Erwartung By Arnold Schoenberg
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Author | : Arnold Schoenberg |
Publisher | : Courier Corporation |
Total Pages | : 82 |
Release | : 1999-01-01 |
Genre | : Music |
ISBN | : 0486406423 |
Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.
Author | : Jack Boss |
Publisher | : Cambridge University Press |
Total Pages | : 407 |
Release | : 2019-07-04 |
Genre | : Music |
ISBN | : 1108419135 |
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Author | : Bryan R. Simms |
Publisher | : Oxford University Press |
Total Pages | : 276 |
Release | : 2000-11-16 |
Genre | : Music |
ISBN | : 0195351851 |
Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.
Author | : Bryan R. Simms |
Publisher | : Oxford University Press, USA |
Total Pages | : 276 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 0195128265 |
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Author | : Daniel Albright |
Publisher | : University of Chicago Press |
Total Pages | : 422 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780226012537 |
Modernist art often seems to give more frustration than pleasure to its audience. Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, rather than collaboration.
Author | : Charlotte Marie Cross |
Publisher | : Taylor & Francis |
Total Pages | : 402 |
Release | : 2000 |
Genre | : Modernism (Music) |
ISBN | : 9780815328308 |
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Carl Dahlhaus |
Publisher | : Cambridge University Press |
Total Pages | : 320 |
Release | : 1987 |
Genre | : Music |
ISBN | : 9780521337830 |
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.
Author | : Allen Shawn |
Publisher | : Harvard University Press |
Total Pages | : 372 |
Release | : 2003 |
Genre | : Biography & Autobiography |
ISBN | : 9780674011014 |
In this text, Allen Shawn puts aside ultimate judgements about Arnold Schoenberg's place in music history to explore the composer's world in a series of linked essays that are searching and suggestive. Approaching Schoenberg primarily from a listener's point of view, Shawn plunges into the details of some of Schoenberg's works while at the same time providing a broad overview of his involvements in music, painting and the history through which he lived.
Author | : Arnold Schoenberg |
Publisher | : Univ of California Press |
Total Pages | : 564 |
Release | : 1984 |
Genre | : Biography & Autobiography |
ISBN | : 9780520052949 |
One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.
Author | : Jennifer Shaw |
Publisher | : Cambridge University Press |
Total Pages | : 655 |
Release | : 2010-05-13 |
Genre | : Music |
ISBN | : 113982807X |
Arnold Schoenberg – composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.