Engendering Rome
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| Author | : A. M. Keith |
| Publisher | : Cambridge University Press |
| Total Pages | : 166 |
| Release | : 2000-02-24 |
| Genre | : Literary Collections |
| ISBN | : 9780521556217 |
Heroism has long been recognised by readers and critics of Roman epic as a central theme of the genre from Virgil and Ovid to Lucan and Statius. However the crucial role female characters play in the constitution and negotiation of the heroism on display in epic has received scant attention in the critical literature. This study represents an attempt to restore female characters to visibility in Roman epic and to examine the discursive operations that effect their marginalisation within both the genre and the critical tradition it has given rise to. The five chapters can be read either as self-contained essays or as a cumulative exploration of the gender dynamics of the Roman epic tradition. The issues addressed are of interest not just to classicists but also to students of gender studies.
| Author | : Richard Jackson King |
| Publisher | : Ohio State University Press |
| Total Pages | : 340 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 0814210201 |
During his last two decades (ca. 2 BCE-17 CE), Ovid composed, but never completed, his Fasti, an elegiac representation of Rome's rites and festivals: only six of twelve month-books remain. Earlier scholars have claimed that this is due either to Ovid's exile from Rome (which put him out of touch with the Roman literary world) or else his frustration over the Roman calendar's discontinuity. Drawing upon recent scholarship in gender studies and Lacanian film theory, Richard J. King analyzes this exilic incompletion as inviting the citizen male reader into what he calls an "angular" or "skewed" viewpoint, which interrogates the Roman hierarchical and male-dominated social order, insofar as it is mirrored in the Roman calendar of rites and festivals. Ovid (already well known and even infamous as the composer of erotic poems and the Metamorphoses) does this by emulating the civic gesture of "calendar presentation," whereby upwardly mobile adult male citizens caused calendars to be carved in stone and set up in conspicuous public places to reflect the city's pride and to build their own prestige as public figures. In this innovative study, King discusses the Fasti as Ovid's socially strategic use of this gesture. Interrupted by exile and filled with varying explanations of Roman festivals, Ovid's poetic version manifests a form whose brokenness comments on the fractured identity of the exiled poet and citizen subjects generally in an imperial order ambivalent toward its greatest poet. Desiring Rome expands upon recent recognition of the Fasti's centrality to early imperial politics by situating the poem's "failure" within broader negotiations of identity between early imperial citizen-subjects and the cultural ideology of Roman manhood.
| Author | : Emma Southon |
| Publisher | : Abrams |
| Total Pages | : 436 |
| Release | : 2023-11-07 |
| Genre | : History |
| ISBN | : 1647006082 |
From the acclaimed author of A Fatal Thing Happened on the Way to the Forum, a wildly entertaining new history of Rome that uses the lives of 21 women to upend our understanding of the ancient world The history of Rome has long been narrow and one-sided, essentially a history of “the Doing of Important Things.” And as far as Roman historians have been concerned, women don’t make that history. From Romulus through the political stab-fest of the late Republic, and then on to all the emperors, Roman historians may deign to give you a wife or a mother to show how bad things become when women get out of control, but history is more than that. Emma Southon’s A Rome of One’s Own is the best kind of correction. This is a retelling of the history of Rome with all the things Roman history writers relegate to the background, or designate as domestic, feminine, or worthless. This is a history of women who caused outrage, led armies in rebellion, wrote poetry; who lived independently or under the thumb of emperors. Told with humor and verve as well as a deep scholarly background, A Rome of One’s Own highlights women overlooked and misunderstood, and through them offers a fascinating and groundbreaking chronicle of the ancient world.
| Author | : Matthew Dillon |
| Publisher | : Routledge |
| Total Pages | : 808 |
| Release | : 2013-10-28 |
| Genre | : History |
| ISBN | : 1136761438 |
A companion volume to the highly successful and widely used Ancient Greece, this Sourcebook is a valuable resource for students at all levels studying ancient Rome. Lynda Garland and Matthew Dillon present an extensive range of material, from the early Republic to the assassination of Julius Caesar. Providing a comprehensive coverage of all important documents pertaining to the Roman Republic, Ancient Rome includes: source material on political developments in the Roman Republic (509–44 BC) detailed chapters on social phenomena, such as Roman religion, slavery and freedmen, women and the family, and the public face of Rome clear, precise translations of documents taken not only from historical sources, but also from inscriptions, laws and decrees, epitaphs, graffiti, public speeches, poetry, private letters and drama concise up-to-date bibliographies and commentaries for each document and chapter a definitive collection of source material on the Roman Republic. All students of ancient Rome and classical studies will find this textbook invaluable at all levels of study.
| Author | : Raymond Marks |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 298 |
| Release | : 2024-10-07 |
| Genre | : Literary Criticism |
| ISBN | : 311156262X |
Roman epic is traditionally understood to advance a masculine, martial form of heroism. In his version of the Argonaut legend, the Argonautica, however, Valerius Flaccus challenges that prevailing ethos of the genre by turning Medea, Jason’s love interest in the story, into a heroic figure and Jason himself into her emasculated victim. The present study charts this plotline as it unfolds in the second half of Valerius’ epic, finding its key source of inspiration in the poetry of Ovid with its tales of transgressive love, gender-bending, and unconventional heroism. Employing an extensive program of allusion to his Metamorphoses and elegiac works, Valerius transforms Medea from the innocent, vulnerable girl we see in her first appearance in the poem into a threatening, powerful, and masculine figure, who not only helps Jason fulfill his quest for the golden fleece, but eclipses him as hero in the process. Readers of this study will gain insight into Valerius’ inventive reworking of the Argonaut myth and innovations within the epic genre as well as a greater appreciation for Ovid’s influence on Roman epic poetry in the first century CE.
