Essays On The Anatomy Of Expression In Painting Essays On The Anatomy And Philosophy Of Expression Second Edition
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Author | : Sir Charles Bell |
Publisher | : |
Total Pages | : 226 |
Release | : 1806 |
Genre | : Anatomy, Artistic |
ISBN | : |
First edition of Bell's (1774-1842) important study of the anatomy and physiology of facial expression. The expressions, attitudes, and movements of the human body had always interested scientists as well as artists, but never before had thy been treated with such depth and conciseness. The work reflects Bell's brilliance as both artist and anatomist, and inspired Darwin's own Expression of the Emotions (1872), which he described Bell as one of the founders of the subject as a branch of science. Reyolds, 404, Wellcome, II, p.135, B & L Rootenberg,1987
Author | : Sir Charles BELL |
Publisher | : |
Total Pages | : 272 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : Pamela K. Gilbert |
Publisher | : Cornell University Press |
Total Pages | : 584 |
Release | : 2019-03-15 |
Genre | : Literary Criticism |
ISBN | : 1501731610 |
In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.
Author | : Universal catalogue |
Publisher | : |
Total Pages | : 398 |
Release | : 1868 |
Genre | : |
ISBN | : |
Author | : Great Britain. Department of Science and Art |
Publisher | : |
Total Pages | : 1044 |
Release | : 1870 |
Genre | : |
ISBN | : |
Author | : Chiara Ambrosio |
Publisher | : Academic Press |
Total Pages | : 346 |
Release | : 2018-12-01 |
Genre | : Medical |
ISBN | : 0128142588 |
Progress in Brain Research series, highlights new advances in the field, with this new volume presenting interesting chapters. Each chapter is written by an international board of authors. - Provides the authority and expertise of leading contributors from an international board of authors - Presents the latest release in the Progress of Brain Research series - Updated release includes the latest information on the Imagining the Brain: Episodes in the Visual History of Brain Research
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 1046 |
Release | : 1870 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1094 |
Release | : 1870 |
Genre | : |
ISBN | : |
Author | : Michael Jeffrey Aminoff |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2017 |
Genre | : Biography & Autobiography |
ISBN | : 019061496X |
Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.
Author | : Michael J. Aminoff MD, DSc, FRCP |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2016-09-02 |
Genre | : Medical |
ISBN | : 0190614978 |
Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.