Entrance To A Colonial Pageant In Which We All Begin To Intricate
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| Author | : Johannes Göransson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : American drama |
| ISBN | : 9780982541654 |
Poetry. Cross-Genre. Fiction. Drama. "It would take a miracle to perform this pageant. For a start, you would have to reanimate Charlotte Bronte, Adolf Loos, and Ronald Reagan, and you would need an ungodly amount of wax. Most of the action is obscene, and therefore takes place offstage. The actors enter and report on scenes of spectacular violence that go on all the time every day. The audience is part of the spectacle too. We are all transformed into images somewhere in this script. At one point, all of Hollywood appears onstage on the form of dead horses, perhaps because Hollywood film continues to rely on narrative conventions that it exhausted long ago. The entire world also appears, played by a boy who, in a series of rapid costume changes, puts on increasingly pretty dresses" Aaron Kunin."
| Author | : Johannes Göransson |
| Publisher | : |
| Total Pages | : 195 |
| Release | : 2013 |
| Genre | : Fiction |
| ISBN | : 9781939460004 |
Fiction. Poetry. "Maybe I should try to wake up. Maybe I should try and forget about Father Voice-Over. Maybe I should try and look away—but I can't. 'News organizations are setting up temporary stations in the mansion. When do you expect the Black Man to show up, one reporter asks me. I'm wearing a new suit, which was made in China, by a Chinese child listening to a mechanical bird tell them about Art.' Göransson's HAUTE SURVEILLANCE is so riveting, so fiercely imagined, so febrile and alive to the violence of our moment, so passionate—its images unbidden, its narrative a continual surprise. It's a work so filled with invention and wit and ferocity that I was compelled to read it, at times against my will, mesmerized, enthralled."—Carole Maso
| Author | : Laura E. Joyce |
| Publisher | : punctum books |
| Total Pages | : 137 |
| Release | : 2017-08-23 |
| Genre | : Literary Criticism |
| ISBN | : 1947447122 |
Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood.Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist 'science' of eugenics.Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were 'crime scenes' in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure.TABLE OF CONTENTS // Preface: Christmas, Colorado, 1996 - Section I. Queer Light: Forensics, Psychoanalysis, Hermeneutics - Section II. The Abject Parlour: Polyester Gothic, Traces at the Scene, Christmas in Colorado - Section III. Deadly Landscapes: The Shining, Colorado Histories, The Locus Terriblis - Conclusion: Necrolight, Luminol
| Author | : Johannes Göransson |
| Publisher | : |
| Total Pages | : 116 |
| Release | : 2020-06-02 |
| Genre | : |
| ISBN | : 9781939460233 |
Literary Nonfiction. "This slim journal contains multitudes. It's a compulsively readable account of returning to a childhood home, a provocative meditation on artists such as Susan Sontag, Francesca Woodman, and Andrei Tarkovsky, and a radical reexamination of concepts like ruin porn, tourism, and translation. But mostly it's an urgent manifesto. 'Poetry is obscene, ' Göransson writes. 'But there are those who want to maintain the illusion that it is good for us.' This necessary book strips away the various illusions that have obscured poetry's truest values. Göransson concludes: 'This is written without hope.' But paradoxically, POETRY AGAINST ALL offers just that."--Jeff Jackson "Moralists who find themselves clutching their pearls about this book of noir perversions should read less literally and see that Göransson's POETRY AGAINST ALL--for all its anti-libidinous interrogations of pornography, the Holocaust, and cadavers--concerns some of the most relatably humanist emotions of all: grief, the meaning of home, and the protectiveness one has about one's children. Göransson imagines pornography as the body at the edge of otherness, at once alluring and perverse, which is not unlike the lens through which he conceives his own role as immigrant, the contaminant in our body politic, alive to the sheer horror of America but never quite able to go home himself."--Ken Chen
| Author | : Ana Božičević |
| Publisher | : Tarpaulin Sky Press |
| Total Pages | : 86 |
| Release | : 2009 |
| Genre | : Croatian poetry |
| ISBN | : 0982541600 |
"Ana Božic(evic''s work is sort of animist--it's either about silence or the racket of the world. How does she do it? Clicks the switch to say it's silent & it's happening then on a distant tiny stage. She's muttering, and then it's a story and a very good one. I mean in poetry at some point you don't know what the writer means. In Ana's work I watch "it" vanish (all the time) & I trust it."--Eileen Myles.
