Stan Brakhage

Stan Brakhage
Author: David James
Publisher: Temple University Press
Total Pages: 250
Release: 2011-01-19
Genre: Performing Arts
ISBN: 1439905290

The art and legacy of a towering figure in the independent film movement.

Essential Brakhage

Essential Brakhage
Author: Stan Brakhage
Publisher: McPherson & Company
Total Pages: 232
Release: 2001
Genre: Performing Arts
ISBN: 9780929701646

In the course of making nearly 400 films over the past 50 years, "Stan Brakhage" became synonymous with independent American filmmaking, particularly its avant-garde component. This major collection of writings draws primarily upon two long out-of-print books--Metaphors on Vision and Brakhage Scrapbook. Brakhage examines filmmaking in relation to social and professional contexts, the nature of influence and collaboration, the aesthetics of personal experience, and the conditions under which various films were made. Brakhage discusses his predecessors and contemporaries, relates film to dance and poetry, and in "A Moving Picture Giving and Taking Book" provides a manual for the novice filmmaker. Lectures, interviews, essays, and manifestos document Brakhage's personal vision and public persona.

Stan Brakhage

Stan Brakhage
Author: Marco Lori
Publisher: Indiana University Press
Total Pages: 292
Release: 2018-01-10
Genre: Performing Arts
ISBN: 0861969405

Essays on the work of this iconic experimental filmmaker from a variety of scholars. Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception. This project sets out from the assumption that Brakhage’s art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage’s art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalized. Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the ‘it’ within the ‘itself’ of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophize in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realizing Deleuze’s image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book not only addresses scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney, and Marco Lori.

Metaphors on Vision

Metaphors on Vision
Author: Stan Brakhage
Publisher: Hassell Street Press
Total Pages: 96
Release: 2021-09-09
Genre:
ISBN: 9781014493781

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Stan Brakhage

Stan Brakhage
Author: Suranjan Ganguly
Publisher: Univ. Press of Mississippi
Total Pages: 201
Release: 2017-03-22
Genre: Performing Arts
ISBN: 1496810708

In this volume, editor Suranjan Ganguly collects nine of Stan Brakhage’s most important interviews in which the filmmaker describes his conceptual frameworks; his theories of vision and sound; the importance of poetry, music, and the visual arts in relation to his work; his concept of the muse; and the key influences on his art-making. In doing so, Brakhage (1933–2003) discusses some of his iconic films, such as Anticipation of the Night, Dog Star Man, Scenes from Under Childhood, Mothlight, and The Text of Light. One of the most innovative filmmakers in the history of experimental cinema, Brakhage made almost 350 films in his fifty-two-year-long career. These films include psychodramas, autobiography, Freudian trance films, birth films, song cycles, meditations on light, and hand-painted films, which range from nine seconds to over four hours in duration. Born in Kansas City, Missouri, he lived most of his life in the mountains of Colorado, teaching for twenty-one years in the film studies program at the University of Colorado, Boulder. As a filmmaker, Brakhage’s life-long obsession with what he called an “adventure in perception” made him focus on the act of seeing itself, which he tried to capture on film in multiple ways both with and without his camera and by scratching and painting on film. Convinced that there is a primary level of cognition that precedes language, he wrote of the “untutored eye” with which children can access ineffable visual realities. Adults, who have lost such primal sight, can “retrain” their eyes by becoming conscious of what constitutes true vision and the different ways in which they daily perceive the world. Brakhage’s films experiment with such perceptions, manipulating visual and auditory experience in ways that continue to influence film today.

American Avant-Garde Cinema's Philosophy of the In-Between

American Avant-Garde Cinema's Philosophy of the In-Between
Author: Rebecca A. Sheehan
Publisher: Oxford University Press
Total Pages: 416
Release: 2020-03-09
Genre: Performing Arts
ISBN: 0190949724

Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this crucial question for the emergent field of film philosophy, American Avant-Garde Cinema's Philosophy of the In-Between argues that the films of the American avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions. Author Rebecca A. Sheehan contends that American avant-garde cinema's characteristic self-reflexivity is an interrogation of the modes and stakes of our engagement with the world on and beyond the screen. The book demonstrates this with the theory of the in-between: a pervasive figure that helps clarify how avant-garde cinema's reflections on the creation of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. The book is structured by a taxonomy of the multiple in-betweens evident in American avant-garde filmmaking. Rather than systematically seeking reproductions of particular philosophers' ideas in avant-garde films, Sheehan derives categories of analysis and the philosophical claims they disclose from close readings of the films themselves. This methodology opposes mapping preconfigured philosophical concepts and values onto these films, as too many philosophical approaches to cinema have done, silencing the philosophies uniquely articulated by these films in the interest of making them ventriloquize philosophies advanced elsewhere. The chapters of this book trace three modes of the in-between that function philosophically in American avant-garde cinema: the material, the dimensional, and the conceptual. Although the chapters are organized around discrete aesthetic and philosophical preoccupations that unify several filmmakers, these three presentations of the in-between cut through all the chapters, allowing the subjects of each to converse over the course of the book.

Lessons in Perception

Lessons in Perception
Author: Paul Taberham
Publisher: Berghahn Books
Total Pages: 226
Release: 2018-06-19
Genre: Art
ISBN: 1785339028

Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.

The Camera-Eye Metaphor in Cinema

The Camera-Eye Metaphor in Cinema
Author: Christian Quendler
Publisher: Routledge
Total Pages: 448
Release: 2016-11-18
Genre: Performing Arts
ISBN: 1317434188

This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?

Light as Experience and Imagination from Medieval to Modern Times

Light as Experience and Imagination from Medieval to Modern Times
Author: David S. Herrstrom
Publisher: Rowman & Littlefield
Total Pages: 389
Release: 2022-11-21
Genre: Literary Criticism
ISBN: 1683933648

In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.