English Furniture Designs Of The Eighteenth Century
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Author | : Peter W. Ward-Jackson |
Publisher | : |
Total Pages | : 380 |
Release | : 1984 |
Genre | : Design |
ISBN | : |
English furniture of the eithteenth century has never been more admired or sought after than it is today. This is largely because it possesses a simplicity, a sober elegance and a practical usefulness which make it ideal for modern houses. Such furniture owes as much to good design as to the craftsman's skill, and that is why, in this book, the Victoria and Albert Museum has made an attempt to carry out--for the first time--a systematic survey of the great mass of eighteenth-century designs which has come down to us. The Museum is in a good position to embark upon such a venture, because it possessess one of the largest collections of English furniture designs in existence, a collection which includes copies of nearly all the relevant pattern books, some of them very rare, and a considerable number of original drawings, which tend to be rarer still, because they were all too often lost or destroyed, once they had served their purpose. --back cover.
Author | : Elizabeth White |
Publisher | : ACC Distribution |
Total Pages | : 512 |
Release | : 1990 |
Genre | : Antiques & Collectibles |
ISBN | : |
The Georgian period was one of disciplined designs and the published pattern books regulated the basic
Author | : Harold Koda |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 130 |
Release | : 2006 |
Genre | : Clothing and dress |
ISBN | : 0300107145 |
An alluring look at the relationship of clothing and interior design in 18th-century France
Author | : Pierre Verlet |
Publisher | : University of Virginia Press |
Total Pages | : 390 |
Release | : 1991 |
Genre | : Antiques & Collectibles |
ISBN | : |
The late Pierre Verlet, conservateur en chef du Departement des Objets d'Art at the Louvre, was the unquestioned expert on pre-Revolutionary French decorative arts. His definitive book French Furniture of the 18th Century (Les Meubles Francais du XVIIIe Siecle) has now been translated into English for the first time by Penelope Hunter-Stiebel, noted specialist in 18th century French furniture and former student of Verlet. The book contains a vast amount of information on the art of furniture in 18th century France. It examines the tools and techniques used in furniture making during that period; defines the various types of furniture developed; explores the organisation of the furniture industry, the working of the guilds and the relationships among makers, dealers, and clients; lists the outstanding makers and reproduces their marks; and discusses the market, restoration, forgeries, and the growth of public collections. Since the book was first published in 1955, previously unknown pieces of furniture have been discovered, and new documents and analyses have been taken into account in this augmented text.The book is enhanced by 16 pages of full colour and 174 black-and-white illustrations. The illustrations range broadly to allow for the juxtaposition of elegant and simple furniture and to include a variety of types, forms and decorations. This book is a valuable research tool for all curators, collectors, dealers, and art historians.
Author | : Clive Edwards |
Publisher | : Manchester University Press |
Total Pages | : 244 |
Release | : 1996 |
Genre | : Antiques & Collectibles |
ISBN | : 9780719045257 |
The eighteenth century has been seen as a Golden Age of design and craftsmanship. This book goes well beyond these ideas and investigates the various developments in the infrastructure of the eighteenth-century furniture world.
Author | : Morrison H. Heckscher |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 51 |
Release | : 2018-05-14 |
Genre | : Antiques & Collectibles |
ISBN | : 1588396479 |
Published to coincide with the three hundredth anniversary of the birth of Thomas Chippendale, England’s most famous cabinetmaker, this issue of the Bulletin addresses the history of Chippendale works at The Met. Morrison H. Heckscher recounts the designer’s meteoric rise from rural obscurity to the heights of the London luxury trade, crediting that remarkable success to the publication of the Chippendale Director, an instructive book on furniture design and ornament. The text analyzes the Museum’s rare collection of drawings by Chippendale, revealing a gifted and highly imaginative designer who mastered what today would be called branding. Illustrating a wide selection of the Director drawings alongside furniture inspired by the Director or actually made in Chippendale’s shop, this Bulletin features works of art that attest to the museum’s century-long infatuation with drawing, prints, books, and furniture in the Chippendale style.
Author | : R. S. Clouston |
Publisher | : |
Total Pages | : 396 |
Release | : 1906 |
Genre | : Cabinetmakers |
ISBN | : |
Author | : Peter Philp |
Publisher | : Routledge/Curzon |
Total Pages | : 54 |
Release | : 2012-01 |
Genre | : Antiques & Collectibles |
ISBN | : 9781447444305 |
The eighteenth century is rightly spoken of as the 'Golden Age of furniture-making', with some of the world's most impressive and exquisite furniture having been produced during this time. This lovely little book contains a detailed treatise on the eighteenth century furniture styles from Baroque to Rococo. A wonderful book full of detailed photographs and intricate descriptions, this text will be of great value to those with an interest in historical furniture and is not to be missed by the discerning collector. The chapters of this book include: France, Italy, Spain, Germany and Sweden, The Netherlands, Britain, and America (Colonial Period). Many antique texts such as this are increasingly rare and costly, and it is with this in mind that we are proudly republishing this text here complete with a new introduction on the history of furniture.
Author | : Jennifer Van Horn |
Publisher | : UNC Press Books |
Total Pages | : 457 |
Release | : 2017-02-23 |
Genre | : History |
ISBN | : 1469629577 |
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.
Author | : Akiko Shimbo |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2016-04-15 |
Genre | : History |
ISBN | : 1317131290 |
Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.