Epic Since 1960
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Author | : Ken Follett |
Publisher | : Penguin |
Total Pages | : 1122 |
Release | : 2014-09-16 |
Genre | : Fiction |
ISBN | : 0698160576 |
Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.
Author | : David Pietrusza |
Publisher | : Sterling Publishing Company |
Total Pages | : 572 |
Release | : 2008 |
Genre | : Political Science |
ISBN | : 1402761147 |
It was the election that would ultimately give America "Camelot" and its tragic aftermath, a momentous contest when three giants who each would have a chance to shape the nation battled to win the presidency. Award-winning author David Pietrusza does here for the 1960 presidential race what he did in his previous book, 1920: the Year of the Six Presidents--which Kirkus Reviews selected as one of their Best Books of 2007. Until now, the most authoritative study of the 1960 election was Theodore White''s Pulitzer Prize-winning The Making of the President, 1960. But White, as a trusted insider, didn''t tell all. Here''s the rest of the story, what White could never have known, nor revealed. Finally, it''s all out--including JFK''s poignant comment on why LBJ''s nomination as vice president would be inconsequential: "I''m 43 years old. I''m not going to die in office." Combining an engaging narrative with exhaustive research, Pietrusza chronicles the pivotal election of 1960, in which issues of civil rights and religion (Kennedy was only the second major-party Roman Catholic candidate ever) converged. The volatile primary clash between Senate Majority leader LBJ and the young JFK culminated in an improbable fusion ticket. The historic, legendary Kennedy-Nixon debates followed in its wake. The first presidential televised debates, they forever altered American politics when an exhausted Nixon was unkempt and tentative in their first showdown. With 80 million viewers passing judgment, Nixon''s poll numbers dropped as the charismatic Kennedy''s star rose. Nixon learned his lesson--resting before subsequent debates, reluctantly wearing makeup, and challenging JFK with a more aggressive stance--but the damage was done. There''s no one better to convey the drama of that tumultuous year than Pietrusza. He has 1,000 secrets to spill; a fascinating cast of characters to introduce (including a rogue''s gallery of hangers-on and manipulators); and towering historical events to chronicle. And all of it is built on painstaking research and solid historical scholarship. Pietrusza tracks down every lead to create a winning, engaging, and very readable account. With the 2008 elections approaching, politics will be on everyone''s mind, and 1960: LBJ vs. JFK vs. Nixon will transform the way readers see modern American history. A sampling of what Theodore White couldn''t chronicle--and David Pietrusza does: · Richard Nixon''s tempestuous Iowa backseat blowup, and his bizarre Election Day road trip · The full story of a sympathetic call from JFK to Coretta Scott King · John Ehrlichman''s spy missions on the Nelson Rockefeller and Democratic camps · The warnings before Election Day that Chicago''s mayor Daley would try to fix the race''s outcome · JFK''s amphetamine-fueled debate performance
Author | : Steven M. Oberhelman |
Publisher | : Texas Tech University Press |
Total Pages | : 328 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780896723313 |
Epic and Epoch is a collection of essays based on the works of artists such as Homer, Vergil, Statius, Ovid, Dante, among others. The essays in this book are not only based on history, but on various interpretations of a genre. Rhetorical, literary historical, feminist, and cultural are a few of several perspectives represented in this book.
Author | : |
Publisher | : Marvel |
Total Pages | : 0 |
Release | : 2019-09-17 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781302919535 |
Marvel's creepiest characters put the "super" into supernatural in this titanic tome of terror! A veritable who's who of horror, this Omnibus collects the complete 1970s adventures of the Zombie, Brother Voodoo, the Living Mummy, It the Living Colossus, the Golem, Gabriel: Devil Hunter, the Scarecrow and Modred the Mystic - including hair-raising encounters with Werewolf by Night, Doctor Strange, the Hulk, the Thing, the Avengers and more! Read it if you dare! COLLECTING: STRANGE TALES (1951) 169-174, 176-177; SUPERNATURAL THRILLERS 5, 7-15; ASTONISHING TALES (1970) 21-24; DEAD OF NIGHT 11; MARVEL SPOTLIGHT (1971) 26; MARVEL CHILLERS 1-2; MARVEL TEAM-UP (1972) 24; WEREWOLF BY NIGHT (1972) 39-41; MARVEL TWO-INONE (1974) 11, 18, 33, 41, 95; DOCTOR STRANGE (1974) 48; INCREDIBLE HULK (1968) 244; FANTASTIC FOUR (1961) 222-223; AVENGERS (1963) 185-187; MATERIAL FROM ZOMBIE (1973) 1-10; HAUNT OF HORROR (1974) 2-5; MONSTERS UNLEASHED (1973) 11; BIZARRE ADVENTURES 33; MENACE 5; MOON KNIGHT (1980) 21; TALES OF SUSPENSE (1959) 14, 20; STRANGE TALES (1951) 74, 89
Author | : David Konstan |
Publisher | : John Wiley & Sons |
Total Pages | : 456 |
Release | : 2009-10-27 |
Genre | : Literary Criticism |
ISBN | : 9781444315646 |
With contributions from leading scholars, this is a uniquecross-cultural comparison of historical epics across a wide rangeof cultures and time periods, which presents crucial insights intohow history is treated in narrative poetry. The first book to gain new insights into the topic of‘epic and history’ through in-depth cross-culturalcomparisons Covers epic traditions across the globe and across a wide rangeof time periods Brings together leading specialists in the field, and is editedby two internationally regarded scholars An important reference for scholars and students interested inhistory and literature across a broad range of disciplines
Author | : Stan Lee |
Publisher | : Marvel Comics Group |
Total Pages | : 132 |
Release | : 1993 |
Genre | : Comics & Graphic Novels |
ISBN | : |
Author | : Constantine Santas |
Publisher | : Scarecrow Press |
Total Pages | : 713 |
Release | : 2014-03-21 |
Genre | : Performing Arts |
ISBN | : 0810882485 |
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
Author | : Rob Turner |
Publisher | : Cambridge University Press |
Total Pages | : 235 |
Release | : 2019-06-20 |
Genre | : Literary Criticism |
ISBN | : 1108428487 |
Explores the possibility of writing epic in an age of alternative facts.
Author | : Constantine Santas |
Publisher | : Rowman & Littlefield |
Total Pages | : 258 |
Release | : 2008 |
Genre | : Performing Arts |
ISBN | : 9780742555297 |
In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of the human race. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential hopeful borrow the phrase "Read my lips" from Clint Eastwood's Dirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Whether you love Gone with the Wind and hate Troy, find Akira Kurosawa's films brilliant or marvel over the depth of the Matrix trilogy, if you're a film buff, you will want to read this first book-length treatment of the epic-a wildly popular, infinitely fascinating, and critically underappreciated genre.
Author | : Stephen C. Meyer |
Publisher | : Indiana University Press |
Total Pages | : 288 |
Release | : 2014-11-27 |
Genre | : Performing Arts |
ISBN | : 025301459X |
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin