Enduring Critical Poses
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| Author | : Gordon Henry Jr. |
| Publisher | : State University of New York Press |
| Total Pages | : 306 |
| Release | : 2021-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 143848254X |
A celebration of Anishinaabe intellectual tradition. Enduring Critical Poses examines the stories, poems, plays, and histories centered in the Great Lakes region of North America, where the Anishinaabeg live in a space Basil Johnston referred to as "Maazikamikwe," a maternal earth. The Anishinaabeg are a confederacy of many communities, including the Odawa, Saulteaux, Ojibwe, Potawatomi, Oji-Cree, and Algonquin peoples, who share cultural practices and related languages. Bringing together senior scholars and new voices on the Anishinaabe intellectual landscape, this volume specifically explores Ojibwe, Odawa, and Potawatomi culture, language, and literary heritage. Through a tribal-centric framework, the contributors connect various branches of Native American literary studies and celebrate Anishinaabe narrative diversity to offer a single, overarching story of Anishinaabe survival and endurance. Gordon Henry Jr. is an enrolled member of the White Earth Anishinaabe Nation in Minnesota and Professor of American Indian Literature, Creative Writing, and American Indian Studies at Michigan State University. His books include Afterlives of Indigenous Archives: Essays in Honor of the Occom Circle (coedited with Ivy Schweitzer) and The Light People. Margaret Noodin is Professor of English and American Indian Studies and Director of the Electa Quinney Institute for American Indian Education at the University of Wisconsin–Milwaukee. Her books include Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature. David Stirrup is Professor of American Literature and Indigenous Studies at the University of Kent, United Kingdom. His books include Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature.
| Author | : James Joseph Buss |
| Publisher | : SUNY Press |
| Total Pages | : 350 |
| Release | : 2014-08-25 |
| Genre | : Literary Criticism |
| ISBN | : 1438453418 |
Examines the origins, efficacy, legacy, and consequences of envisioning both Native and non-Native worlds. Beyond Two Worlds brings together scholars of Native history and Native American studies to offer fresh insights into the methodological and conceptual significance of the two-worlds framework. They address the following questions: Where did the two-worlds framework originate? How has it changed over time? How does it continue to operate in todays world? Most people recognize the language of binaries birthed by the two-worlds tropesavage and civilized, East and West, primitive and modern. For more than four centuries, this lexicon has served as a grammar for settler colonialism. While many scholars have chastised this type of terminology in recent years, the power behind these words persists. With imagination and a critical evaluation of how language, politics, economics, and culture all influence the expectations that we place on one another, the contributors to this volume rethink the two-worlds trope, adding considerably to our understanding of the past and present.
| Author | : Larry Nesper |
| Publisher | : State University of New York Press |
| Total Pages | : 345 |
| Release | : 2021-04-01 |
| Genre | : Social Science |
| ISBN | : 1438482876 |
In the Great Lakes region of the nineteenth century, "mixed bloods" were a class of people living within changing indigenous communities. As such, they were considered in treaties signed between the tribal nations and the federal government. Larry Nesper focuses on the implementation and long-term effects of the mixed-blood provision of the 1854 treaty with the Chippewa of Wisconsin. That treaty not only ceded lands and created the Ojibwe Indian reservations in the region, it also entitled hundreds of "mixed-bloods belonging to the Chippewas of Lake Superior," as they appear in this treaty, to locate parcels of land in the ceded territories. However, quickly dispossessed of their entitlement, the treaty provision effectively capitalized the first mining companies in Wisconsin, initiating the period of non-renewable resource extraction that changed the demography, ecology, and potential future for the region for both natives and non-natives. With the influx of Euro-Americans onto these lands, conflicts over belonging and difference, as well as community leadership, proliferated on these new reservations well into the twentieth century. This book reveals the tensions between emergent racial ideology and the resilience of kinship that shaped the historical trajectory of regional tribal society to the present.
| Author | : Gary Paul Nabhan |
| Publisher | : University of Arizona Press |
| Total Pages | : 260 |
| Release | : 2002-10 |
| Genre | : Social Science |
| ISBN | : 9780816522590 |
As biological diversity continues to shrink at an alarming rate, the loss of plant species poses a threat seemingly less visible than the loss of animals but in many ways more critical. In this book, one of America's leading ethnobotanists warns about our loss of natural vegetation and plant diversity while providing insights into traditional Native agricultural practices in the Americas. Gary Paul Nabhan here reveals the rich diversity of plants found in tropical forests and their contribution to modern crops, then tells how this diversity is being lost to agriculture and lumbering. He then relates "local parables" of Native American agriculture—from wild rice in the Great Lakes region to wild gourds in Florida—that convey the urgency of this situation and demonstrate the need for saving the seeds of endangered plants. Nabhan stresses the need for maintaining a wide gene pool, not only for the survival of these species but also for the preservation of genetic strains that can help scientists breed more resilient varieties of other plants. Enduring Seeds is a book that no one concerned with our environment can afford to ignore. It clearly shows us that, as agribusiness increasingly limits the food on our table, a richer harvest can be had by preserving ancient ways. This edition features a new foreword by Miguel Altieri, one of today's leading spokesmen for sustainable agriculture and the preservation of indigenous farming methods.
| Author | : Adam Spry |
| Publisher | : State University of New York Press |
| Total Pages | : 256 |
| Release | : 2018-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 1438468830 |
For the Anishinaabeg—the indigenous peoples of the Great Lakes—literary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange, Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each other's work across the boundaries of nation, culture, and time. By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers' Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptions—about authenticity, identity, and nationhood itself—that have become common wisdom in both Native American and US literary studies.
| Author | : Scott Richard Lyons |
| Publisher | : SUNY Press |
| Total Pages | : 348 |
| Release | : 2017-03-27 |
| Genre | : Literary Criticism |
| ISBN | : 1438464452 |
Advances critical conversations in Native American literary studies by situating its subject in global, transnational, and modernizing contexts. Since the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding Native American literature, culture, and politics it has not always attended to the important fact that Native texts and writers have also always been globalized. The World, the Text, and the Indian breaks from this framework by examining Native American literature not for its tribal-national significance but rather its connections to global, transnational, and cosmopolitan forces. Essays by leading scholars in the field assume that Native American literary and cultural production is global in character; even claims to sovereignty and self-determination are made in global contexts and influenced by global forces. Spanning from the nineteenth century to the present day, these analyses of theories, texts, and methodsfrom trans-indigenous to cosmopolitan, George Copway to Sherman Alexie, and indigenous feminism to book historyinterrogate the dialects of global indigeneity and settler colonialism in literary and visual culture.
| Author | : David Stirrup |
| Publisher | : MSU Press |
| Total Pages | : 485 |
| Release | : 2020-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 1628953888 |
Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
| Author | : Bryan Hall |
| Publisher | : Routledge |
| Total Pages | : 231 |
| Release | : 2014-10-10 |
| Genre | : Philosophy |
| ISBN | : 1317624041 |
In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant’s Critical philosophy in relation to his post-Critical work by turning to Kant’s final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant’s mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant’s transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant’s transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant’s Critical period.
| Author | : J. Mackay |
| Publisher | : Springer |
| Total Pages | : 266 |
| Release | : 2012-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 1137318813 |
This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.
| Author | : Catherine Rainwater |
| Publisher | : University of New Mexico Press |
| Total Pages | : 202 |
| Release | : 2016-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 0826357288 |
As American Indian writers frequently remind their readers, storytellers wield formidable power to affect the earth and its inhabitants. This power is the same medicine power that inheres in tribal expression such as chants, prayers, and ceremonial rituals. Leslie Marmon Silko, critics point out, modifies literary genres to create the most effective medicine power. When Silko’s Storyteller first appeared in 1981, critics were baffled by this complex text. Today it is a canonical work in the study of American Indian literature. The essays collected in this book, addressing both the original edition of Storyteller and the 2012 revision, use the growth in understanding of Native American literature in general and of Silko’s work in particular to unpack this fascinating work and its critical reception over the years.
