Essays On Physiognomy Designed To Promote The Knowledge And The Love Of Mankind Illustrated By More Than Eight Hundred Engravings Accurately Copied And Some Duplicates Copied From Originals Executed By Or Under The Inspection Of T Holloway Translated From The French By H Hunter
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Author | : Mei-Ying Sung |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2015-10-06 |
Genre | : Art |
ISBN | : 1317314255 |
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
Author | : Bentley |
Publisher | : U of Minnesota Press |
Total Pages | : 413 |
Release | : 1964 |
Genre | : |
ISBN | : 1452912106 |
Author | : Helen P. Bruder |
Publisher | : Springer |
Total Pages | : 308 |
Release | : 2018-06-27 |
Genre | : Literary Criticism |
ISBN | : 3319897888 |
Blake’s ‘Human Form Divine’ has long commanded the spotlight. Beastly Blake shifts focus to the non-human creatures who populate Blake’s poetry and designs. The author of ‘The Tyger’ and ‘The Lamb’ was equally struck by the ‘beastliness’ and the beauty of the animal kingdom, the utter otherness of animal subjectivity and the meaningful relationships between humans and other creatures. ‘Conversing with the Animal forms of wisdom night & day’, Blake fathomed how much they have to teach us about creation and eternity. This collection ranges from real animals in Blake’s surroundings, to symbolic creatures in his mythology, to animal presences in his illustrations of Virgil, Dante, Hayley, and Stedman. It makes a third to follow Queer Blake and Sexy Blake in irreverently illuminating blind spots in Blake criticism. Beastly Blake will reward lovers of Blake’s writing and visual art, as well as those interested in Romanticism and animal studies.
Author | : |
Publisher | : |
Total Pages | : 520 |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Johann Caspar Lavater |
Publisher | : |
Total Pages | : 358 |
Release | : 1792 |
Genre | : Physiognomy |
ISBN | : |
Author | : Marion Harry Spielmann |
Publisher | : |
Total Pages | : 430 |
Release | : 1925 |
Genre | : Anatomists |
ISBN | : |
Author | : Johann Caspar Lavater |
Publisher | : |
Total Pages | : 328 |
Release | : 1792 |
Genre | : Physiognomy |
ISBN | : |
Author | : David H. Weinglass |
Publisher | : |
Total Pages | : 456 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
Throughout his lifetime the name Henry Fuseli (1741-1825) was constantly invoked as the epitome of untrammelled genius and originality. In our own day he is recognised not only as a seminal figure in the rise of Romanticism but as a great artist and master illustrator in his own right. He is also the only member of the Royal Academy ever to hold the positions of Professor of Painting and Keeper in that institution concurrently. This comprehensive catalogue of the prints and engraved illustrations by and after Henry Fuseli explores the nature and extent of Fuseli's role as history painter cum illustrator. It documents the intricate financial, artistic and business practices that shaped the complex working relationships between artist, engraver, printer and publisher. Such materials also help elucidate how engraved versions of Fuseli's and other artists' paintings stimulated public interest in the arts and literature, thereby becoming an important means of cultural transmission to the middle class.
Author | : Parliamentary Library of South Australia |
Publisher | : |
Total Pages | : 154 |
Release | : 1878 |
Genre | : |
ISBN | : |
Author | : G. E. Bentley |
Publisher | : Minneapolis, University of Minnesota P |
Total Pages | : 424 |
Release | : 1964 |
Genre | : |
ISBN | : |
"A Blake Bibliography "was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.