English in Reggae Music

English in Reggae Music
Author: Marina Boonyaprasop
Publisher: GRIN Verlag
Total Pages: 52
Release: 2012-07-27
Genre: Literary Collections
ISBN: 365624569X

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Marburg, course: Anglistik / Englische Sprachwissenschaft, language: English, abstract: From the 1970s up to today, Reggae has been one of the most popular types of music in many countries all over the world. Having its roots in Jamaica, it was promoted by many artists, such as Bob Marley and Peter Tosh, and carried into many parts of the world. The growing popularity and the influence Reggae had on many other music genres gives a reason for an in-depth analysis of the background and development that created reggae music. In order to analyze music thoroughly, three major components need to be analyzed: historical background, language and music development. One of the earliest and most important influences on Jamaica’s current music culture is the period of slavery in the Caribbean. Cruelty, oppression, and hunger for revolt can be seen as foundation for the development of Reggae. In addition to the importance of Jamaican and especially African-Jamaican history this paper deals with the relevance of Rastafarianism. The longing for freedom and equality as well as the discontent with life under white rule paved the way for the emergence of a new belief, which was based on the maxim of Black Pride and the superiority of the black race. It was not only people and their souls which were influenced by the colonialists, but also their language. Through the blend of West-African languages and English, Jamaicans established their own Creole, which can be heard in almost all reggae lyrics. As well as the experiences during the days of slavery, the newly discovered religion along with the pride and self-confidence involved, did not only change the way of life and thinking for many people with African descent, but also altered the language. The third component that led to today’s Reggae was the development of Jamaican music throughout the history. Based on the Africa-inspired drumming of slaves and impacted by Rastafarian and North-American music, styles such as Ska, Rocksteady, and finally Reggae were able to evolve. By taking all three components into account, two Reggae songs are analyzed. Especially phonetic differences between the used language and Present Day English (PDE) as well as the similarities to Rastafarian Talk are examined. Overall, this paper gives an insight into the reasons and circumstances that enabled Reggae to emerge. Taking this background into account, lyrics are analyzed in order to prove that history and religion were not only precursors but are still present in today’s music.

Jamaican Creole in Reggae Music. An Overview over Linguistic Phenomena

Jamaican Creole in Reggae Music. An Overview over Linguistic Phenomena
Author: Sarah Lenhardt
Publisher: GRIN Verlag
Total Pages: 24
Release: 2020-10-27
Genre: Literary Collections
ISBN: 3346283011

Seminar paper from the year 2020 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Koblenz-Landau (Anglistik), course: Linguistics, language: English, abstract: The main objective of this work is to give an overview of linguistic phenomena that characterize Reggae songs in Jamaica. To this end, an analysis of the phonological, grammatical and lexical peculiarities that occur in Reggae music in Jamaica will be performed. First, the author will commence with the historical background of Jamaican Creole and explain how and why it has developed and what role Standard English and even different African languages have played concerning its formation over centuries. Afterwards, the focus will be on the role of Standard English and Jamaican Creole in Jamaica. Basically, he will explain in what situations Standard English and Jamaican Creole are used, where they might be rather inappropriate and mistimed to use and mention the phenomenon of code-switching. Next up, different linguistic features of Jamaican Creole will be analysed – phonological, grammatical and lexical ones. After having exemplified those features, we will take a closer look at different songs of the Reggae genre by three of the most famous Reggae artists Bob Marley, Peter Tosh and Buju Banton where different linguistic features of Jamaican Creole can be found in their songs in great quantities. Finally, the results of the typical linguistic features that have been mentioned and the occurrences of certain linguistic features in the analysed songs will be compared in order to have an overview over what features are realized in Reggae songs.

Rodigan

Rodigan
Author: David Rodigan
Publisher: Constable
Total Pages: 241
Release: 2017-03-02
Genre: Biography & Autobiography
ISBN: 1472125592

