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| Author | : William Oliver Strunk |
| Publisher | : W W Norton & Company Incorporated |
| Total Pages | : 350 |
| Release | : 1977 |
| Genre | : Church music |
| ISBN | : 9780393021837 |
Twenty-two essays by a music scholar who has been involved in the study of Byzantine music for more than thirty-five years focus upon the chants and liturgy of the Eastern Orthodox church
| Author | : Bissera Pentcheva |
| Publisher | : Taylor & Francis |
| Total Pages | : 273 |
| Release | : 2017-07-14 |
| Genre | : Architecture |
| ISBN | : 135178689X |
Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.
| Author | : Nina-Maria Wanek |
| Publisher | : BRILL |
| Total Pages | : 687 |
| Release | : 2024-04-25 |
| Genre | : Religion |
| ISBN | : 9004514880 |
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
| Author | : Murray Steib |
| Publisher | : Routledge |
| Total Pages | : 928 |
| Release | : 2013-12-02 |
| Genre | : Music |
| ISBN | : 1135942625 |
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
| Author | : DianeH. Touliatos-Miles |
| Publisher | : Routledge |
| Total Pages | : 661 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351578081 |
The National Library of Greece (Ethnike Bibliothike tes Ellados) is one of the richest depositories of Byzantine musical manuscripts and is surpassed by its holdings in Greece only by the multitude of manuscripts found in the monasteries of Mount Athos. In spite of being such a rich archive, the National Library has never published a catalogue of its musical manuscripts - not all of which are Byzantine or Greek. It is the purpose of this catalogue to recover or, in some instances, to present for the first time the repertory of the musical sources of the library. This project has been twelve years in the making for Professor Diane Touliatos, involving the discovery and detailed cataloguing of all 241 Western, Ancient Greek, and Byzantine music manuscripts. Not all of these are from Athens or modern Greece, but also encompass Turkey, the Balkans, Italy, Cyprus, and parts of Western Europe. This variety underlines the importance of the catalogue for identifying composers, music and performance practice of different locales. The catalogue includes a detailed listing of the contents as written in the original language as well as the titles of compositions (and/or incipits) with composers, modal signatures, other attributions and information on performance practice. Each manuscript entry includes a commentary in English indicating important highlights and its significance. There is a substantive English checklist that summarizes the contents of each manuscript for non-Greek readers. A bibliography follows containing pertinent citations where the manuscript has been used in references. There is also a glossary that defines terms for the non-specialist. Examples of some of the manuscripts will be photographically displayed. The catalogue will enlighten musicologists and Byzantinists of the rich and varied holdings of some of the most important musical manuscripts in existence, and stimulate more interest and investigation of these sources. As such, it will fill a major ga
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2018-08-09 |
| Genre | : Music |
| ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
| Author | : Orthodox Eastern Church |
| Publisher | : Walter de Gruyter |
| Total Pages | : 493 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 3110221292 |
The book is an annotated critical edition of an unpublished collection of hymnographical texts, preserved in the eleventh-century Greek manuscript 11 of the library of Leimonos monastery, Lesbos, Greece. This important codex is a Menaion for June comprising thirty akolouthiai on saints; nineteen of them are hitherto unpublished. The edition of the texts is accompanied by an introduction, a liturgical, palaeographical, and hymnographical commentary, appendices of unpublished hymns preserved in manuscripts other than Lesbiacus Leimonos 11, and indices. The introduction examines codex Lesbiacus Leimonos 11 and its importance from a liturgical, hymnographical, and palaeographical perspective. It is divided into four chapters. The first presents the liturgical environment of the period from the ninth century, when most of the texts edited were composed, to the eleventh, when the production of the codex could be placed, and the liturgical books used in the period, the structure of the akolouthiai and the festal calendar of the Byzantine church. The second chapter deals with the content of the texts edited. Chapter Three presents briefly the life and the hymnographical work of the authors of the texts. The last chapter of the introduction is devoted to the manuscript tradition of the texts.
| Author | : Apostolos Spanos |
| Publisher | : Walter de Gruyter |
| Total Pages | : 493 |
| Release | : 2010-07-30 |
| Genre | : History |
| ISBN | : 3110221306 |
The book is an annotated critical edition of an unpublished collection of hymnographical texts, preserved in the eleventh-century Greek manuscript 11 of the library of Leimonos monastery, Lesbos, Greece. This important codex is a Menaion for June comprising thirty akolouthiai on saints; nineteen of them are hitherto unpublished. The edition of the texts is accompanied by an introduction, a liturgical, palaeographical, and hymnographical commentary, appendices of unpublished hymns preserved in manuscripts other than Lesbiacus Leimonos 11, and indices. The introduction examines codex Lesbiacus Leimonos 11 and its importance from a liturgical, hymnographical, and palaeographical perspective. It is divided into four chapters. The first presents the liturgical environment of the period from the ninth century, when most of the texts edited were composed, to the eleventh, when the production of the codex could be placed, and the liturgical books used in the period, the structure of the akolouthiai and the festal calendar of the Byzantine church. The second chapter deals with the content of the texts edited. Chapter Three presents briefly the life and the hymnographical work of the authors of the texts. The last chapter of the introduction is devoted to the manuscript tradition of the texts.
| Author | : Graham Speake |
| Publisher | : Routledge |
| Total Pages | : 2407 |
| Release | : 2021-01-31 |
| Genre | : History |
| ISBN | : 1135942137 |
Hellenism is the living culture of the Greek-speaking peoples and has a continuing history of more than 3,500 years. The Encyclopedia of Greece and the Hellenic Tradition contains approximately 900 entries devoted to people, places, periods, events, and themes, examining every aspect of that culture from the Bronze Age to the present day. The focus throughout is on the Greeks themselves, and the continuities within their own cultural tradition. Language and religion are perhaps the most obvious vehicles of continuity; but there have been many others--law, taxation, gardens, music, magic, education, shipping, and countless other elements have all played their part in maintaining this unique culture. Today, Greek arts have blossomed again; Greece has taken its place in the European Union; Greeks control a substantial proportion of the world's merchant marine; and Greek communities in the United States, Australia, and South Africa have carried the Hellenic tradition throughout the world. This is the first reference work to embrace all aspects of that tradition in every period of its existence.
