English Congregational Hymns In The Eighteenth Century
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| Author | : Madeleine Forrell Marshall |
| Publisher | : University Press of Kentucky |
| Total Pages | : 239 |
| Release | : 2021-12-14 |
| Genre | : Music |
| ISBN | : 0813194253 |
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
| Author | : Joseph V. Carmichael |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 270 |
| Release | : 2020-12-21 |
| Genre | : Religion |
| ISBN | : 1725270846 |
Anne Steele (1717–1778) originally wrote her hymns to be sung in the Baptist congregation pastored by her father. The foremost female contemporary of hymn-writing giants Charles Wesley, John Newton, and William Cowper, her hymns are infused with spiritual sensitivity, theological depth, and raw emotion. She eventually published her hymns under the pseudonym, Theodosia, which means “God’s Gift.” She believed God had given her a gift to share. Steele’s work was warmly received in her own day. Pastor and publishing pioneer of the modern English hymnal, John Rippon, included more than fifty of her hymns in the various topical sections of his wildly successful Selection of Hymns. Rippon’s hymnal was popular on both sides of the Atlantic, but was especially influential during the nineteenth-century revival and renewal of English Particular Baptists. This book introduces Steele’s hymns in the context of her life and times and of Rippon’s hymnal. It illustrates that Steele’s approach to hymn-writing is a model of biblical spirituality. Each hymn as printed in Rippon’s hymnal, and thus sung by congregations and used as devotional literature, is considered. The sung theology of these congregations is a gift to the church universal and worth rediscovering in the twenty-first century.
| Author | : M. Bigold |
| Publisher | : Springer |
| Total Pages | : 271 |
| Release | : 2013-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1137033576 |
Using unpublished manuscript writings, this book reinterprets material, social, literary, philosophical and religious contexts of women's letter-writing in the long 18th century. It shows how letter-writing functions as a form of literary manuscript exchange and argues for manuscript circulation as a method of engaging with the republic of letters.
| Author | : John William Knapp |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 271 |
| Release | : 2019-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1611461618 |
Fiddled out of Reason is a study of several poems spanning the life and career of Joseph Addison, who, along with John Dryden, Alexander Pope, Ambrose Philips, Isaac Watts, and many British poets of the turn of the eighteenth century, helped to cultivate a broad new current of nonliturgical "hymnic" verse that became immensely popular across that century, though it has eluded critical notice until now. The texts the book examines—Addison's St. Cecilia's Day odes (1692, 1699), his libretto for the opera Rosamond (1707), and a sequence of five hymnic works in The Spectator (1712)—precede by twenty-five years John Wesley's publication of the first hymnal for use in the Church of England. The book argues that "secular" hymnic works such as Addison's emerged alongside religio-political controversies and anxieties about British national identity, morality, and expressions of "enthusiastic" passions. Church and Tory interests largely rejected hymnic verse, claiming it would only "fiddle" unwitting readers "out of their reason" and reignite the dangerous fervor of Revolution-era Nonconformity and Dissent. As is evident from his poetry, Addison, a moderate Whig, ardently opposed this view, arguing that the hymnic could in fact be a portal to national and individual amelioration. After an introductory chapter exploring period conceptions of hymnic poetry and the highly contested term "hymn" itself, the argument proceeds through three sections to trace the hymnic's upward trajectory through Addison's early, mid-period, and mature verse. The book devotes the lion's share of its attention to the last of these three, which includes the five-poem Spectator sequence (a poem from the sequence, "The Spacious Firmament on High," will be familiar to many readers). Indeed, in addition to offering new readings of hymnic works by Dryden and Pope, Fiddled out of Reason provides the first extended critical treatment of these five important poems. Publication of the book coincides with the 300th anniversary of Addison's death and with the appearance of a new Oxford edition of Addison's nonperiodical writings.
