. Opening with the influence of Burke and other contemporaries of the Revolution and the ensuing debate over the question "Why the Terror?", this volume explores such diverse themes as the legacy of the Revolution on the political and social evolution of Germany, England, Italy and Russia; the crisis it brought about in the Catholic Church; and the difficulties encountered in determining the end of the Revolution. By showing that the upheaval in European politics and philosophy caused by the French Revolution continued to shape nations, peoples and thought, the texts brought together in this volume permit a better understanding of the event's extraordinary complexity.
Author | : Linda Paterson |
Publisher | : Taylor & Francis |
Total Pages | : 228 |
Release | : 2023-05-31 |
Genre | : History |
ISBN | : 1000947572 |
Medieval Occitania, a geographical and linguistic area often referred to as 'the South of France', 'the South', 'the Midi', or more loosely 'Provence', was politically diverse but culturally coherent. It was here that the troubadours created Courtly Love and a new poetic language, which together were to affect the whole course of European literature and sensibilities. The essays made readily accessible in this collection reflect the author's many-sided interests in the troubadours and the society from which they sprang: the historical and cultural place of the women forming the ostensible objects of their desire, veneration, or anxieties; the extent to which French notions of chivalry penetrated the South; the nature and meaning of various elements of court culture; the precocious development of medical science in this region; its complex responses to the Crusades; and the question of Occitan identity. Mostly complementing her major publications (The World of the Troubadours, collaborative editions of the songs of the troubadour Marcabru, of the epic fragment the Canso d'Antioca, and of the medieval Occitan tensos and partimens), they provide either more detailed material than found its way into those works, or developments from them. 'Occitan literature and the Holy Land' anticipates a new project on responses to the Crusades in Occitan and Old French lyrics.