Critical Mass

Critical Mass
Author: James Wolcott
Publisher: Anchor
Total Pages: 530
Release: 2015-04-14
Genre: Literary Criticism
ISBN: 0767930630

James Wolcott’s career as a critic has been unmatched, from his early Seventies dispatches for The Village Voice to the literary coverage made him equally feared and famous to his must-read reports on the cultural weather for Vanity Fair. Bringing together his best work from across the decades, this collection shows Wolcott as connoisseur, intrepid reporter, memoirist, and necessary naysayer. We begin with “O.K. Corral Revisited,” Wolcott’s career-launching account of the famed Norman Mailer–Gore Vidal dust-off on the original Dick Cavett Show. He goes on to consider (or reconsider) the towering figures of our culture, among them Lena Dunham Patti Smith, Johnny Carson, Woody Allen, and John Cheever. And we witness his legendary takedowns, which have entered into the literary lore of our time. In an age where a great deal of back scratching and softball pitching pass for criticism, Critical Mass offers a bracing taste of the real thing.

Why I Write

Why I Write
Author: George Orwell
Publisher: Renard Press Ltd
Total Pages: 15
Release: 2021-01-01
Genre: Literary Collections
ISBN: 1913724263

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Marxism, Wars, and Revolutions

Marxism, Wars, and Revolutions
Author: Isaac Deutscher
Publisher: London : Verso
Total Pages: 318
Release: 1984
Genre: Political Science
ISBN:

Artikelen over het communisme gedurende de laatste veertig jaar

Garner's Quotations

Garner's Quotations
Author: Dwight Garner
Publisher: Farrar, Straus and Giroux
Total Pages: 164
Release: 2020-11-10
Genre: Reference
ISBN: 0374722145

A selection of favorite quotes that the celebrated literary critic has collected over the decades. From Dwight Garner, the New York Times book critic, comes a rollicking, irreverent, scabrous, amazingly alive selection of unforgettable moments from forty years of wide and deep reading. Garner’s Quotations is like no commonplace book you’ll ever read. If you’ve ever wondered what’s really going on in the world of letters today, this book will make you sit up and take notice. Unputdownable!

The Uses of Slime Mould

The Uses of Slime Mould
Author: Nicholas Mosley
Publisher: Dalkey Archive Press
Total Pages: 244
Release: 2004
Genre: Literary Collections
ISBN: 9781564783608

Including pieces on Gregory Bateson, William Faulkner, Philip Pullman, Sir Oswald Mosley's politics, religion and stammering, this diverse collection gathers essays written by Nicholas Mosley over the past forty years. Resembling the behaviour of slime mould - a strange organism made up of separate amoebae that temporarily form a single pillar which then bursts in order to scatter its seeds across the forest floor - the ideas found in these essays converge and disperse, crossing over into other disciplines, and creating a unique way of looking at the world, one echoed in Mosley's fictional writings.

Collected Essays

Collected Essays
Author: Graham Greene
Publisher: Random House
Total Pages: 287
Release: 2010-10-02
Genre: Biography & Autobiography
ISBN: 1409040321

Collected Essays contains nearly eighty essays, reviews and occasional pieces composed between novels, plays and travel books over four prolific decades. From Henry James and Somerset Maugham to Ho Chi Minh and Kim Philby, the range of subjects is eclectic and stimulating; his subjects brought vividly to life. The resulting collection is as revealing as autobiography and characteristically rich in humour, insight and doubt.

We Were Eight Years in Power

We Were Eight Years in Power
Author: Ta-Nehisi Coates
Publisher: One World
Total Pages: 402
Release: 2017-10-03
Genre: Biography & Autobiography
ISBN: 0399590587

In this “urgently relevant”* collection featuring the landmark essay “The Case for Reparations,” the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award, the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

Past Imperfect

Past Imperfect
Author: Lawrence W. Towner
Publisher: University of Chicago Press
Total Pages: 360
Release: 1993-06-15
Genre: Education
ISBN: 9780226810423

The essays and talks gathered in Past Imperfect cover a broad range of topics of continuing relevance to the humanities and to scholarship in general. Part I collects Towner's historical essays on the indentured servants, apprentices, and slaves of colonial New England that are standards of the "new social history." The pieces in Part II express his vision of the library as an institution for research and education; here he discusses the rationale for the creation of research centers, the Newberry's pioneering policies for conservation and preservation, and the ways in which collections were built. In Part III Towner writes revealingly of his co-workers and mentors. Part IV assembles his statements as "spokesman for the humanities," addressing questions of national priorities in funding, and of so-called elitist scholarship versus public programs.