| Author | : James Bryant Reeves |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2020-07-09 |
| Genre | : Literary Criticism |
| ISBN | : 1108874819 |
Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and William Cowper worried extensively about atheism's dystopian possibilities, and routinely represented atheists as being beyond the pale of human sympathy. Challenging traditional formulations of secularization that equate modernity with unbelief, Reeves reveals how reactions against atheism rather helped sustain various forms of religious belief throughout the Age of Enlightenment. He demonstrates that hostility to unbelief likewise produced various forms of religious ecumenicalism, with authors depicting non-Christian theists from around Britain's emerging empire as sympathetic allies in the fight against irreligion. Godless Fictions in the Eighteenth Century traces a literary history of atheism in eighteenth-century Britain for the first time, revealing a relationship between atheism and secularization far more fraught than has previously been supposed.
| Author | : Paula R. Backscheider |
| Publisher | : JHU Press |
| Total Pages | : 556 |
| Release | : 2005-12-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780801881695 |
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
| Author | : Cynthia Y. Aalders |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 235 |
| Release | : 2009-04-01 |
| Genre | : Religion |
| ISBN | : 1606086006 |
Anne Steele (1717-1778) was one of the most well-known and best-loved hymn-writers of the eighteenth century, and her hymns remained exceedingly popular until late in the nineteenth century, being reprinted regularly in hymnbooks throughout Britain and North America. She was the first major woman hymn-writer as well as the most popular Baptist hymn-writer in the history of the church. Despite this, she has been largely neglected as a subject of academic enquiry until now. This book aims to elucidate Steele's spirituality and to clarify her unique contribution to eighteenth-century hymnody. It takes an interdisciplinary approach, setting Steele's devotional expression in its theological, literary, and historical contexts, and providing comparison to other eighteenth-century figures. It uses archival sources to reconstruct her life and work, offers a close reading of her verse, and concludes that Steele made a significant and as yet underrated contribution to eighteenth-century devotional expression.
| Author | : Julia B Griffin |
| Publisher | : Taylor & Francis |
| Total Pages | : 476 |
| Release | : 2024-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 1040248691 |
These volumes will present, in some cases for the first time, the lives and works of a coterie of Nonconformist women writers from the West Country.
| Author | : Graham Beynon |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 231 |
| Release | : 2016-10-20 |
| Genre | : Religion |
| ISBN | : 0567670155 |
Isaac Watts was an important but relatively unexamined figure and this volume offers a description of his theology, specifically identifying his position on reason and passion as foundational. The book shows how Watts modified a Puritan inherence on both topics in the light of the thought of his day. In particular there is an examination of how he both took on board and reacted against aspects of Enlightenment and sentimentalist thought. Watts' position on these foundational issued of reason and passion are then shown to lie behind his more practical works to revive the church. Graham Beynon examines the motivation for Watts' work in writing hymns, and the way in which he wrote them; and discusses his preaching and prayer. In each of these practical topics Watts's position is compared to earlier Puritans to show the difference his thinking on reason and passion makes in practice. Isaac Watts is shown to have a coherent position on the foundational issues of reason and passion which drove his view of revival of religion.
| Author | : Paul Goring |
| Publisher | : Cambridge University Press |
| Total Pages | : 236 |
| Release | : 2004-12-23 |
| Genre | : Literary Criticism |
| ISBN | : 1139456768 |
The Rhetoric of Sensibility in Eighteenth-Century Culture explores the burgeoning eighteenth-century fascination with the human body as an eloquent, expressive object. This wide-ranging study examines the role of the body within a number of cultural arenas - particularly oratory, the theatre and the novel - and charts the efforts of projectors and reformers who sought to exploit the textual potential of the body for the public assertion of modern politeness. Paul Goring shows how diverse writers and performers including David Garrick, James Fordyce, Samuel Richardson, Sarah Fielding and Laurence Sterne were involved in the construction of new ideals of physical eloquence - bourgeois, sentimental ideals which stood in contrast to more patrician, classical bodily modes. Through innovative readings of fiction and contemporary manuals on acting and public speaking, Goring reveals the ways in which the human body was treated as an instrument for the display of sensibility and polite values.
