English Poetry In Transition 1880 1920
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Selected Early Poems
Author | : Arthur Symons |
Publisher | : MHRA |
Total Pages | : 233 |
Release | : 2017-04-11 |
Genre | : Poetry |
ISBN | : 1781886075 |
Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s. His early verse, notably in the major collections Silhouettes (1892; revd 1896) and London Nights (1895; revd 1897), created a sophisticated new kind of urban poetry out of the gas-lit world of London theatre and night-life. Under the French influences of Baudelaire and Verlaine, Symons developed a wistful poetic eroticism new to English readers, leading the way to the modernism of T. S. Eliot and others in the next generation. This selection from Symons’s most fertile period as a poet reproduces the fuller revised editions of Silhouettes and London Nights in their entirety, together with related poems from his other early volumes, Days and Nights (1889), Amoris Victima (1897), Images of Good and Evil (1900), and with early poems collected in Knave of Hearts (1913). p.p1 {margin: 3.0px 0.0px 3.0px 0.0px; text-align: justify; font: 14.0px 'Adobe Garamond Pro'} Fully annotated and supplemented by related critical writings by Symons, Walter Pater, and others, this text offers students of late-Victorian literature a rich resource for the understanding of decadence in the London literary scene of the 1890s. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 7.9px Calibri}
Robert Bridges
Author | : Lee Templin Hamilton |
Publisher | : University of Delaware Press |
Total Pages | : 254 |
Release | : 1991 |
Genre | : Literary Criticism |
ISBN | : 9780874133646 |
Robert Bridges, poet laureate of England from 1913 to 1930, is an important cultural link between the Victorian Age and the modern period. This bibliography updates and expands George McKay's A Bibliography of Robert Bridges (1933) and is the first gathering of reviews, articles, essays, books, and other scholarly notes about Bridges.
The Oxford Handbook of Victorian Poetry
Author | : Matthew Bevis |
Publisher | : Oxford University Press, USA |
Total Pages | : 913 |
Release | : 2013-10 |
Genre | : History |
ISBN | : 0199576467 |
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
A Companion to Victorian Poetry
Author | : Ciaran Cronin |
Publisher | : John Wiley & Sons |
Total Pages | : 632 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405123184 |
This Companion brings together specially commissioned essays by distinguished international scholars that reflect both the diversity of Victorian poetry and the variety of critical approaches that illuminate it. Approaches Victorian poetry by way of genre, production and cultural context, rather than through individual poets or poems Demonstrates how a particular poet or poem emerges from a number of overlapping cultural contexts. Explores the relationships between work by different poets Recalls attention to a considerable body of poetry that has fallen into neglect Essays are informed by recent developments in textual and cultural theory Considers Victorian women poets in every chapter
The Spectre of Defeat in Post-War British and US Literature
Author | : David Owen |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 255 |
Release | : 2021-01-22 |
Genre | : Literary Criticism |
ISBN | : 1527565033 |
It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
A Reference Guide for English Studies
Author | : Michael J. Marcuse |
Publisher | : Univ of California Press |
Total Pages | : 2816 |
Release | : 2023-11-10 |
Genre | : |
ISBN | : 0520321871 |
The History of British Women's Writing, 1880-1920
Author | : Holly A. Laird |
Publisher | : Springer |
Total Pages | : 335 |
Release | : 2016-10-06 |
Genre | : Literary Criticism |
ISBN | : 1137393807 |
The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ — ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ — are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe.
Playing the Game
Author | : John Howlett |
Publisher | : Liverpool University Press |
Total Pages | : 168 |
Release | : 2023-05-15 |
Genre | : Literary Criticism |
ISBN | : 1837645280 |
Two of Henry Newbolt’s poems, ‘Vitaï Lampada’ and ‘Drake’s Drum’, became staples of poetry anthologies and were able to be recited by every school-boy. His poetry was also deeply significant in constructing ideas around late Victorian/Edwardian imperial manliness. A consequence of this was that Newbolt became in his own time one of the best known and most popular of writers. However, in the years since his death, his work has fallen into comparative critical neglect and he has been seen as a mouthpiece for the worst aspects of his age. The aim therefore of this new edition is to place the poet’s literary work in a broader context that has hitherto not been addressed as well as offering a fresh appraisal of a significant literary figure. Aside from careful consideration of the poetry, of equal interest is Newbolt’s active public life. He contributed widely to government committees and debates on education, as well as working for the propaganda bureau in the First World War and advising on the Irish question. The links between his poetry - which spanned over three decades - and the socio-economic changes under way in the British Isles at the time are a primary theme of John Howlett’s substantial Introduction to the work. Exploring this wider historical context means that this book is an essential research tool for the field of Victorian and Edwardian poetry but also cultural studies.
Conservative Modernists
Author | : Christos Hadjiyiannis |
Publisher | : Cambridge University Press |
Total Pages | : 257 |
Release | : 2018-03-29 |
Genre | : Literary Criticism |
ISBN | : 1108661238 |
Despite sustained scholarly interest in the politics of modernism, astonishingly little attention has been paid to its relationship to Conservatism. Yet modernist writing was imbricated with Tory rhetoric and ideology from when it emerged in the Edwardian era. By investigating the many intersections between Anglophone modernism and Tory politics, Conservative Modernists offers new ways to read major figures such as T. S. Eliot, Ezra Pound, T. E. Hulme, and Ford Madox Ford. It also highlights the contribution to modernism of lesser-known writers, including Edward Storer, J. M. Kennedy, and A. M. Ludovici. These are the figures to whom it most frequently returns, but, cutting through disciplinary delineations, the book simultaneously reveals the inputs to modernism of a broad range of political writers, philosophers, art historians, and crowd psychologists: from Pascal, Burke, and Disraeli, to Nietzsche, Le Bon, Wallas, Worringer, Ribot, Bergson, and Scheler.