Engraving And Etching 1400 2000
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Author | : Ad Stijnman |
Publisher | : |
Total Pages | : 658 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9781904982715 |
This volume surveys the history of the techniques of engraving, etching and plate printing from its beginning in the 1430s until today. It will be of interest to collectors, curators, conservators, printmakers and students of technical art history.
Author | : Adrianus Cornelis Jacobus Stijnman |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 278 |
Release | : 2015-08-24 |
Genre | : Art |
ISBN | : 9004290117 |
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
Author | : Catherine Jenkins |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 311 |
Release | : 2019-10-21 |
Genre | : Art |
ISBN | : 1588396495 |
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author | : Max Schweidler |
Publisher | : Getty Publications |
Total Pages | : 320 |
Release | : 2006 |
Genre | : Books |
ISBN | : 9780892368358 |
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author | : Peter W. Parshall |
Publisher | : Yale University Press |
Total Pages | : 396 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 0300113390 |
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author | : Ruth Leaf |
Publisher | : Courier Corporation |
Total Pages | : 242 |
Release | : 2012-07-12 |
Genre | : Art |
ISBN | : 0486139247 |
Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.
Author | : Manly Banister |
Publisher | : Courier Corporation |
Total Pages | : 134 |
Release | : 1986-01-01 |
Genre | : Art |
ISBN | : 9780486251653 |
Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."
Author | : Gitta Bertram |
Publisher | : BRILL |
Total Pages | : 635 |
Release | : 2021-08-24 |
Genre | : Art |
ISBN | : 9004464522 |
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Author | : Caroline Archer-Parré |
Publisher | : Eighteenth Century Worlds Lup |
Total Pages | : 256 |
Release | : 2020 |
Genre | : History |
ISBN | : 1789622301 |
During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.