| Author | : Jacqueline Fabre-Serris |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 293 |
| Release | : 2021-04-06 |
| Genre | : History |
| ISBN | : 3110719940 |
The question of ‘identity’ arises for any individual or ethnic group when they come into contact with a stranger or another people. Such contact results in the self-conscious identification of ways of life, customs, traditions, and other forms of society as one’s own specific cultural features and the construction of others as characteristic of peoples from more or less distant lands, described as very ‘different’. Since all societies are structured by the division between the sexes in every field of public and private activity, the modern concept of ‘gender’ is a key comparator to be considered when investigating how the concepts of identity and ethnicity are articulated in the evaluation of the norms and values of other cultures. The object of this book is to analyze, at the beginning Western culture, various examples of the ways the Greeks and Romans deployed these three parameters in the definition of their identity, both cultural and gendered, by reference to their neighbours and foreign nations at different times in their history. This study also aims to enrich contemporary debates by showing that we have yet to learn from the ancients’ discussions of social and cultural issues that are still relevant today.
| Author | : Neil W. Bernstein |
| Publisher | : Oxford University Press |
| Total Pages | : 316 |
| Release | : 2022-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 0198838166 |
Book 9 of Silius Italicus' first-century Latin epic poem Punica begins the narrative of the Battle of Cannae (August 216 BC). This book is an integral part of the epic's three-book movement that narrates one of the largest battles in Roman history. It opens with the dispute between the consuls Paulus and Varro over giving battle, in the face of hostile omens and Hannibal's record of successful combat. On the eve of the battle, the Roman soldier Solymus accidentally kills his father Satricus, thereby presenting an omen of disaster for the Roman army. After Hannibal and Varro encourage their troops, the initial phase of the battle commences. The gods descend to the battlefield, and Mars and Minerva fight the sole full-scale theomachy in Latin epic. Aeolus summons the Vulturnus wind at Juno's request to devastate the Roman ranks. After the gods have departed, Hannibal's elephant troops advance and scatter the Roman forces. The book ends by recapitulating the opening episode: Varro admits his mistake in giving battle and flees the battlefield. This volume is the first full-scale commentary in English devoted exclusively to Punica 9. It features the Latin text with a critical apparatus and a parallel English translation. Detailed commentary notes provide information on literary style, use of language, poetic intertexts, and scholarly interpretation. The Introduction offers further context and background, including sections on Silius Italicus and his era, the historiographic and rhetorical traditions that he adopted, the inter- and intra-textuality of the Cannae episode, and the book's use of diction and metre.
| Author | : Anne Rogerson |
| Publisher | : Cambridge University Press |
| Total Pages | : 247 |
| Release | : 2017-01-20 |
| Genre | : History |
| ISBN | : 1108232175 |
Ascanius is the most prominent child hero in Virgil's Aeneid. He accompanies his father from Troy to Italy and is present from the first book of the epic to the last; he is destined to found the city of Alba Longa and the Julian family to which Caesar and Augustus both belonged; and he hunts, fights, makes speeches, and even makes a joke. In this first book-length study of Virgil's Ascanius, Anne Rogerson demonstrates the importance of this character not just to the Augustan family tree but to the texture and the meaning of the Aeneid. As a figure of prophecy and a symbol both of hopes for the future and of present uncertainties, Ascanius is a fusion of epic and dynastic desires. Compelling close readings of the representation and reception of this understudied character throughout the Aeneid expose the unexpectedly childish qualities of Virgil's heroic epic.
| Author | : Roy Gibson |
| Publisher | : Cambridge University Press |
| Total Pages | : 1132 |
| Release | : 2024-01-18 |
| Genre | : History |
| ISBN | : 1108369189 |
The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future development. The Critical Guide aims to stimulate reflection on how we engage with Latin literature. Texts, tools and territories are the three areas of focus. The Guide situates the study of classical Latin literature within its global context from late antiquity to Neo-Latin, moving away from an exclusive focus on the pre-200 CE corpus. It recalibrates links with adjoining disciplines (history, philosophy, material culture, linguistics, political thought, Greek), and takes a fresh look at key tools (editing, reception, intertextuality, theory).
| Author | : Statius |
| Publisher | : Cambridge University Press |
| Total Pages | : 295 |
| Release | : 2011-02-17 |
| Genre | : History |
| ISBN | : 1316154238 |
With the exception of a poem on the unscripted death of a lion in the Colosseum, Book II of Statius' Silvae is largely domestic in theme. It reflects the more private side of Roman culture, its pleasures, houses, gardens, friendships, and personal losses; it concludes with a provocative tribute to the poet Lucan. Despite its variety, the book is carefully constructed as a unit, and this edition, which is suitable for use with advanced students, puts the book into its context in the history of Greek and Roman poetry. The commentary takes into account the important work done on the text of the Silvae in the past two decades as well as the new perspectives brought to bear on Flavian culture by historians and archaeologists. It explores Statius' use of the short poem as a playful engagement with literary tradition that also reflects changing ideas of Roman cultural identity.
