Essay The Use And Abuse Of Music In Public Worship And The Dangers Of The Use Of Painted Windows In Churches With An Introduction By H Mneile Dd Dean Of Ripon
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Author | : James BEGG (the Younger.) |
Publisher | : |
Total Pages | : 286 |
Release | : 1866 |
Genre | : Music in churches |
ISBN | : |
Author | : J. L. Girardeau |
Publisher | : |
Total Pages | : |
Release | : 2020-05 |
Genre | : |
ISBN | : 9781952261909 |
Author | : John L. Girardeau |
Publisher | : Forgotten Books |
Total Pages | : 216 |
Release | : 2017-12-02 |
Genre | : Religion |
ISBN | : 9780282755768 |
Excerpt from Instrumental Music in the Public Worship of the Church It will, no doubt, be said that the attempt to prove the unjustifiable employment of instrumental music in the public worship of the Church is schismatical, since the practice is now well-nigh universal; that it is trivial, inasmuch as it concerns a mere circumstantial in the services of religion; and that it is useless, as the ten deney which is resisted is 1nv1nclble, and is destined to triumph throughout Protestant Christendom. To all this one answer alone is offered, and it is sufficient, namely: that the attempt is grounded in truth. It in volves a contest for a mighty and all-comprehending principle, by opposmg one of the special forms in which it is now commonly transcended and violated. It is that principle, emphasized in the following re marks as scriptural and regulative, that lends impor tance to the discussion, and redeems it from the re proach of being narrow and triļ¬ing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.