| Author | : Claire Donato |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Bereavement |
| ISBN | : 9781939460011 |
A sorrowful daughter works through her grief after her father dies.
| Author | : Angela Carstensen |
| Publisher | : American Library Association |
| Total Pages | : 175 |
| Release | : 2011-05-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 083899315X |
More than simply a vital collection development tool, this book can help librarians help young adults grow into the kind of independent readers and thinkers who will flourish at college.
| Author | : Olivia Cronk |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-07-07 |
| Genre | : |
| ISBN | : 9781939460226 |
Taking the form of two long poems, "Interro-Porn" and "Chenille," _Womonster_ explores the often monstrous and buffoonish impossibility of a coherent self, even as its speakers take great pleasure in the performance of selves. Everywhere absorbing and leaking other media, _Womonster_ is a "sloppy" text, at once nauseating and thrilling, psychedelic and domestic. "Olivia Cronk's Womonster is a performative feat, a book that makes being out of pretending.... I was thrilled and moved by this wild book, which moves from an explosive rejection of narrative to the creation of a theater of home, that shabby, beautiful structure built with girly hope, our fortification against loss." (Suzanne Scanlon) "With _Womonster_, Olivia Cronk shows that we are other people as much as we are our various selves. We are the people who share our lives; we are our loved ones and our aggressors. If this makes us monsters, then everyone's a monster." (Jay Besemer) "Cronk's writing is forensically spooky.... We are brought closer to Cronk's territory of occult sadomasochistic desire. _Womonster_ is both a hyper-abject soap opera of beige underwear, dusty crystal, sinks full of bloodied dishes, and a redemptive horror story about the power of becoming the monster." (Laura Ellen Joyce) "Olivia Cronk is one of my favorite US poets over the past 15 years. _Womonster_ is something like Lars Noren's Revolver rewritten with Ouija board." (Johannes Göransson)
| Author | : Steven Dunn |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : African American teenage boys |
| ISBN | : 9781939460066 |
Set in a decaying town in southern West Virginia, Potted Meat follows a young Aftican-American boy into adolescence as he struggles with abusive parents, poverty, alcohol addiction, and racial tensions.
| Author | : Julia Brennan |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-07-07 |
| Genre | : |
| ISBN | : 9781939460202 |
Julia Brennan's debut novel, _Hunting Season_, is part auto-fiction, part lyric essay, part lament, part film journal, part performance, and part exorcism. Challenging traditional victim/perpetrator narratives, _Hunting Season_ is an intimate investigation into the ways we learn to love and wound. "A kind of fortress: elaborately constructed, designed to protect and to withstand the dangers that are everywhere around us. An imaginative, frightening and heartbreaking tour de force." (CAROLE MASO) "Brennan's cinematic fiction moves through the vignette-influenced narrative landscape with an expression of loneliness like a rifle flung over the hard shoulder of postmodern storytelling: you never know when her rifle will go off, leaving you bruised, cut in halves or quarters, or heartbroken. _Hunting Season_ is 'a slow amputation' of love, film, disaster, agony, tamed or nonchalant sadomasochism and sexual fantasies?. Come here and let her destroy you. Tenderly." (VI KHI NAO) "_Hunting Season_ frees the bildungsroman from its orthodox chronologies and wearisome protagonists. As in Ferrante, we see a woman artist come of age. She comes of age, ages, travels back, comes again. How best to repurpose an education in patriarchy? Like Ferrante, or Amina Cain, Eugene Lim, or Cristina Rivera Garza, Julia Brennan refuses to sacrifice to the gods of narrative arc. _Hunting Season_ plots in phenomenological ecotones, those sites produced in the connective tissue between mothers and children, hunters and prey, lovers and lover's ghosts, or the multiple paramours of a single artist." (DANIELLE PAFUNDA)
