Empathy, Form, and Space

Empathy, Form, and Space
Author: Robert Vischer
Publisher: Getty Research Institute
Total Pages: 356
Release: 1994
Genre: Art
ISBN:

The six essays presented in this volume afford the English-reading public the first serious and considered overview of the uniquely Germanic movements of psychological aesthetics and Kunstwissenschaft.

Empathetic Space on Screen

Empathetic Space on Screen
Author: Amedeo D'Adamo
Publisher: Springer
Total Pages: 278
Release: 2017-12-15
Genre: Language Arts & Disciplines
ISBN: 3319667726

In this book we learn that there is a clear but complex relationship between setting and character on screen. Certain settings stand out above others—think of the iconic gooey dripping tunnels that Ripley stumbles through in Aliens, Norman’s bird-decorated parlour in Psycho or the dark Gotham of certain Batman movies. But what makes these particular settings so powerful and iconic? Amedeo D’Adamo explains why we care about and cry for certain characters, and then focuses on how certain places then become windows onto their emotional lives. Using popular case studies such as Apocalypse Now, Amelie, Homeland and The Secret Garden, this original and insightful book is the first to really explain what makes some settings so effective, revealing an important but as yet uncovered machinery of empathy in visual narrative space. An invaluable resource for students, academics and indeed young filmmakers designing their very own narratives for space on screen.

Empathic Space

Empathic Space
Author:
Publisher: John Wiley & Sons
Total Pages: 144
Release: 2014-11-19
Genre: Architecture
ISBN: 1119021618

In recent years, questions of space have gained renewed momentum inarchitecture and urban design, as adaptation, densification andsustainable regeneration have become an increasing priority. Whilemost computing-based design tends to emphasise the formal aspectsof architecture, overlooking space and its users, the‘original’ computational design approaches firstspearheaded in the UK in the 1960s and 1970s tended to be focusedon behavioural and occupational patterns. Over the last decade, anew generation of design research has emerged that has started toimplement and validate previous investigations into spatialcomputation, aiming to understand how to design spatialconfigurations based on user experiences. This revives an interestin the experiential that was first explored in the early 20thcentury by German and Nordic organic architects, who inventeddesign methods that correlated cognitive responses of buildings'occupants to spatial structure. The current revival ofhuman-centric design, however, represents the first design approachthat synthesises spatial design and algorithmic techniques withorganic design thinking, which could also be regarded as a returnto the ‘first principles' of architectural design. Contributors include: Paul Coates, Christian Derix, Olafur Eliasson, Lucy Helme, BillHillier, Åsmund Izaki, Prarthana Jagannath, Dan Montello,Juhani Pallasmaa, Philip Steadman and Guy Theraulaz. Featured Architects/Designers: Jussi Ängeslevä (Art+Com), Stan Allen, Aedas|R&D,Markus Braach (Kaisersrot), Hermann Hertzberger, Kazuhiro Kojima(Cat), Pablo Miranda and Rafi Segal.

The New Space

The New Space
Author: Christopher Long
Publisher: Yale University Press
Total Pages: 263
Release: 2016-11-22
Genre: Architecture
ISBN: 0300223927

Scholars have long stressed the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870–1933), together with Josef Frank (1885–1967) and Oskar Strnad (1879–1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it. The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately explored what Le Corbusier would later—independently—term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice.

McLuhan in Space

McLuhan in Space
Author: Richard Cavell
Publisher: University of Toronto Press
Total Pages: 348
Release: 2002-01-01
Genre: Science
ISBN: 9780802086587

Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.

Radical Empathy

Radical Empathy
Author: Terri Givens
Publisher: Policy Press
Total Pages: 200
Release: 2022-02-14
Genre: Biography & Autobiography
ISBN: 1447357256

Renowned political scientist Terri Givens calls for ‘radical empathy’ in bridging racial divides to understand the origins of our biases, including internalized oppression. Deftly weaving together her own experiences with the political, she offers practical steps to call out racism and bring about radical social change.

Architecture and the Body, Science and Culture

Architecture and the Body, Science and Culture
Author: Kim Sexton
Publisher: Routledge
Total Pages: 446
Release: 2017-10-20
Genre: Architecture
ISBN: 1317281853

The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.

Space, Time, and Presence in the Icon

Space, Time, and Presence in the Icon
Author: Clemena Antonova
Publisher: Routledge
Total Pages: 206
Release: 2016-03-09
Genre: Religion
ISBN: 1317051823

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

Kinaesthetic Knowing

Kinaesthetic Knowing
Author: Zeynep Çelik Alexander
Publisher: University of Chicago Press
Total Pages: 328
Release: 2017-12-08
Genre: Art
ISBN: 022648534X

Is all knowledge the product of thought? Or can the physical interactions of the body with the world produce reliable knowledge? In late-nineteenth-century Europe, scientists, artists, and other intellectuals theorized the latter as a new way of knowing, which Zeynep Çelik Alexander here dubs “kinaesthetic knowing.” In this book, Alexander offers the first major intellectual history of kinaesthetic knowing and its influence on the formation of modern art and architecture and especially modern design education. Focusing in particular on Germany and tracing the story up to the start of World War II, Alexander reveals the tension between intellectual meditation and immediate experience to be at the heart of the modern discourse of aesthetics, playing a major part in the artistic and teaching practices of numerous key figures of the period, including Heinrich Wölfflin, Hermann Obrist, August Endell, László Moholy-Nagy, and many others. Ultimately, she shows, kinaesthetic knowing did not become the foundation of the human sciences, as some of its advocates had hoped, but it did lay the groundwork—at such institutions as the Bauhaus—for modern art and architecture in the twentieth century.

Modernism and the Rhythms of Sympathy

Modernism and the Rhythms of Sympathy
Author: Kirsty Martin
Publisher: Oxford University Press, USA
Total Pages: 228
Release: 2013-03-28
Genre: Literary Criticism
ISBN: 0199674086

This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.