Readers' Guide to Periodical Literature

Readers' Guide to Periodical Literature
Author: Anna Lorraine Guthrie
Publisher:
Total Pages: 1468
Release: 1915
Genre: Periodicals
ISBN:

An author subject index to selected general interest periodicals of reference value in libraries.

A Reference Guide for English Studies

A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
Total Pages: 872
Release: 1990-01-01
Genre: Literary Criticism
ISBN: 9780520051614

This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.

Eighteen Hundred and Eleven

Eighteen Hundred and Eleven
Author: E. J. Clery
Publisher: Cambridge University Press
Total Pages: 329
Release: 2017-06-09
Genre: Literary Criticism
ISBN: 1108101429

In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.