English Illustration, 'the Sixties': 1855-1870 by G. White with ...
Author | : Gleeson White |
Publisher | : |
Total Pages | : 203 |
Release | : 1897 |
Genre | : Illustrated books |
ISBN | : |
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Author | : Gleeson White |
Publisher | : |
Total Pages | : 203 |
Release | : 1897 |
Genre | : Illustrated books |
ISBN | : |
Author | : Gleeson White |
Publisher | : Wildhern Press |
Total Pages | : 362 |
Release | : 2009-02 |
Genre | : Art |
ISBN | : 9781848301900 |
Author | : Gleeson White |
Publisher | : |
Total Pages | : 203 |
Release | : 1897 |
Genre | : Illustration of books |
ISBN | : |
Author | : Gleeson White |
Publisher | : Westminster : A. Constable |
Total Pages | : 790 |
Release | : 1897 |
Genre | : Illustrated books |
ISBN | : |
Author | : Ian Brinton |
Publisher | : A&C Black |
Total Pages | : 132 |
Release | : 2007-02-28 |
Genre | : Literary Criticism |
ISBN | : 1441127259 |
Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. Great Expectations (1861) is not only one of the last great novels to be written by Dickens but is also one which centres around his primary themes: the importance of childhood in relationship to adult life, concepts of guilt and imprisonment and an analysis of individualism as opposed to the increasing bureaucracy of nineteenth-century England. This guide is an ideal introduction to the text including its contexts, Dickens's style and imagery, its critical reception from the time of publication to the present, a guide to illustrated editions and film adaptations and a guide to further reading.
Author | : Julia Thomas |
Publisher | : Springer |
Total Pages | : 130 |
Release | : 2017-07-19 |
Genre | : Literary Criticism |
ISBN | : 3319581481 |
This book brings the study of nineteenth-century illustrations into the digital age. The key issues discussed include the difficulties of making illustrations visible online, the mechanisms for searching the content of illustrations, and the politics of crowdsourced image tagging. Analyzing a range of online resources, the book offers a conceptual and critical model for engaging with and understanding nineteenth-century illustration through its interplay with the digital. In its exploration of the intersections between historic illustrations and the digital, the book is of interest to those working in illustration studies, digital humanities, word and image, nineteenth-century studies, and visual culture.
Author | : David Bland |
Publisher | : |
Total Pages | : 496 |
Release | : 1958 |
Genre | : Illumination of books and manuscripts |
ISBN | : |
Author | : David Tatham |
Publisher | : Syracuse University Press |
Total Pages | : 296 |
Release | : 2003-04-01 |
Genre | : Art |
ISBN | : 9780815629740 |
Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.
Author | : Inga Bryden |
Publisher | : Taylor & Francis |
Total Pages | : 424 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780415187947 |
This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.