English Renaissance Drama A Very Short Introduction To Theatre And Theatres In Shakespeares Time
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Author | : C W R D Moseley |
Publisher | : Humanities-Ebooks |
Total Pages | : 183 |
Release | : |
Genre | : Literary Criticism |
ISBN | : 1847601839 |
Introduces the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare. The book begins with a discussion of the origins of early modern English drama and of the theatres that were built for it. Attitudes to theatre and to players, and what audiences expected of both, are explored in the contexts of the constraints of the acting space and the political culture. The book then looks at the structure and dynamics of the theatrical companies before concluding with a discussion of the genres of plays and the expectations of them that people (including writers) held. Appendices list brief details of the major dramatists of the time, and summarise the main historical and dramatic events.
Author | : C W R D Moseley |
Publisher | : Humanities-Ebooks |
Total Pages | : 93 |
Release | : 2007-01-01 |
Genre | : Literary Criticism |
ISBN | : |
Aims to introduce students with little or no prior experience of the field to the conclusions of recent scholarship and research into theatrical conditions, conventions and concepts in the time of Shakespeare.
Author | : Charles W. R. D. Moseley |
Publisher | : Troubador Publishing |
Total Pages | : 184 |
Release | : 2008 |
Genre | : English drama |
ISBN | : |
Author | : David M Bevington |
Publisher | : Humanities-Ebooks |
Total Pages | : 258 |
Release | : 2014-01-01 |
Genre | : History |
ISBN | : 1847603041 |
Author | : Marvin Carlson |
Publisher | : OUP Oxford |
Total Pages | : 153 |
Release | : 2014-10-23 |
Genre | : Performing Arts |
ISBN | : 0191648612 |
From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : |
Publisher | : |
Total Pages | : 573 |
Release | : |
Genre | : |
ISBN | : 0198117353 |
Author | : Michael Dobson |
Publisher | : Oxford University Press, USA |
Total Pages | : 605 |
Release | : 2015 |
Genre | : Literary Criticism |
ISBN | : 0198708734 |
This is a reference text on Shakespeare's works, times, life, and afterlives. It offers stimulating and authoritative coverage of every aspect of Shakespeare and his writings, including their reinterpretation in the theatre, in criticism, and in film.
Author | : Tanya Pollard |
Publisher | : John Wiley & Sons |
Total Pages | : 392 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470752963 |
Shakespeare’s Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.
Author | : Arthur F. Kinney |
Publisher | : John Wiley & Sons |
Total Pages | : 928 |
Release | : 2005-01-24 |
Genre | : Literary Criticism |
ISBN | : 1405119675 |
This pioneering collection of non-Shakespearean Renaissance drama has now been updated to include more early material, plus Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s Masque of Queens. Second edition of this pioneering collection of works of non-Shakespearean Renaissance drama. Covers the full sweep of dramatic performances, including State progresses and Court masques. Contains material useful for courses on women playwrights or women in Renaissance drama, including Middleton’s Chaste Maid in Cheapside, Webster’s The Duchess of Malfi and Thomas Middleton and William Rowley’s The Changeling. Includes plays and pageants not anthologised elsewhere, such as the coronation entries of Elizabeth I and Queen Anne, and Thomas Heywood’s ‘A Woman Killed with Kindness’. For the second edition more early material has been added, such as Noah and The Second Shepherd’s Play. The anthology now also includes Mary Sidney’s The Tragedy of Antony, John Marston’s The Malcontent and Ben Jonson’s The Masque of Queens.
Author | : Gavin Hollis |
Publisher | : Oxford University Press, USA |
Total Pages | : 275 |
Release | : 2015 |
Genre | : Drama |
ISBN | : 0198734328 |
The Absence of America: the London Stage 1576-1642 looks at London theatre at the time of Shakespeare and how it represented the New World, considering whether early modern drama was anti-American, as some contemporaries suggested.