Essays On Aesthetic Genesis
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Author | : Charlene Elsby |
Publisher | : UPA |
Total Pages | : 249 |
Release | : 2016-06-14 |
Genre | : Philosophy |
ISBN | : 0761867708 |
Essays on Aesthetic Genesis is a collection of essays written on Jeff Mitscherling’s work in realist phenomenology, Aesthetic Genesis: The Origin of Consciousness in the Intentional Being of Nature. The authors explicate, expand, contextualize and apply the concepts of intentional being, the “New Copernican Hypothesis” (a reversal of the fundamental tenet of phenomenology that all consciousness is intentional—intentionality, rather, gives rise to consciousness), the idea of intentional structures in nature, and the foundational concepts of Aesthetic Genesis as they appear in the work of Aristotle, Ingarden and Gadamer amongst others. This book takes as its focus Mitscherling’s comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition, and exemplifies subsequent work in the field of realist phenomenology being conducted by an international collection of active scholars influenced by Aesthetic Genesis.
Author | : Leszek Sosnowski |
Publisher | : Bloomsbury Publishing |
Total Pages | : 185 |
Release | : 2023-08-24 |
Genre | : Philosophy |
ISBN | : 1350321524 |
This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works. Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
Author | : Jeff Mitscherling |
Publisher | : University Press of America |
Total Pages | : 176 |
Release | : 2009-12-15 |
Genre | : Philosophy |
ISBN | : 0761850228 |
In Aesthetic Genesis, the author argues for a reversal of the most fundamental tenet of phenomenology-namely, that all consciousness is intentional (that is, directed toward an object). Mitscherling suggests, as a new 'Copernican hypothesis,' that intentionality (i.e., directionality) gives rise to consciousness. This book describes not only the origin, or 'genesis,' of human cognition in sensation, but also the genesis of sensation from intentional structures belonging to nature itself. A phenomenological examination of our experience leads to the conclusion that the two sorts of being generally recognized by contemporary science and philosophy-that is, material being and ideal being-prove ontologically inadequate to account for this experience. Mitscherling rehabilitates the pre-modern concepts of 'intentional being' and 'formal causality' and employs them in the construction of a comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition in general.
Author | : Pierre Bourdieu |
Publisher | : Stanford University Press |
Total Pages | : 436 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780804726276 |
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the worlds leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, arts new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
Author | : Timothy M. Costelloe |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2012-07-30 |
Genre | : History |
ISBN | : 0521143675 |
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Author | : Maarten Delbeke |
Publisher | : Penn State Press |
Total Pages | : 440 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 0271029013 |
Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini's son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography's author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini's life, art, and milieu. Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.Maarten Delbeke is Assistant Professor of architectural history and theory at the universities of Ghent and Leiden. Formerly the Scott Opler Fellow in Architectural History at Worcester College (Oxford), he is the author of several articles and a forthcoming book on Seicento art and theory.Evonne Levy is Associate Professor of the History of Art at the University of Toronto. She is also the author of Propaganda and the Jesuit Baroque (2004).
Author | : Gregg Davidson |
Publisher | : Kregel Publications |
Total Pages | : 224 |
Release | : 2021-11-16 |
Genre | : Religion |
ISBN | : 082547518X |
See and celebrate the multilayered grandeur conveyed by the first chapter of Genesis The first chapter of the Bible's first book lays the foundation for all that follows about who God is and what God is like. Our technology-age fascination with the science of origins, however, can blind us to issues of great importance that don't address our culturally conditioned questions. Instead, Genesis One itself suggests the questions and answers that are most significant to human faith and flourishing. Geologist Gregg Davidson and theologian Ken Turner shine a spotlight on Genesis One as theologically rich literature first and foremost, exploring the layers of meaning that showcase various aspects of God's character: Song Analogy Polemic Covenant Temple Calendar Land Our very knowledge of God suffers when we fail to appreciate the Bible's ability to convey multilayered truth simultaneously. The Manifold Beauty of Genesis One offers readers the chance to cultivate an openness to Scripture's richness and a deeper faith in the Creator.
Author | : Frederick C. Beiser |
Publisher | : Oxford University Press, USA |
Total Pages | : 625 |
Release | : 2014 |
Genre | : History |
ISBN | : 0198722206 |
Neo-Kantianism was an important movement in German philosophy of the late 19th century: Frederick Beiser traces its development back to the late 18th century, and explains its rise as a response to three major developments in German culture: the collapse of speculative idealism; the materialism controversy; and the identity crisis of philosophy.
Author | : Arthur O. Lovejoy |
Publisher | : JHU Press |
Total Pages | : 368 |
Release | : 2019-12-01 |
Genre | : Philosophy |
ISBN | : 1421432382 |
Originally published in 1948. In the first essay of this collection, Lovejoy reflects on the nature, methods, and difficulties of the historiography of ideas. He maps out recurring phenomena in the history of ideas, which the essays illustrate. One phenomenon is the presence and influence of the same presuppositions or other operative "ideas" in very diverse provinces of thought and in different periods. Another is the role of semantic transitions and confusions, of shifts and of ambiguities in the meanings of terms, in the history of thought and taste. A third phenomenon is the internal tensions or waverings in the mind of almost every individual writer—sometimes discernible even in a single writing or on a single page—arising from conflicting ideas or incongruous propensities of feeling or taste to which the writer is susceptible. These essays do not contribute to metaphysical and epistemological questions; they are primarily historical.
Author | : Pierre Bourdieu |
Publisher | : Columbia University Press |
Total Pages | : 342 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9780231082877 |
Analysis of art, literature and aesthetics