Essays And Sketches 1903
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Author | : William Edward Burghardt Du Bois |
Publisher | : Penguin Books |
Total Pages | : 0 |
Release | : 2010-10-26 |
Genre | : African Americans |
ISBN | : 9780141399287 |
Du Bois chronicles the legacy of the Freedman's Bureau in his classic essay that is now a part of the Penguin Great Ideas series.
Author | : |
Publisher | : |
Total Pages | : 674 |
Release | : 1902 |
Genre | : Classified catalogs |
ISBN | : |
Author | : W. E. B. Du Bois |
Publisher | : Courier Corporation |
Total Pages | : 450 |
Release | : 2012-03-07 |
Genre | : Social Science |
ISBN | : 0486131114 |
Essential reading for students of African-American history includes autobiographies of former slaves Washington and Douglass, plus Du Bois' landmark essays, which counsel an aggressive approach to civil rights.
Author | : Enoch Pratt Free Library of Baltimore City |
Publisher | : |
Total Pages | : 596 |
Release | : 1901 |
Genre | : Libraries |
ISBN | : |
Author | : Henry Van Dyke |
Publisher | : |
Total Pages | : 378 |
Release | : 1895 |
Genre | : |
ISBN | : |
Author | : Nahum Dimitri Chandler |
Publisher | : Duke University Press |
Total Pages | : 205 |
Release | : 2021-11-15 |
Genre | : Social Science |
ISBN | : 1478022124 |
In “Beyond This Narrow Now” Nahum Dimitri Chandler shows that the premises of W. E. B. Du Bois's thinking at the turn of the twentieth century stand as fundamental references for the whole itinerary of his thought. Opening with a distinct approach to the legacy of Du Bois, Chandler proceeds through a series of close readings of Du Bois's early essays, previously unpublished or seldom studied, with discrete annotations of The Souls of Black Folk: Essays and Sketches of 1903, elucidating and elaborating basic epistemological terms of his thought. With theoretical attention to how the African American stands as an example of possibility for Du Bois and renders problematic traditional ontological thought, Chandler also proposes that Du Bois's most well-known phrase—“the problem of the color line”—sustains more conceptual depth than has yet been understood, with pertinence for our accounts of modern systems of enslavement and imperial colonialism and the incipient moments of modern capitalization. Chandler's work exemplifies a more profound engagement with Du Bois, demonstrating that he must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.
Author | : Tracy Chevalier |
Publisher | : Routledge |
Total Pages | : 1032 |
Release | : 2012-10-12 |
Genre | : Reference |
ISBN | : 1135314101 |
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Author | : Helena Public Library (Mont.) |
Publisher | : |
Total Pages | : 340 |
Release | : 1904 |
Genre | : Catalogs, Classified (Dewey decimal) |
ISBN | : |
Author | : New Haven Free Public Library |
Publisher | : |
Total Pages | : 264 |
Release | : 1902 |
Genre | : Catalogs, Classified (Dewey decimal) |
ISBN | : |
Author | : George Orwell |
Publisher | : HarperCollins |
Total Pages | : 417 |
Release | : 2009-10-14 |
Genre | : Literary Collections |
ISBN | : 0547417756 |
The essential collection of critical essays from a twentieth-century master and author of 1984. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." With an Introduction from Keith Gessen.