Eros And Psyche Routledge Revivals
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| Author | : Karen Chase |
| Publisher | : Routledge |
| Total Pages | : 196 |
| Release | : 2014-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 1317675460 |
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors – Charlotte Brontë, Charles Dickens and George Eliot – depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy. The title begins with Brontë’s early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.
| Author | : G. Wilson Knight |
| Publisher | : Routledge |
| Total Pages | : 401 |
| Release | : 2017-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 135139066X |
First published in 1971, Professor Knight’s book draws analytic attention to poets including Tennyson, Masefield, and Brooke, who are shown to hold a dimension of meaning previously ignored or misunderstood. Homage is paid to John Cowper Powys as one of the foremost seers of the modern age. A comprehensive review of the work of Francis Berry claims to establish him as our foremost living poet. Professor Knight urges, and goes far to prove, that modern literary criticism up until the 1970s failed to touch upon the richer meanings of contemporary literature – he stresses the relation between such acclaimed poets as Yeats and Eliot and the spiritualistic movements of contemporary times. Knight regards youth-revolts as a sign of a healthy dissatisfaction with an irreligious and directionless culture, and believes that hope lies in the neglected powers pressing for acceptance.
| Author | : B. Ifor Evans |
| Publisher | : Routledge |
| Total Pages | : 371 |
| Release | : 2017-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1351386158 |
First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.
| Author | : Karen Chase |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2014-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 1317675479 |
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors – Charlotte Brontë, Charles Dickens and George Eliot – depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy. The title begins with Brontë’s early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.
| Author | : Harvie Ferguson |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2010-12 |
| Genre | : Social Science |
| ISBN | : 1136821392 |
Originally published in 1992, this remarkable book challenges many of the assumptions governing the Sociology of Religion and the Sociology of Culture by arguing that Western religion is neither science nor morality - it is the promise of happiness. Learned and incisive, it will be essential reading for students of religion, culture and anyone interested in the character of Modernity.
| Author | : G Gaskell |
| Publisher | : Routledge |
| Total Pages | : 849 |
| Release | : 2016-03-10 |
| Genre | : Religion |
| ISBN | : 1317589424 |
G. A. Gaskell’s Dictionary of the Sacred Language of All Scriptures and Myths, first published in 1923, examines several different aspects of religion, including examples from Ancient Egyptian religion and mythology to modern-day Christianity, providing explanations of gods, events, and symbols in alphabetical order. This is a perfect reference book for students of theology or the history of religion.
| Author | : Kathryn Hume |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2014-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317638530 |
Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
| Author | : Noa Reich |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 241 |
| Release | : 2024-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1666938378 |
Inheritance and Speculation in Victorian Fiction: Finance, Family, and the Law investigates how Victorian fiction reconfigures the narrative and social conventions of inheritance. While recent criticism has concentrated on this fiction’s engagement with newer financial forms, this book contends that Victorian novels both attest to the persistence of inheritance and reveal its unsettling affinities with speculative forms. Focusing on Emily Brontë’s Wuthering Heights (1847), Charles Dickens’s Our Mutual Friend (1864-65), Wilkie Collins’s Armadale¬ (1866), and George Eliot’s Middlemarch (1871-72), each chapter explores a recurring pattern of contrast and conflation between inheritance and financial speculation. Taking an interdisciplinary historical and formal approach, Reich shows how this pattern gives narrative shape to concerns that were also emerging in contemporary political and legal debates around succession, bequest, landed estates, and conceptions of the family. Attending to the novels’ concrete and figurative allusions to these forms as well as their tentative alternatives, Reich also illustrates how the novels’ self-reflexive subversion of both characters and readers’ expectations based on inheritance conventions challenge our modes of reading. Inheritance and Speculation thus not only illuminates the integral role played by inheritance in Victorian fiction’s mediation of the credit economy, but also offers a new understanding of the complex role of convention in this fiction.
| Author | : Roslyn Bologh |
| Publisher | : Routledge |
| Total Pages | : 590 |
| Release | : 2009-12-15 |
| Genre | : Social Science |
| ISBN | : 1135156425 |
This work, first published in 1990, reissues the first thorough examination of the essentially masculine nature of Max Weber's social and political thinking. Through a detailed examination of his central texts, the author demonstrates Weber's masculine reading of 'social life' and shows how his work advocates a masculine form of life that poses a challenge to contemporary women and to feminism. In particular, she addresses the patriarchal implications of Weber's belief in the need to relegate the ethic of brotherly love to a private sphere in order to make possible rational action and the achievement of greatness in the public sphere.
| Author | : Alison Lee |
| Publisher | : Routledge |
| Total Pages | : 170 |
| Release | : 2014-07-11 |
| Genre | : Literary Criticism |
| ISBN | : 1317634934 |
First published in 1990, this study focuses on the subversive techniques of British postmodernist fiction and examines its challenge to Realist traditions, and the liberal humanist ideology behind it. Exploring the concept of literary postmodernism, and the strategies and philosophies to which it has given rise, Alison Lee investigates how they are developed in a selection of contemporary British novels, including Midnight’s Children, Waterland, Flaubert’s Parrot, and Lanark. Postmodernism is considered in relation to history, the visual and performing arts, popular culture, including advertising, music videos, and popular fiction, notably Stephen King’s Misery. A detailed and comprehensive study, this reissue of Realism and Power will be essential reading for students of literary and cultural studies.
