Essays On Byron In Honour Of Dr Peter Cochran
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| Author | : Peter Graham |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 253 |
| Release | : 2019-01-08 |
| Genre | : |
| ISBN | : 1527524590 |
Byron wrote that he was “born for opposition”. This collection of essays takes Byron at his word and explores ways in which he challenged received opinion in his lifetime. The essays also challenge commonplace attitudes in criticism of Byron today. In this, the volume honours the remarkable range of work of the late Dr Peter Cochran. The matters covered here are Byron’s poetics, his ideology, and the principles and practice of editing his texts. Jerome J. McGann opens the poetics section by examining lyric writing in a Byronic perspective. In the lead essay on ideology, Bernard Beatty asks whether we should rethink Byron as a whole. A substantial addition to Byron’s correspondence is made by Andrew Stauffer beginning the editing section. In all, this book gathers original contributions from sixteen international scholars and friends of Peter Cochran. The accessible, engaging style makes their work suitable for all readers of Byron, as well as undergraduates and professional academics.
| Author | : Drummond Bone |
| Publisher | : Cambridge University Press |
| Total Pages | : 359 |
| Release | : 2023-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 1108957102 |
Deeply informed and appealingly written, this revised and updated second edition gives fresh life to the enthralling sexual, poetic and political contradictions that make Byron the first literary celebrity. An authoritative source for students, this companion also points to emerging new areas of research.
| Author | : |
| Publisher | : Oxford University Press |
| Total Pages | : 785 |
| Release | : 2024-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 0192536346 |
The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, giving space to extensive studies of his great epic, Don Juan, and the poem that brought him fame, Childe Harold's Pilgrimage. 'Biographical Contexts' invites readers to consider Byron's life through key themes and patterns. 'Literary and Cultural Contexts' sets out the most important intellectual traditions from which Byron's work emerged and in which it developed. 'Afterlives' shows readers the extent of Byron's influence on literature, art, music, and politics in Europe and beyond. 'Reading Byron Now' advances the critical agendas that are shaping Byron Studies today. The Handbook tackles key themes associated with Byron including the Byronic Hero, cosmopolitanism, liberalism, sexuality, mobility, scepticism, the Gothic, celebrity culture, and much more. For new readers of Byron, the volume provides an excellent grounding in his life and work, and for specialists, it opens up exciting new approaches to an icon of Romantic literature.
| Author | : Bernard Beatty |
| Publisher | : Liverpool University Press |
| Total Pages | : 288 |
| Release | : 2022-11-17 |
| Genre | : Literary Criticism |
| ISBN | : 180085529X |
Perhaps no great poet, in any language, has suffered more than Byron from being merely read about rather than actually read. As Bernard Beatty remarks in his introduction to this important collection of essays, the popular conception of ‘Byron’ still often approximates to ‘Rupert Everett with a limp’. Reading Byron is the product and summation of nearly sixty years devoted to studying and teaching his poetry. It argues that, far from being ‘mad, bad and dangerous to know’, Byron is serious, ethically orientated and rewarding to read. The book is in three parts: Poems – Life – Politics. Five new essays have been written especially for the first and largest section, which provides fresh perspectives on Byron’s major works. The volume continues with three of Beatty's lively lectures on unappreciated aspects of Byron the man, and three pithy essays on Byron as a complex, if not systematic, political thinker. While Beatty does not question the pre-eminent status of the ‘bright’ Don Juan, devoting a chapter to an unconventional reading of its final cantos, he argues powerfully that nineteenth-century readers, who responded on an unprecedented scale to the forceful poetic structures of the ‘dark’ Byron in Childe Harold's Pilgrimage, The Tales, Manfred, and Cain, were right to do so. Introduced by Jerome McGann (editor of the great Clarendon edition of the poet's works) and concluded in dialogue with Gavin Hopps (co-editor of the forthcoming Longman edition), Reading Byron is itself essential reading for any student or lover of Romantic poetry.
