Essays In Self Destruction
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| Author | : Edwin S. Shneidman |
| Publisher | : New York : Science House |
| Total Pages | : 584 |
| Release | : 1967 |
| Genre | : Suicide |
| ISBN | : |
1. dead to the world: the passions of herman melville 2. shakespeare's suicides: some historic, dramatic and psychological reflection 3. death as a motive of philosophic thought 4. buddha and self destruction 5. values and value conflict in self destruction: implications in the work of C.W. Morris 6. can a philosophy make one phhilosophical 7. death in american society 8. practical sociological reasoning: some features in the work of the los angeles suicide prevention center 9. suicide and loss in social interaction 10. the search for help; no one to turn to 11. Japanese adolescent suicide and social structure 12. suicide: a public health problem 13. self destruction and sexual perversion 14. the components of personal despair 15. sigmund freud on suicide 16. self poisoning 17. crisis, disaster and suicide: theory and therapy 18. the psychology of fatal accident 19. suicide among police: a study of 93 suicides among new york city policement 1934-1940 20. multiple determinants of suicide 21. the suicidal life space: attempts at a reconstruction from suicide notes 23. can a mouse commit suicide 24. sleep and self destruction: a phenomenological study.
| Author | : Sabrina Chapadjiev |
| Publisher | : Seven Stories Press |
| Total Pages | : 216 |
| Release | : 2011-01-04 |
| Genre | : Art |
| ISBN | : 1609800125 |
“The 21 artists, who share their stories of madness, trauma, addiction, abuse and self-destruction, and their relationship to art, leave no vulnerable detail unwritten.”—Shameless A visceral look at the bizarre entanglement of destructive and creative forces, Live Through This is a collection of original stories, essays, artwork, and photography. It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.
| Author | : Christopher Beha |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2020-05-05 |
| Genre | : Fiction |
| ISBN | : 1947793829 |
On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher declares that the world is coming to an end. A data journalist and recent media celebrity—he correctly forecast every outcome of the 2008 election—Sam knows a few things about predicting the future. But when projection meets reality, life gets complicated. His first assignment for the Interviewer is a profile of disgraced political columnist Frank Doyle, known to Sam for the sentimental works of baseball lore that first sparked his love of the game. When Sam meets Frank at Citi Field for the Mets’ home opener, he finds himself unexpectedly ushered into Doyle’s crumbling family empire. Kit, the matriarch, lost her investment bank to the financial crisis; Eddie, their son, hasn’t been the same since his second combat tour in Iraq; Eddie’s best friend from childhood, the fantastically successful hedge funder Justin Price, is starting to see cracks in his spotless public image. And then there’s Frank’s daughter, Margo, with whom Sam becomes involved—just as his wife, Lucy, arrives from Wisconsin. While their lives seem inextricable, none of them know how close they are to losing everything, including each other. Sweeping in scope yet meticulous in its construction, The Index of Self-Destructive Acts is a remarkable family portrait and a masterful evocation of New York City and its institutions. Over the course of a single baseball season, Christopher Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. Whether or not the world is ending, Beha’s characters are all headed to apocalypses of their own making.
| Author | : John Weaver |
| Publisher | : University of Toronto Press |
| Total Pages | : 649 |
| Release | : 2008-12-10 |
| Genre | : Medical |
| ISBN | : 1442692049 |
Suicide is one of the leading causes of death worldwide, with more than one million fatalities each year. During the post-war period, the rate of completed suicides has risen dramatically, especially among young men and Aboriginal peoples living in the Western world. While this has naturally led to growing concern amongst health care practitioners and policy experts, relatively little is known about the history of attempted and completed suicide. Histories of Suicide is the first book to examine the history of suicide in diverse national contexts, including Japan, Scotland, Australia, Soviet Russia, Peru, United States, France, South Africa, and Canada, to reveal the different social, political, economic, and cultural factors that inform our understanding of suicide. This interdisciplinary collection of essays assembles historians, health economists, anthropologists, and sociologists, who examine the history of suicide from a variety of approaches to provide crucial insight into how suicide differs across nations, cultures, and time periods. Focusing on developments from the eighteenth century to the present, the contributors examine vitally important topics such as the medicalization of suicide, representations of mental illness, psychiatric disputes, and the frequency of suicide amongst soldiers. An illuminating volume of studies, Histories of Suicide is a fascinating examination of the phenomenon of self-destruction throughout different historical periods and nations.
| Author | : Steve Knopper |
| Publisher | : Simon and Schuster |
| Total Pages | : 321 |
| Release | : 2009-01-06 |
| Genre | : Music |
| ISBN | : 1416594558 |
For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.
| Author | : Lionel Shriver |
| Publisher | : HarperCollins |
| Total Pages | : 281 |
| Release | : 2022-09-20 |
| Genre | : Literary Collections |
| ISBN | : 0063094312 |
“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.
| Author | : Amy D. Ronner |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 357 |
| Release | : 2021-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1793607826 |
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky’s fiction prefigures Emile Durkheim’s etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky’s major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky’s implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
| Author | : Various Authors |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-12 |
| Genre | : |
| ISBN | : 9781644040010 |
| Author | : Erich Fromm |
| Publisher | : Open Road Media |
| Total Pages | : 962 |
| Release | : 2013-02-26 |
| Genre | : Social Science |
| ISBN | : 1480401935 |
A study of aggression from the renowned social psychologist and New York Times–bestselling author of The Art of Loving and Escape from Freedom. Throughout history, humans have shown an incredible talent for destruction as well as creation. Aggression has driven us to great heights and brutal lows. In The Anatomy of Human Destructiveness, renowned social psychologist Erich Fromm discusses the differences between forms of aggression typical for animals and two very specific forms of destructiveness that can only be found in human beings: sadism and necrophilic destructiveness. His case studies span zoo animals, necrophiliacs, and the psychobiographies of notorious figures such as Adolf Hitler and Joseph Stalin. Through his broad scholarship, Fromm offers a comprehensive exploration of the human impulse for violence. This ebook features an illustrated biography of Erich Fromm including rare images and never-before-seen documents from the author’s estate.
| Author | : Milovan Djilas |
| Publisher | : Knopf |
| Total Pages | : 408 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : |
He was a true believer in communism who became disillusioned with the totalitarianism and corruption of the Communist regimes in the Soviet Union and Eastern Europe. A wartime partisan leader in Yugoslavia and later the number three man in the politburo, he broke with Marshal Tito in 1954 and spent most of the next decade in prison, where he began to write about the inner workings of the Communist system. Here, Milovan Djilas--who died in 1995-- discusses why communism failed in Europe, what its failure means for the future of the continent, and how he transformed himself from ideologue into humanist. ;;;;;;;; Djilas's publication, in 1957, of The New Class, which was translated into sixty languages, caused a worldwide sensation with its description of the bureaucratization of the movement, of the special privileges accorded its leaders and cadres, and of its reliance on secret police and repression. His new book reemphasizes and enlarges on those themes, giving the reader intimate portraits of Tito and his colleagues, describing the wartime struggle against the Nazis and rival Yugoslav factions, and showing why Mikhail Gorbachev failed in his efforts to reform the Soviet system. ;;;;;;;; Controversial and courageous to the end, Milovan Djilas sharply criticized Serbia's war on Croatia, and once again is the target of vilification in his native land. Fall of the New Class is the final testament of one of the most remarkable thinkers of the century.
