English Demonology And Renaissance Drama
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Shakespeare's Demonology
Author | : Marion Gibson |
Publisher | : A&C Black |
Total Pages | : 252 |
Release | : 2014-02-27 |
Genre | : Literary Criticism |
ISBN | : 1472500318 |
This volume in the long-running and acclaimed Shakespeare Dictionary series is a detailed, critical reference work examining all aspects of magic, good and evil, across Shakespeare's works. Topics covered include the representation of fairies, witches, ghosts, devils and spirits.
New Perspectives on Witchcraft, Magic, and Demonology: Witchcraft in the British Isles and New England
Author | : Levack, Brian Paul Levack |
Publisher | : Taylor & Francis |
Total Pages | : 556 |
Release | : 2001 |
Genre | : Witchcraft |
ISBN | : 9780815336723 |
Between Anthropology and Literature
Author | : Rose De Angelis |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2003-08-27 |
Genre | : Language Arts & Disciplines |
ISBN | : 1134446152 |
This collection addresses the ways in which the language of social science fuses with that of the literary imagination. The essays fit excellently with the current interest in interdisciplinary studies.
The Routledge Anthology of Renaissance Drama
Author | : Simon Barker |
Publisher | : Routledge |
Total Pages | : 492 |
Release | : 2003-09-02 |
Genre | : Drama |
ISBN | : 1134661886 |
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
A New Companion to Renaissance Drama
Author | : Arthur F. Kinney |
Publisher | : John Wiley & Sons |
Total Pages | : 660 |
Release | : 2017-04-20 |
Genre | : Literary Criticism |
ISBN | : 1118823982 |
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
Thinking with Demons
Author | : Stuart Clark |
Publisher | : |
Total Pages | : 850 |
Release | : 1999 |
Genre | : Demonology |
ISBN | : 9780198208082 |
This major work offers a new interpretation of the witchcraft beliefs of European intellectuals between the fifteenth and eighteenth centuries, showing how these beliefs fitted rationally with other beliefs of the period and how far the nature of rationality is dependent on its historical context.
Witchcraft, Madness, Society, and Religion in Early Modern Germany
Author | : H.C. Erik Midelfort |
Publisher | : Taylor & Francis |
Total Pages | : 324 |
Release | : 2024-10-28 |
Genre | : Religion |
ISBN | : 1040234054 |
H.C. Erik Midelfort has carved out a reputation for innovative work on early modern German history, with a particular focus on the social history of ideas and religion. This collection pulls together some of his best work on the related subjects of witchcraft, the history of madness and psychology, demonology, exorcism, and the social history of religious change in early modern Europe. Several of the pieces reprinted here constitute reviews of recent scholarly literature on their topics, while others offer sharp departures from conventional wisdom. A critique of Michel Foucault’s view of the history of madness proved both stimulating but irritating to Foucault’s most faithful readers, so it is reprinted here along with a short retrospective comment by the author. Another focus of this collection is the social history of the Holy Roman Empire, where towns, peasants, and noble families developed different perceptions of the Protestant and Catholic Reformations and of the options the religious revolutions of the sixteenth century offered. Finally, this collection also brings together articles which show how Freudian psychoanalysis and academic sociology have filtered and interpreted the history of early modern Germany.
New Historicism and Renaissance Drama
Author | : Richard Wilson |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2016-07-01 |
Genre | : Literary Criticism |
ISBN | : 131550443X |
New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.
Devil Theatre
Author | : Jan Frans van Dijkhuizen |
Publisher | : DS Brewer |
Total Pages | : 238 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9781843841142 |
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.