| Author | : Elena Anastasaki |
| Publisher | : Taylor & Francis |
| Total Pages | : 206 |
| Release | : 2022-08-04 |
| Genre | : Literary Criticism |
| ISBN | : 1000627276 |
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
| Author | : Jonas Cope |
| Publisher | : Rutgers University Press |
| Total Pages | : 154 |
| Release | : 2024-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1684485371 |
In eighteenth-century Britain, criminals were routinely whipped, branded, hanged, or transported to America. Only in the last quarter of the century—with the War of American Independence and legal and sociopolitical challenges to capital punishment—did the criminal justice system change, resulting in the reformed prison, or penitentiary, meant to educate, rehabilitate, and spiritualize even hardened felons. This volume is the first to explore the relationship between historical penal reform and Romantic-era literary texts by luminaries such as Godwin, Keats, Byron, and Austen. The works examined here treat incarceration as ambiguous: prison walls oppress and reinforce the arbitrary power of legal structures but can also heighten meditation, intensify the imagination, and awaken the conscience. Jonas Cope skillfully traces the important ideological work these texts attempt: to reconcile a culture devoted to freedom with the birth of the modern prison system that presents punishment as a form of rehabilitation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
| Author | : Peter Cochran |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 525 |
| Release | : 2014-10-16 |
| Genre | : Poetry |
| ISBN | : 1443868981 |
Aspects of Byron’s Don Juan is, in part, a proceedings volume from the 2012 conference held by the Newstead Byron Society at Nottingham Trent University. Speakers represented in the book include Malcolm Kelsall, Peter Cochran, Diego Saglia and Itsuyo Higashinaka. Topics range from the politics of Don Juan, and its treatment of women, to its comic rhymes. One section is devoted to the poem’s importance in the literatures of Spain and Russia, another to the vast catalogue of Byron’s prose sources (from cannibalism to cookery books), and a final section to the important role played by Mary Shelley in copying most of the poem for the printer. The editor’s introduction describes the enormous literary tradition of which Don Juan forms a vital continuation, from Pulci’s Morgante Maggiore, via Rabelais, Cervantes, and Montaigne, to the novelists Sterne, Smollett and Fielding, all of whom Byron adored. Another chapter concerns the differing ways in which Don Juan has been treated by other artists, from Tirso de Molina, via E. T. A. Hoffman, to Johnny Depp.
| Author | : Michael Edson |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 319 |
| Release | : 2015-08-14 |
| Genre | : Literary Collections |
| ISBN | : 1611495792 |
Publishing, Editing, and Reception is a collection of twelve essays honoring Professor Donald H. Reiman, who moved to the University of Delaware in 1992. The essays, written by friends, students, and collaborators, reflect the scholarly interests that defined Reiman’s long career. Mirroring the focus of Reiman’s work during his years at Carl H. Pforzheimer Library in New York and as lead editor of Shelley and his Circle, 1773–1822 (Harvard University Press), the essays in this collection explore authors such as Mary Shelley, William Hazlitt, Lord Byron and Percy Bysshe Shelley; moreover, they confirm the continuing influence of Reiman’s writings in the fields of editing and British Romanticism. Ranging from topics such as Byron’s relationship with his publisher John Murray and the reading practices in the Shelley circle to Rudyard Kipling’s response to Shelley’s politics, these essays draw on a dazzling variety of published and manuscript sources while engaging directly with many of Reiman’s most influential theories and arguments.
| Author | : George Gordon Byron Baron Byron |
| Publisher | : DigiCat |
| Total Pages | : 76 |
| Release | : 2022-09-04 |
| Genre | : Poetry |
| ISBN | : |
DigiCat Publishing presents to you this special edition of "Fugitive Pieces" by George Gordon Byron Baron Byron. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
| Author | : Dr Ashley Chantler |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 256 |
| Release | : 2013-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1409479064 |
Individually and collectively, these essays establish a new direction for scholarship that examines the crucial activities of reading and writing about literature and how they relate to 'authenticity'. Though authenticity is a term deep in literary resonance and rich in philosophical complexity, its connotations relative to the study of literature have rarely been explored or exploited through detailed, critical examination of individual writers and their works. Here the notion of the authentic is recognised first and foremost as central to a range of literary and philosophical ways of thinking, particularly for nineteenth-century poets and novelists. Distinct from studies of literary fakes and forgeries, this collection focuses on authenticity as a central paradigm for approaching literature and its formation that bears on issues of authority, self-reliance, truth, originality, the valid and the real, and the genuine and inauthentic, whether applied to the self or others. Topics and authors include: the spiritual autobiographies of William Cowper and John Newton; Ruskin and travel writing; British Romantic women poets; William Wordsworth and P.B. Shelley; Robert Southey and Anna Seward; John Keats; Lord Byron; Elizabeth Gaskell; Henry David Thoreau; Henry Irving; and Joseph Conrad. The volume also includes a note on Professor Vincent Newey with a bibliography of his critical writings.