'THE BOOK THAT EVERY REGGAE FAN SHOULD READ' John Masouri, Echoes 'Rodigan can still claim a currency few presenters of his vintage can match. Perhaps it's because while his wider musical and professional milieu has been in constant change, his boundless enthusiasm has been constant. Reggae's been lucky to have him' Ian Harrison, MOJO 'Rodigan was a major part of my childhood, he played the hottest tunes and in a style that just resonated with me and millions like me. Being able to contribute anything to a man that filled my life with such joy is an honour, respect, David Rodigan' Ian Wright 'David is a pioneer in Reggae music. As a selector and radio personality, his vast knowledge of Jamaican music and its culture has helped to educate and fascinate music lovers around the world; he's an amazing son of the music, and an icon. We couldn't have made it this far without him' Shaggy This is the unlikely story of David Rodigan: an Army sergeant's son from the English countryside who has become the man who has taught the world about Reggae. As the sound of Jamaica has morphed over five decades through a succession of different genres - from Ska and Rock Steady, to Dub, Roots and Dancehall - Rodigan has remained its constant champion, winning the respect of generation after generation of Reggae followers across the globe. Today, at the age of 63, he is a headline performer at almost all the UK's big music festivals, as well as events across the world. Young people revere him and he is a leading presenter on the BBC's youth network 1Xtra as well as a regular fixture at leading nightclubs such as London's Fabric and at student unions throughout the land. And he continues to go into the heartlands of Reggae, to the downtown dancehalls of Kingston and Montego Bay in Jamaica to compete in tournaments against the greatest sound systems. And yet, for all of this, David Rodigan is the antithesis of the stereotype of an international dance music DJ. 'I look like an accountant or a dentist,' he admitted to The Independent a decade ago. A man of impeccable manners, Rodigan prepares for a big sound clash by retiring to his hotel bed with a Thomas Hardy novel before taking a nap and then a cup of espresso before heading to the club. Rodigan is the inside story of this apparent paradox. It tells how a boy from Kidlington has become an admired international ambassador for a music form that remains as proud as ever of its African roots, a sound that emanates from and fiercely represents the ghetto poor. He now reaches across the age groups, from teens through to those of his own vintage. At the pinnacle of his career, Rodigan has become the DJ for all generations. 'David Rodigan is a force of nature. His spirit and passion are a rare and wonderful thing. He has dedicated his life to carrying the torch for Reggae music and is hugely respected all over the world for his knowledge and talent as a broadcaster and a DJ. Long may he reign on our stages and on our airwaves' Annie Mac

Reggae Explosion

Reggae Explosion
Author: Chris Salewicz
Publisher: Harry N. Abrams
Total Pages: 224
Release: 2002-10-09
Genre: Music
ISBN: 9780810981690

The team of writer Chris Salewicz and photographer Adrian Boot have brought together 50,000 words of text and over 400 images from the ReggaeXplosion Archive to create a history that contains a potent cocktail of drama, turbulence, pride and protest. From the earliest emergence in the 1950s of the fiercely competitive sound systems, fighting sonic battles in downtown Kingston, the story of Jamaican music is traced through ska, the birth of reggae, dub, roots reggae and the impact of Bob Marley to the new, harder-edged developments that have emerged in the last twenty years, including dancehall, ragga and jungle. Unpublished transcripts of interviews with key figures like Lee 'Scratch' Perry and Prince Buster introduce the authentic voices of reggae history to the book - which blends researched facts, graphics and rare images to create not only a sense of the pulse of the music, but also the contrasts of poverty, humour, desperation and joie de vivre that typify both the island of Jamaica and its music.

Reggae Wisdom: Proverbs in Jamaican Music

Reggae Wisdom: Proverbs in Jamaican Music
Author: Anand Prahlad
Publisher: Univ. Press of Mississippi
Total Pages: 332
Release: 2001
Genre: Proverbs, Jamaican
ISBN: 9781604736595

In "Reggae Wisdom: Proverbs in Jamaican Music" Swami Anand Prahlad looks at the contexts and origins of these proverbs, using them as a cultural sheet music toward understanding the history of Jamaican culture, Rastafari religion, and the music that isthat culture's worldwide voice.

Dub

Dub
Author: Michael Veal
Publisher: Wesleyan University Press
Total Pages: 352
Release: 2013-08-15
Genre: Music
ISBN: 0819574422

Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.

Roots, Rock, Reggae

Roots, Rock, Reggae
Author: Chuck Foster
Publisher: Billboard Books
Total Pages: 366
Release: 1999
Genre: Music
ISBN:

Told in the voices of reggae's major participants, these authoritative accounts chart the history, characteristics, and broad appeal of the music that originated in Jamaica, but has spread like wildfire throughout the world over the years to rise up in Africa and South America as well as England and America.

Language, Race and the Global Jamaican

Language, Race and the Global Jamaican
Author: Hubert Devonish
Publisher: Springer Nature
Total Pages: 133
Release: 2020-06-23
Genre: Language Arts & Disciplines
ISBN: 3030457486

This book examines the racial and socio-linguistic dynamics of Jamaica, a majority black nation where the dominant ideology continues to look to white countries as models, yet which continues to defy the odds. The authors trace the history of how a nation of less than three million people has come to be at the centre of cultural, racial and linguistic influence globally; producing a culture than has transformed the way that the world listens to music, and a dialect that has formed the lingua franca for a generation of young people. The book will be of particular interest to students and scholars of Caribbean linguistics, Africana studies, diaspora studies, sociology of language and sociolinguistics more broadly.

Rastafari and Reggae

Rastafari and Reggae
Author: Becky Mulvaney
Publisher: Bloomsbury Publishing USA
Total Pages: 272
Release: 1990-08-13
Genre: Music
ISBN: 0313064237

A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.

Time and memory in reggae music

Time and memory in reggae music
Author: Sarah Daynes
Publisher: Manchester University Press
Total Pages: 382
Release: 2013-07-19
Genre: Music
ISBN: 1847796923

On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of ‘memory at work’ opens up a theoretical problem: the conceptualization of time and its relationship with memory.