Eries Backyard Strangler Terror In The 1960s
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| Author | : Justin Dombrowski |
| Publisher | : Arcadia Publishing |
| Total Pages | : 224 |
| Release | : 2023-02-13 |
| Genre | : History |
| ISBN | : 1467153486 |
On a cold morning in December 1960, 60-year-old Laura Mutch was found strangled behind a house in downtown Erie.... At a time when the Gem City was at its peak, including a triumphant run for the coveted 'All-American City' award, the murder created a pandemonium. As the investigation progressed, attacks on women in and around the city of Erie continued, sending citizens - and seasoned investigators - to the brink of total chaos. Infamous attacks such as the brutal stabbing of 72-year-old Clara Carrig, the attempted strangling and knifing of Helen Knost and the strangling murders of Mary Lynn Crotty and Eleanor Free caused women to lock their doors and avoid the streets at night. The arrest of truck driver John Howard Willman in September 1963 was not the end of the story as soon the case attracted nationwide attention - including a lawsuit by the ACLU. Just who was Erie's infamous 'Backyard Strangler?' Would a technicality by police cause the suspected murderer to roam free again to kill more victims? Author Justin Dombrowski charts the harrowing attacks, investigations and mystery surrounding Erie's 1960s reign of terror.
| Author | : Peter Hutchings |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2014-09-11 |
| Genre | : Performing Arts |
| ISBN | : 1317874099 |
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
| Author | : Peter Hutchings |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 447 |
| Release | : 2017-11-22 |
| Genre | : Performing Arts |
| ISBN | : 1538102447 |
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences. Horror’s capacity to take the form of our evolving fears and anxieties has ensured not only its notoriety but also its long-term survival and international popularity. This second edition has been comprehensively updated to capture all that is important and exciting about the horror genre as it exists today. Its new entries feature the creative personalities who have developed innovative forms of horror, and recent major films and cycles of films that ensure horror’s continuing popularity and significance. In addition, many of the other entries have been expanded to include reference to the contemporary scene, giving a clear picture of how horror cinema is constantly renewing and transforming itself. The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. The entries cover all major movie villains, including Frankenstein and his monsters, the vampire, the werewolf, the mummy, the zombie, the ghost and the serial killer; film directors, producers, writers, actors, cinematographers, make-up artists, special-effects technicians, and composers who have helped shape horror history; significant production companies; major films that are milestones in the development of the horror genre; and different national traditions in horror cinema – as well as popular themes, formats, conventions, and cycles.
| Author | : Everett Aaker |
| Publisher | : McFarland |
| Total Pages | : 487 |
| Release | : 2017-05-16 |
| Genre | : Performing Arts |
| ISBN | : 1476628564 |
This biographical encyclopedia covers every actor and actress who had a regular role in a Western series on American television from 1960 through 1975, with analyses of key players. The entries provide birth and death dates, family information, and accounts of each player's career, with a cross-referenced videography. An appendix gives details about all Western series, network or syndicated, 1960-1975. The book is fully indexed.
| Author | : Dennis Fischer |
| Publisher | : McFarland |
| Total Pages | : 903 |
| Release | : 2024-10-17 |
| Genre | : Performing Arts |
| ISBN | : 1476607958 |
This is an exhaustive study of the major directors of horror films in the six decade period. For each director there is a complete filmography including television work, a career summary, critical assessment, and behind-the-scenes production information. Fifty directors are covered in depth, but there is an additional section on the hopeless, the obscure, the promising, and the up-and-coming.
| Author | : Gregory A. Fournier |
| Publisher | : Wheatmark, Inc. |
| Total Pages | : 516 |
| Release | : 2016 |
| Genre | : Biography & Autobiography |
| ISBN | : 1627874038 |
Between the summers of 1967 through 1969, a predatory killer stalked the campuses of Eastern Michigan University and the University of Michigan seeking prey until he made the mistake of killing his last victim in the basement of his uncle's home. All-American boy John Norman Collins was arrested, tried, and convicted of the strangulation murder of Karen Sue Beineman. The other murders never went to trial, with one exception, and soon became cold cases. With the benefit of fifty years of hindsight, hundreds of vintage newspaper articles, thousand of police reports, and countless interviews, Fournier tells the stories of the other victims, recreates the infamous trial that took Collins off the streets, and details Collins's time spent in prison.
| Author | : Truman Capote |
| Publisher | : Modern Library |
| Total Pages | : 417 |
| Release | : 2013-02-19 |
| Genre | : True Crime |
| ISBN | : 0812994388 |
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
| Author | : Thomas Mann |
| Publisher | : McFarland |
| Total Pages | : 185 |
| Release | : 2024-10-11 |
| Genre | : Performing Arts |
| ISBN | : 1476614091 |
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.
| Author | : Antonio Lazaro-Reboll |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2012-11-20 |
| Genre | : Performing Arts |
| ISBN | : 0748636404 |
Spanish Horror Film is the first in-depth exploration of the genre in Spain from the 'horror boom' of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia.
| Author | : Bryan Senn |
| Publisher | : McFarland |
| Total Pages | : 434 |
| Release | : 2019-02-28 |
| Genre | : Performing Arts |
| ISBN | : 1476635714 |
In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.
