Estampes Anciennes De Toutes Les Ecoles Portraits Francais Etrangers Vues Paysages Ecoles Anglaise Francaise Du Xviiie Siecle Partie De Loeuvre De Pp Rubens Societe Francaise De Gravure Partie De Loeuvre De William Hogarth Ornaments Bois Anciens Dapres A Durer Rubens Etc 13000 Gravures En Lots De Toutes Les Ecoles Dont La Vente Aura Lieu Hotel Drouot Les Jeudi 30 Vendredi 1er Decembre 1905 Par Le Ministere De Me Rene Lyon Commissaire Priseur Assiste De M Gosselin Marchand Destampes Expert
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| Author | : Peter Wagner |
| Publisher | : Walter de Gruyter |
| Total Pages | : 428 |
| Release | : 2012-10-25 |
| Genre | : Literary Criticism |
| ISBN | : 3110882590 |
Art Crossing Borders
| Author | : Jan Dirk Baetens |
| Publisher | : Studies in the History of Coll |
| Total Pages | : 351 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 9789004291980 |
Art Crossing Bordersoffers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Bordersoffers a crucial contribution to the field of art market studies.
Lost in space
| Author | : Augustin Ioan |
| Publisher | : |
| Total Pages | : 652 |
| Release | : 2003 |
| Genre | : Personal space |
| ISBN | : |
Platonic cosmology
| Author | : Richard D. Mohr |
| Publisher | : BRILL |
| Total Pages | : 212 |
| Release | : 2016-06-21 |
| Genre | : Philosophy |
| ISBN | : 9004320644 |
The Development of the Art Market in England
| Author | : Thomas M Bayer |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2015-10-06 |
| Genre | : Business & Economics |
| ISBN | : 1317323831 |
This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.
Social Radicalism and the Arts, Western Europe
| Author | : Donald Drew Egbert |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 916 |
| Release | : 1970 |
| Genre | : Art |
| ISBN | : |
Inventing the Universe
| Author | : Luc Brisson |
| Publisher | : State University of New York Press |
| Total Pages | : 206 |
| Release | : 1995-07-20 |
| Genre | : Philosophy |
| ISBN | : 0791497569 |
A parallel investigation of both Plato's Timaeusand the contemporary standard Big Bang model of the universe shows that any possible scientific knowledge of the universe is ultimately grounded in irreducible and undemonstrable propositions. These are inventions of the human mind. The scientific knowledge of the universe is entirely composed in a series of axioms and rules of inference underlying a formalized system. There is no logical relationship between the sensible perception of a world of becoming and the formalized system of axioms known as a "scientific explanation." The "irrational gap" between perception and explanation can be appraised historically and identified in three stages: Plato's Timaeus furnishes the first example of a scientific theory dealing with a realm of ideality that cannot be derived from immediate sensible perception; the Big Bang model is constituted on the basis of the purely geometrical notion of symmetry; and in the more recent Algorithmic Theory of Information, the analysis of the purely symbolic language expressing physical reality reveals the level of complexity of any given theory formulated in this language. The result is that the probability of the universe actually conforming with simple mathematics is zero. In a formal system, a theorem contains more information than can be found in the set of axioms of this system, and it remains undecidable. In Aristotle' s language, the theorems that can be proved within a theoretical model are already potentially contained in the system of axioms underlying these theorems.
The Aesthetics of Matter
| Author | : Sarah Posman |
| Publisher | : Walter de Gruyter |
| Total Pages | : 448 |
| Release | : 2013-10-29 |
| Genre | : Literary Criticism |
| ISBN | : 3110317532 |
It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book’s contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist “aesthetics of matter”? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were “immaterial” things such as concepts of time changed in this aesthetic moment? What “material meanings” were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the “aesthetics of matter” in their response to historical predecessors?
