Enduring Voices: To 1877
Author | : James J. Lorence |
Publisher | : Wadsworth Publishing Company |
Total Pages | : 364 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780669399202 |
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Author | : James J. Lorence |
Publisher | : Wadsworth Publishing Company |
Total Pages | : 364 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780669399202 |
Author | : James J. Lorence |
Publisher | : |
Total Pages | : 372 |
Release | : 2003-07 |
Genre | : History |
ISBN | : 9780395960844 |
This supplement offers a wide range of primary-source documents in sets built around a historical "problem." Each set comprises several documents, including excerpts from letters, diaries, speeches, and petitions, as well as song lyrics, political cartoons, and advertisements. Introductions and questions guide readers in understanding and interpreting the documents.
Author | : James J. Lorence |
Publisher | : Wadsworth Publishing Company |
Total Pages | : 452 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780669399219 |
Author | : Paul S. Boyer |
Publisher | : Houghton Mifflin |
Total Pages | : 500 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780669331707 |
Author | : Robert B. Grant |
Publisher | : |
Total Pages | : 378 |
Release | : 1996 |
Genre | : United States |
ISBN | : 9780669397970 |
Author | : |
Publisher | : D.C. Heath |
Total Pages | : 548 |
Release | : 1996 |
Genre | : History |
ISBN | : 9780669415902 |
Author | : Henry Louis Gates, Jr. |
Publisher | : Penguin |
Total Pages | : 322 |
Release | : 2020-04-07 |
Genre | : History |
ISBN | : 0525559558 |
“Stony the Road presents a bracing alternative to Trump-era white nationalism. . . . In our current politics we recognize African-American history—the spot under our country’s rug where the terrorism and injustices of white supremacy are habitually swept. Stony the Road lifts the rug." —Nell Irvin Painter, New York Times Book Review A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, by the bestselling author of The Black Church. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked "a new birth of freedom" in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the "nadir" of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a "New Negro" to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age. The story Gates tells begins with great hope, with the Emancipation Proclamation, Union victory, and the liberation of nearly 4 million enslaved African-Americans. Until 1877, the federal government, goaded by the activism of Frederick Douglass and many others, tried at various turns to sustain their new rights. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and a loss of Northern will, restored "home rule" to the South. The retreat from Reconstruction was followed by one of the most violent periods in our history, with thousands of black people murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation. An essential tour through one of America's fundamental historical tragedies, Stony the Road is also a story of heroic resistance, as figures such as W. E. B. Du Bois and Ida B. Wells fought to create a counter-narrative, and culture, inside the lion's mouth. As sobering as this tale is, it also has within it the inspiration that comes with encountering the hopes our ancestors advanced against the longest odds.
Author | : Kidada E. Williams |
Publisher | : NYU Press |
Total Pages | : 294 |
Release | : 2012-03-12 |
Genre | : History |
ISBN | : 0814795366 |
"Well after slavery was abolished, its legacy of violence left deep wounds on African Americans' bodies, minds, and lives. For many victims and witnesses of the assaults, rapes, murders, nightrides, lynchings, and other bloody acts that followed, the suffering this violence engendered was at once too painful to put into words yet too horrible to suppress. Despite the trauma it could incur, many African Americans opted to publicize their experiences by testifying about the violence they endured and witnessed." "In this evocative and deeply moving history, Kidada Williams examines African Americans' testimonies about racial violence. By using both oral and print culture to testify about violence, victims and witnesses hoped they would be able to graphically disseminate enough knowledge about its occurrence that federal officials and the American people would be inspired bear witness to thier suffering and support their demands for justice. In the process of testifying, these people created a vernacular history of the violence they endured and witnessed, as well as the identities that grew from the experience of violence. This history fostered an oppositional consciousness to racial violence that inspired African Americans to form and support campaigns to end violence. The resulting crusades against racial violence became one of the political training grounds for the civil rights movement." -- Book Cover.
Author | : Henry Ward Beecher |
Publisher | : |
Total Pages | : 580 |
Release | : 1878 |
Genre | : Christianity |
ISBN | : |
Author | : Tim Brooks |
Publisher | : University of Illinois Press |
Total Pages | : 656 |
Release | : 2010-10-01 |
Genre | : Music |
ISBN | : 0252090632 |
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.