English Poetry And Old Norse Myth
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| Author | : Heather O'Donoghue |
| Publisher | : |
| Total Pages | : 257 |
| Release | : 2014 |
| Genre | : Literary Criticism |
| ISBN | : 0199562180 |
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
| Author | : Charles Harold Herford |
| Publisher | : |
| Total Pages | : 40 |
| Release | : 1919 |
| Genre | : Comparative literature |
| ISBN | : |
| Author | : Paul Acker |
| Publisher | : Routledge |
| Total Pages | : 318 |
| Release | : 2002-02-08 |
| Genre | : Literary Criticism |
| ISBN | : 113660135X |
This unique collection of essays applies significant critical approaches to the mythological poetry of the Poetic Edda, a principal source for Old Norse cosmography and the legends of Odin, Loki, and Thor. The volume also provides very useful introductions that sketch the critical history of the Eddas. By applying new theoretical approaches (feminist, structuralist, post-structuralist) to each of the major poems, this book yields a variety of powerful and convincing readings. Contributors to the collection are both young scholars and senior figures in the discipline, and are of varying nationalities (American, British, Australian, Scandinavian, and Icelandic), thus ensuring a range of interpretations from different corners of the scholarly community. The new translations included here make available for the first time to English speaking students the intriguing methodologies that are currently developing in Scandinavia. An essential collection of scholarship for any Old Norse course, The Poetic Edda will also be of interest to scholars of Indo-European myth, as well as those who study the theory of myth.
| Author | : Heather O'Donoghue |
| Publisher | : |
| Total Pages | : 242 |
| Release | : 2014 |
| Genre | : English poetry |
| ISBN | : 9780191789489 |
This book traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry.
| Author | : Heather O'Donoghue |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2024-01-25 |
| Genre | : History |
| ISBN | : 1350252832 |
From Asgard to Valhalla takes readers deep inside Odin's cavernous hall and tells of the adventures, tragedies and lessons of the Viking Gods. Here, Heather O'Donoghue skillfully uncovers both the history and legacy of these myths to provide the authoritative student text on Old Norse mythology. From the magnificent tales of A Song of Ice and Fire and the supernatural wonders of Valkyries to Tolkien's Riders of Rohan and Marvel's mighty Thor, Norse mythology is a fundamental part of western culture. Drawing from a wealth of sources and scholarly debates, this fully-updated and expanded 2nd edition offers both an engaging survey of the Old Norse myths and an accessible introduction to how such strange and fragmentary material has been seized, repurposed and at times abused throughout the centuries. Notably, this important and timely study explores how Old Norse mythology has been – and continues to be – weaponized by far right movements across the world. Containing 2 brand new chapters on post-medieval reception, 30 illustrations for a stronger visual context and pedagogical updates throughout to aid further study, this new edition of From Asgard to Valhalla: The Remarkable History of the Norse Myths is a vital resource for all students of Old Norse mythology.
| Author | : Paul Acker |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2013-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 1136227873 |
Bringing alive the dramatic poems of Old Norse heroic legend, this new collection offers accessible, ground-breaking and inspiring essays which introduce and analyse the exciting legends of the two doomed Helgis and their valkyrie lovers; the dragon-slayer Sigurðr; Brynhildr the implacable shield-maiden; tragic Guðrún and her children; Attila the Hun (from a Norse perspective!); and greedy King Fróði, whose name lives on in Tolkien’s Frodo. The book provides a comprehensive introduction to the poems for students, taking a number of fresh, theoretically-sophisticated and productive approaches to the poetry and its characters. Contributors bring to bear insights generated by comparative study, speech act and feminist theory, queer theory and psychoanalytic theory (among others) to raise new, probing questions about the heroic poetry and its reception. Each essay is accompanied by up-to-date lists of further reading and a contextualisation of the poems or texts discussed in critical history. Drawing on the latest international studies of the poems in their manuscript context, and written by experts in their individual fields, engaging with the texts in their original language and context, but presented with full translations, this companion volume to The Poetic Edda: Essays on Old Norse Mythology (Routledge, 2002) is accessible to students and illuminating for experts. Essays also examine the afterlife of the heroic poems in Norse legendary saga, late medieval Icelandic poetry, the nineteenth-century operas of Richard Wagner’s Der Ring des Nibelungen, and the recently published (posthumous) poem by Tolkien, The Legend of Sigurd and Gudrún.
| Author | : Charles Harold Herford |
| Publisher | : Legare Street Press |
| Total Pages | : 0 |
| Release | : 2023-07-18 |
| Genre | : |
| ISBN | : 9781021826008 |
This book is a comprehensive study of Norse mythology and its influence on English poetry, from the Anglo-Saxon period to the modern era. With detailed analysis and insightful commentary, this is a must-read for anyone interested in the history of literature and mythology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Margaret Clunies Ross |
| Publisher | : DS Brewer |
| Total Pages | : 302 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9781843840343 |
This is the first book in English to deal with the twin subjects of Old Norse poetry and the various vernacular treatises on native poetry that were a conspicuous feature of medieval intellectual life in Iceland and the Orkneys from the mid-twelfth to the fourteenth centuries. Its aim is to give a clear description of the rich poetic tradition of early Scandinavia, particularly in Iceland, where it reached its zenith, and to demonstrate the social contexts that favoured poetic composition, from the oral societies of the early Viking Age in Norway and its colonies to the devout compositions of literate Christian clerics in fourteenth-century Iceland. The author analyses the two dominant poetic modes, eddic and skaldic, giving fresh examples of their various styles and subjects; looks at the prose contexts in which most Old Norse poetry has been preserved; and discusses problems of interpretation that arise because of the poetry's mode of transmission. She is concerned throughout to link indigenous theory with practice, beginning with the pre-Christian ideology of poets as favoured by the god ódinn and concluding with the Christian notion that a plain style best conveys the poet's message. Margaret Clunies Ross is McCaughey Professor of English Language and Early English Literature and Director of the Centre for Medieval Studies at the University of Sydney.
| Author | : Heather O'Donoghue |
| Publisher | : OUP Oxford |
| Total Pages | : 257 |
| Release | : 2014-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 0191034363 |
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth — stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja — on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
| Author | : Heather O'Donoghue |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 193 |
| Release | : 2024-06-13 |
| Genre | : Literary Criticism |
| ISBN | : 1350212725 |
The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance. Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem's unknowns – its date, provenance or author – and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet's extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet's evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored. Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies' abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece.
